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Writing About Poetry

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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.

What's the Point?

In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.

So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:

• To help you learn to make a text-based argument. That is, to help you to defend ideas based on a text that is available to you and other readers. This sharpens your reasoning skills by forcing you to formulate an interpretation of something someone else has written and to support that interpretation by providing logically valid reasons why someone else who has read the poem should agree with your argument. This isn't a skill that is just important in academics, by the way. Lawyers, politicians, and journalists often find that they need to make use of similar skills.
• To help you to understand what you are reading more fully. Nothing causes a person to make an extra effort to understand difficult material like the task of writing about it. Also, writing has a way of helping you to see things that you may have otherwise missed simply by causing you to think about how to frame your own analysis.
• To help you enjoy poetry more! This may sound unlikely, but one of the real pleasures of poetry is the opportunity to wrestle with the text and co-create meaning with the author. When you put together a well-constructed analysis of the poem, you are not only showing that you understand what is there, you are also contributing to an ongoing conversation about the poem. If your reading is convincing enough, everyone who has read your essay will get a little more out of the poem because of your analysis.

What Should I Know about Writing about Poetry?

Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.

What Can I Write About?

Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?

Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.

Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.

Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:

• metaphor: comparison between two unlike things
• simile: comparison between two unlike things using "like" or "as"
• metonymy: one thing stands for something else that is closely related to it (For example, using the phrase "the crown" to refer to the king would be an example of metonymy.)
• synecdoche: a part stands in for a whole (For example, in the phrase "all hands on deck," "hands" stands in for the people in the ship's crew.)
• personification: a non-human thing is endowed with human characteristics
• litotes: a double negative is used for poetic effect (example: not unlike, not displeased)
• irony: a difference between the surface meaning of the words and the implications that may be drawn from them

Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.

What Style Should I Use?

It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .

Poetry Explications

What this handout is about.

A poetry explication is a relatively short analysis which describes the possible meanings and relationships of the words, images, and other small units that make up a poem. Writing an explication is an effective way for a reader to connect a poem’s subject matter with its structural features. This handout reviews some of the important techniques of approaching and writing a poetry explication, and includes parts of two sample explications.

Preparing to write the explication

Before you try to tackle your first draft of the explication, it’s important to first take a few preliminary steps to help familiarize yourself with the poem and reveal possible avenues of analysis.

• Read the poem or excerpt of poetry silently, then read it aloud (if not in a testing situation). Repeat as necessary.
• Circle, highlight, underline, or otherwise note specific moments that caught your attention as you were reading, and reflect on why you noticed them. These could be moments that made sense to you, profoundly confused you, or something in between. Such moments might be single words, phrases, or formal features (e.g., rhyme, meter, enjambment).
• Reflect on the poem and what it conveyed to you as a reader. You might not be able to fully and logically describe this, but take note of what you noticed. You might consider jotting down your initial thoughts after your first reading, and then noting how your ideas changed after you re-read the poem.

The large issues

Before you really delve into linguistic and formal elements, it’s first important to take a step back and get a sense of the “big picture” of a poem. The following key questions can be helpful when assessing a poem’s overall message:

How did the poem affect you as a reader? The word “affect” can be helpful to consider here since it denotes the overall subjective experience one has in response to reading something (or seeing or experiencing anything, really). This can encompass thoughts, emotions, moods, ideas, etc.—whatever the experience produced in you as a person. You can ask yourself what affective, or emotional, atmosphere the poem produced, even if something about it is difficult to describe. What adjective would you use to describe the tone of the poem? Happy? Sad? Thoughtful? Despairing? Joyous? How did the poem make you feel generally? Did the poem bring to mind certain ideas or images, etc.?

Does the poem have an identifiable speaker or addressee? Is the poem attributed to a specific speaker, or is this unclear or ambiguous? Is the speaker clearly addressing a specific second person audience, or a general one, or does this not come up? Is there a specific dramatic motivation driving the speaker to speak? You may have to make decisions about how to discuss the speaker or addressee in your explication, so it’s worth noticing how the poem is framed.

What seems to be the larger theme, or point, of the poem? This is the first question to try to address. Even if the larger message of the poem seems highly ambiguous, it’s important to first try to get a sense of this before you can move into analyzing the poem more fully. Does the poem seem to be an attempt to understand something? To appreciate something? To express a feeling? To work through a complex idea? To convey an image? Some combination of motivations?

After considering these questions, keep in mind that it’s okay if the poem still confuses you or eludes your full understanding. In fact, this sense of mystery can encourage further thought when trying to explicate a poem. Keep thinking carefully about the intricacies of the language and you may be able to convey some of this sense in your explication.

The details

To analyze the design of the poem, we must focus on the poem’s parts, namely how the poem dramatizes conflicts or ideas in language. By concentrating on the parts, we develop our understanding of the poem’s structure, and we gather support and evidence for our interpretations. Some of the details we should consider include the following:

• Form: Does the poem represent a particular form (sonnet, sestina, etc.)? Does the poem present any unique variations from the traditional structure of that form?
• Rhetoric: How does the speaker make particular statements? Does the rhetoric seem odd in any way? Why? Consider the predicates and what they reveal about the speaker.
• Syntax: Consider the subjects, verbs, and objects of each statement and what these elements reveal about the speaker. Do any statements have convoluted or vague syntax?
• Vocabulary: Why does the poet choose one word over another in each line? Do any of the words have multiple or archaic meanings that add other meanings to the line? Use the Oxford English Dictionary as a resource.

The patterns

As you analyze the design line by line, look for certain patterns to develop which provide insight into the dramatic situation, the speaker’s state of mind, or the poet’s use of details. Some of the most common patterns include the following:

• Rhetorical Patterns: Look for statements that follow the same format.
• Rhyme: Consider the significance of the end words joined by sound; in a poem with no rhymes, consider the importance of the end words.
• Patterns of Sound: Alliteration and assonance create sound effects and often cluster significant words.
• Visual Patterns: How does the poem look on the page?
• Rhythm and Meter: Consider how rhythm and meter influence our perception of the speaker and language.

Basic terms for talking about meter

Meter (from the Greek metron, meaning measure) refers principally to the recurrence of regular beats in a poetic line. In this way, meter pertains to the structure of the poem as it is written.

The most common form of meter in English verse since the 14th century is accentual-syllabic meter, in which the basic unit is the foot. A foot is a combination of two or three stressed and/or unstressed syllables. The following are the four most common metrical feet in English poetry:

• IAMBIC (the noun is “iamb”): an unstressed syllable followed by a stressed syllable, a pattern which comes closest to approximating the natural rhythm of speech. Note line 23 from Shelley’s “Stanzas Written in Dejection, Near Naples”: ⏑ / ⏑ / ⏑ / ⏑ / And walked | with in | ward glo | ry crowned
• TROCHAIC (the noun is “trochee”): a stressed followed by an unstressed syllable, as in the first line of Blake’s “Introduction” to Songs of Innocence: / ⏑ / ⏑ / ⏑ / Piping | down the | valleys | wild
• ANAPESTIC (the noun is “anapest”): two unstressed syllables followed by a stressed syllable, as in the opening to Byron’s “The Destruction of Sennacherib”: ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / The Assyr | ian came down | like the wolf | on the fold
• DACTYLIC (the noun is “dactyl”): a stressed syllable followed by two unstressed syllables, as in Thomas Hardy’s “The Voice”: / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ / ⏑ ⏑ Woman much | missed, how you | call to me, | call to me

Meter also refers to the number of feet in a line:

Any number above six (hexameter) is heard as a combination of smaller parts; for example, what we might call heptameter (seven feet in a line) is indistinguishable (aurally) from successive lines of tetrameter and trimeter (4-3).

To scan a line is to determine its metrical pattern. Perhaps the best way to begin scanning a line is to mark the natural stresses on the polysyllabic words. Take Shelley’s line:

And walked with inward glory crowned.

Then mark the polysyllabic nouns, verbs, adjectives, and adverbs that are normally stressed:

Then fill in the rest:

Then divide the line into feet:

Then note the sequence:

The line consists of four iambs; therefore, we identify the line as iambic tetrameter.

I got rhythm

Rhythm refers particularly to the way a line is voiced, i.e., how one speaks the line. Often, when a reader reads a line of verse, choices of stress and unstress may need to be made. For example, the first line of Keats’ “Ode on Melancholy” presents the reader with a problem:

No, no, go not to Lethe, neither twist

If we determine the regular pattern of beats (the meter) of this line, we will most likely identify the line as iambic pentameter. If we read the line this way, the statement takes on a musing, somewhat disinterested tone. However, because the first five words are monosyllabic, we may choose to read the line differently. In fact, we may be tempted, especially when reading aloud, to stress the first two syllables equally, making the opening an emphatic, directive statement. Note that monosyllabic words allow the meaning of the line to vary according to which words we choose to stress when reading (i.e., the choice of rhythm we make).

The first line of Milton’s Paradise Lost presents a different type of problem.

Of Man’s First Disobedience, and the Fruit

Again, this line is predominantly iambic, but a problem occurs with the word “Disobedience.” If we read strictly by the meter, then we must fuse the last two syllables of the word. However, if we read the word normally, we have a breakage in the line’s metrical structure. In this way, the poet forges a tension between meter and rhythm: does the word remain contained by the structure, or do we choose to stretch the word out of the normal foot, thereby disobeying the structure in which it was made? Such tension adds meaning to the poem by using meter and rhythm to dramatize certain conflicts. In this example, Milton forges such a tension to present immediately the essential conflicts that lead to the fall of Adam and Eve.

Writing the explication

The explication should follow the same format as the preparation: begin with the large issues and basic design of the poem and work through each line to the more specific details and patterns.

The first paragraph

The first paragraph should present the large issues; it should inform the reader which conflicts are dramatized and should describe the dramatic situation of the speaker. The explication does not require a formal introductory paragraph; the writer should simply start explicating immediately. According to UNC ‘s Professor William Harmon, the foolproof way to begin any explication is with the following sentence:

“This poem dramatizes the conflict between …”

Such a beginning ensures that you will introduce the major conflict or theme in the poem and organize your explication accordingly.

Here is an example. A student’s explication of Wordsworth’s “Composed upon Westminster Bridge” might begin in the following way:

This poem dramatizes the conflict between appearance and reality, particularly as this conflict relates to what the speaker seems to say and what he really says. From Westminster Bridge, the speaker looks at London at sunrise, and he explains that all people should be struck by such a beautiful scene. The speaker notes that the city is silent, and he points to several specific objects, naming them only in general terms: “Ships, towers, domes, theatres, and temples” (6). After describing the “glittering” aspect of these objects, he asserts that these city places are just as beautiful in the morning as country places like “valley, rock, or hill” (8,10). Finally, after describing his deep feeling of calmness, the speaker notes how the “houses seem asleep” and that “all that mighty heart is lying still” (13, 14). In this way, the speaker seems to say simply that London looks beautiful in the morning.

The next paragraphs

The next paragraphs should expand the discussion of the conflict by focusing on details of form, rhetoric, syntax, and vocabulary. In these paragraphs, the writer should explain the poem line by line in terms of these details, and they should incorporate important elements of rhyme, rhythm, and meter during this discussion.

The student’s explication continues with a topic sentence that directs the discussion of the first five lines:

However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially. For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme. The fact that the poet chooses to write a sonnet about London in an Italian form suggests that what he says may not be actually praising the city. Also, the rhetoric of the first two lines seems awkward compared to a normal speaking voice: “Earth has not anything to show more fair. / Dull would he be of soul who could pass by” (1-2). The odd syntax continues when the poet personifies the city: “This City now doth, like a garment, wear / The beauty of the morning” (4-5). Here, the city wears the morning’s beauty, so it is not the city but the morning that is beautiful …

The conclusion

The explication has no formal concluding paragraph; do not simply restate the main points of the introduction! The end of the explication should focus on sound effects or visual patterns as the final element of asserting an explanation. Or, as does the undergraduate here, the writer may choose simply to stop writing when they reach the end of the poem:

The poem ends with a vague statement: “And all that mighty heart is lying still!” In this line, the city’s heart could be dead, or it could be simply deceiving the one observing the scene. In this way, the poet reinforces the conflict between the appearance of the city in the morning and what such a scene and his words actually reveal.

Tips to keep in mind

Refer to the speaking voice in the poem as the “speaker” or “the poet.” For example, do not write, “In this poem, Wordsworth says that London is beautiful in the morning.” However, you can write,

“In this poem, Wordsworth presents a speaker who…”

We cannot absolutely identify Wordsworth with the speaker of the poem, so it is more accurate to talk about “the speaker” or “the poet” in an explication.

Use the present tense when writing the explication. The poem, as a work of literature, continues to exist!

To avoid unnecessary uses of the verb “to be” in your compositions, the following list suggests some verbs you can use when writing the explication:

An example of an explication written for a timed exam

The Fountain

Fountain, fountain, what do you say Singing at night alone? “It is enough to rise and fall Here in my basin of stone.” But are you content as you seem to be So near the freedom and rush of the sea? “I have listened all night to its laboring sound, It heaves and sags, as the moon runs round; Ocean and fountain, shadow and tree, Nothing escapes, nothing is free.”

—Sara Teasdale (American, 1884-1933)

As a direct address to an inanimate object “The Fountain” presents three main conflicts concerning the appearance to the observer and the reality in the poem. First, since the speaker addresses an object usually considered voiceless, the reader may abandon his/her normal perception of the fountain and enter the poet’s imaginative address. Secondly, the speaker not only addresses the fountain but asserts that it speaks and sings, personifying the object with vocal abilities. These acts imply that, not only can the fountain speak in a musical form, but the fountain also has the ability to present some particular meaning (“what do you say” (1)). Finally, the poet gives the fountain a voice to say that its perpetual motion (rising and falling) is “enough” to maintain its sense of existence. This final personification fully dramatizes the conflict between the fountain’s appearance and the poem’s statement of reality by giving the object intelligence and voice.

The first strophe, four lines of alternating 4- and 3-foot lines, takes the form of a ballad stanza. In this way, the poem begins by suggesting that it will be story that will perhaps teach a certain lesson. The opening trochees and repetition stress the address to the fountain, and the iamb which ends line 1 and the trochee that begins line 2 stress the actions of the fountain itself. The response of the fountain illustrates its own rise and fall in the iambic line 3, and the rhyme of “alone” and “stone” emphasizes that the fountain is really a physical object, even though it can speak in this poem.

The second strophe expands the conflicts as the speaker questions the fountain. The first couplet connects the rhyming words “be” and “sea” these connections stress the question, “Is the fountain content when it exists so close to a large, open body of water like the ocean?” The fountain responds to the tempting “rush of the sea” with much wisdom (6). The fountain’s reply posits the sea as “laboring” versus the speaker’s assertion of its freedom; the sea becomes characterized by heavily accented “heaves and sags” and not open rushing (7, 8). In this way, the fountain suggests that the sea’s waters may be described in images of labor, work, and fatigue; governed by the moon, these waters are not free at all. The “as” of line 8 becomes a key word, illustrating that the sea’s waters are not free but commanded by the moon, which is itself governed by gravity in its orbit around Earth. Since the moon, an object far away in the heavens, controls the ocean, the sea cannot be free as the speaker asserts.

The poet reveals the fountain’s intelligence in rhyming couplets which present closed-in, epigrammatic statements. These couplets draw attention to the contained nature of the all objects in the poem, and they draw attention to the final line’s lesson. This last line works on several levels to address the poem’s conflicts. First, the line refers to the fountain itself; in this final rhymed couplet is the illustration of the water’s perpetual motion in the fountain, its continually recycled movement rising and falling. Second, the line refers to the ocean; in this respect the water cannot escape its boundary or control its own motions. The ocean itself is trapped between landmasses and is controlled by a distant object’s gravitational pull. Finally, the line addresses the speaker, leaving him/her with an overriding sense of fate and fallacy. The fallacy here is that the fountain presents this wisdom of reality to defy the speaker’s original idea that the fountain and the ocean appear to be trapped and free. Also, the direct statement of the last line certainly addresses the human speaker as well as the human reader. This statement implies that we are all trapped or controlled by some remote object or entity. At the same time, the assertion that “Nothing escapes” reflects the limitations of life in the world and the death that no person can escape. Our own thoughts are restricted by our mortality as well as by our limits of relying on appearances. By personifying a voiceless object, the poem presents a different perception of reality, placing the reader in the same position of the speaker and inviting the reader to question the conflict between appearance and reality, between what we see and what we can know.

Suggestions for improvement

The writer observes and presents many of the most salient points of the short poem, but they could indeed organize the explication more coherently. To improve this explication, the writer could focus more on the speaker’s state of mind. In this way, the writer could explore the implications of the dramatic situation even further: why does the speaker ask a question of a mute object? With this line of thought, the writer could also examine more closely the speaker’s movement from perplexity (I am trapped but the waters are free) to a kind of resolution (the fountain and the sea are as trapped as I am). Finally, the writer could include a more detailed consideration of rhythm, meter, and rhyme.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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A Guide to Poetry Analysis: Understanding Poetry Terms & Techniques

• The Albert Team
• Last Updated On: February 16, 2024

What We Review

 Introduction to the Art of Poetry Analysis

Poetry analysis is a multi-step process of building and understanding of and appreciation for a poetic work. As a result, poems are not meant to be skimmed over or only read in part. Rather, in the words of Billy Collins, poets want readers to “take a poem and hold it up to the light like a color slide or press an ear against its hive.” True poetry analysis treats the poem as a work of art to be inspected up close while also appreciating the beauty in the form.

Poetry Terms: A Glossary for Poem Analysis

There are several poetry terms that are essential knowledge when it comes to poem analysis. Some of these poetry terms are: form, structure, line, stanza, pattern, rhyme scheme, poetic devices, sound devices, imagery, metaphor, simile, and symbolism to name a few. Albert has entire posts dedicated to defining each of these poetry terms in detail, and those can be found here.

Step-by-Step Guide to Analyzing a Poem

When analyzing a poem, there are several key steps to the process. This is why teachers will often ask students to read a poem multiple times, each time looking out for a different key element.

First, in a poem analysis it is helpful to identify the poem’s form and structure. What is the rhyme scheme? What is the rhythmic pattern?

Next, the reader should examine the language and imagery in the poem, including the poet’s diction or word choice and the breadth of poetic devices and imagery, including but not limited to similes, metaphors, and symbolism to name a few.

Once the reader has established the poetic form and structure as well as taken note of the different types of poetic language in the poem, this will allow the reader then to establish the theme and tone of the poem. Often, the theme reflects the poem’s historical and cultural context, while the tone reflects the poet’s personal and cultural connection to the poem. 

Identifying the Poem’s Structure and Form

First, it is helpful to identify the poem’s form and structure. You can accomplish this by asking a series of questions such as:

• What is the rhyme scheme or rhythmic pattern?
• How many stanzas are in the poem?
• Do any of the lines or stanzas break from the established pattern in the poem?

All of these are important questions to consider when identifying the poem’s structure and form. Some poetry forms, such as sonnets, are typically written on the topic of love. If the poem you are analyzing is written in the form of a sonnet, you can safely anticipate that the subject will be love.

It is also helpful to note that when a poet decides to divert from an established pattern in a poem, it is on purpose. Typically poets break from a normal pattern in a poem when they want to indicate a shift, whether a shift in tone, mood, or topic. 

Examining the Language and Imagery by Looking for Symbolism and Metaphors

Next, readers should look for the poetic devices chosen by the writer. For example, how does the author incorporate imagery into his or her poem: is it through primarily metaphors, or is it through primarily similes, or, is it an even mixture of both?

Sometimes students new to analyzing poetry want to take a poem at face value without considering poetry terms. However, in poetry one thing almost always stands for or symbolizes something else.

For example, Maya Angelou’s “Caged Bird” poem isn’t really about a bird; it’s about our experience as humans as feeling trapped or contained in circumstances that we do not want to be in. We can see others living and experiencing life in ways that we wish we could, but it is seemingly always out of reach. 

Understanding the Poem’s Theme and Tone

Once you have a basic understanding of what poetic devices are used and how these devices are used to represent something greater, you can determine both poem themes as well as the author’s tone. The poet’s choice of words clearly determines their tone.

If a poet uses words like “harsh” or “cruel” to describe their subject, the poem clearly has an offended or unhappy tone. However, if a poet uses words like “dream-like” or “fantastical”, their tone is imaginative.

The theme is the message that the author wants to convey within the poem. It can derived from everything that the reader has established so far, from the structure of the poem, the use of poetic devices within the poem, and the tone of the author.

Going back to Billy Collins and his poem, “Introduction to Poetry”, Collin’s theme or message to the reader is to never analyze poetry so intensely that you forget to enjoy the beauty of the work. Even though Collins begins his poem with the beautiful imagery of holding a poem up to the light like a color slide, he ends his poem with a very harsh image of the reader “tie[ing] the poem to a chair with rope and tortur[ing] a confession out of it.” This stark contrast serves a warning to the reader that true poem analysis seeks meaning without ignoring the artistry of the work. 

Considering the Poem’s Historical and Cultural Context

It would seem that poetry analysis could stop at determining the theme; however, every poem that was ever written and will be written was created within a moment in time, and these moments in time influence a poet’s work whether a poet intends for it to or not.

For example, Walt Whitman’s poem, “O Captain! My Captain!” is a response to the assassination of Abraham Lincoln in 1865. The tone of the poem indicates that Abraham Lincoln was highly respected by his fellow Americans, and his loss was considered a great tragedy. 

Interpreting the Poem’s Personal and Universal Significance

Not only do poems carry deep personal significance to the author, but as humans we also experience many of the same emotions or struggles in our lives. Consequently, this allows poems to carry universal significance, even across centuries.

For example, consider Maya Angelou’s “Caged Bird.” Even though Angelou wrote this poem about her personal experience, her poem is still appreciated several decades later by readers who can relate to her experiences of feeling trapped in her circumstances. 

Case Studies: Applying Analysis to Famous Poems | Ode to a Nightingale

Let’s apply what we’ve learned about poetry analysis to the poem, “Ode to a Nightingale” by John Keats. Remember to keep in mind what you have learned about poetry terms.

Analyzing the Poetic Structure

First, let’s determine the form and structure of this poem. In this poem, Keats listens to the immortal song of a nightingale and bemoans the frailty of human life.

Here is the first stanza to analyze: 

“My heart aches, and a drowsy numbness pains          My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains          One minute past, and Lethe-wards had sunk: ‘Tis not through envy of thy happy lot,          But being too happy in thine happiness,—                 That thou, light-winged Dryad of the trees                         In some melodious plot          Of beechen green, and shadows numberless,                 Singest of summer in full-throated ease.”

The poetic structure follows an ABABCDECDE format. Additionally, the rhythmic structure is primarily iambic pentameter with some minor variations in certain lines. 

Interpreting Symbolism and Metaphor in “Ode to A Nightingale “

Next, let’s look for examples of poetic language and interpret these devices. The second stanza is highly imaginative and uses devices such as alliteration, allusion, symbolism, and personification to express the narrator’s desire to leave his life behind to follow the nightingale into immortality.

“O, for a draught of vintage! that hath been          Cool’d a long age in the deep-delved earth, Tasting of Flora and the country green,          Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South,          Full of the true, the blushful Hippocrene,                 With beaded bubbles winking at the brim,                         And purple-stained mouth;          That I might drink, and leave the world unseen,                 And with thee fade away into the forest dim.” 

Keats uses alliteration to describe the unique and special nature of this “vintage” or wine he wishes to drink. This wine clearly has supernatural powers as indicated by the allusion to the Greek Hippocrene, a mythological fountain that gives the one who drinks from it poetic inspiration.

This wine is also symbolized as the “warm South”, a drink promising to provide comfort to whoever drinks it. Lastly, the wine is personified as having “beaded bubbles winking at the brim” and as having a “purple-stained mouth”. This drink that he imagines is tempting him and luring him to forget his human life and follow the nightingale to a better existence.

Unraveling the Tone and Mood of a Poem

As seen above, the author’s tone is highly imaginative, but his tone is also melancholy, especially when he looks back at how quickly men grow old and die in this life. The third stanza shifts to this mournful tone: 

“Fade far away, dissolve, and quite forget          What thou among the leaves hast never known, The weariness, the fever, and the fret          Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs,          Where youth grows pale, and spectre-thin, and dies;                 Where but to think is to be full of sorrow                         And leaden-eyed despairs,          Where Beauty cannot keep her lustrous eyes,                 Or new Love pine at them beyond to-morrow.”

As you can see, the speaker clearly despises his current state, claiming that “to think is to be full of sorrow”. The mood of the poem is also revealed through these shifting stanzas: while the forest where the nightingale sings is full of flowers and music and magical creatures, his personal life is full of pain, old age, and disappointment. 

Exploring Themes in “Ode to a Nightingale “

By contrasting these two moods, Keats underlines the vanity of human imagination and pursuit of the unattainable. This is the theme of Keats’ poem: as hard as we try, ultimately, we all grow old and pass away. Myths are merely myths, and fairy tales are merely sprung from someone’s imagination and have no place in reality. 

Conclusion: Enhancing Appreciation through Poetry Analysis

Even though poetry analysis can be a time-consuming task, it is often a rewarding one. So much thought and effort go into the formation of a poem, so it is only natural that as readers we would likewise engage thought and effort into understanding these poems. 

For more practice analyzing poetry, check out our Poetry course! Albert’s Poetry course offers questions about poetry terms, poem themes, and much more. Use our practice questions with detailed explanations to grow in your understanding and appreciation of poetry!

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• Literary Terms
• Definition & Examples
• When & How to Write a Thesis

I. What is a Thesis?

The thesis (pronounced thee -seez), also known as a thesis statement, is the sentence that introduces the main argument or point of view of a composition (formal essay, nonfiction piece, or narrative). It is the main claim that the author is making about that topic and serves to summarize and introduce that writing that will be discussed throughout the entire piece. For this reason, the thesis is typically found within the first introduction paragraph.

II. Examples of Theses

Here are a few examples of theses which may be found in the introductions of a variety of essays :

In “The Mending Wall,” Robert Frost uses imagery, metaphor, and dialogue to argue against the use of fences between neighbors.

In this example, the thesis introduces the main subject (Frost’s poem “The Mending Wall”), aspects of the subject which will be examined (imagery, metaphor, and dialogue) and the writer’s argument (fences should not be used).

While Facebook connects some, overall, the social networking site is negative in that it isolates users, causes jealousy, and becomes an addiction.

This thesis introduces an argumentative essay which argues against the use of Facebook due to three of its negative effects.

During the college application process, I discovered my willingness to work hard to achieve my dreams and just what those dreams were.

In this more personal example, the thesis statement introduces a narrative essay which will focus on personal development in realizing one’s goals and how to achieve them.

III. The Importance of Using a Thesis

Theses are absolutely necessary components in essays because they introduce what an essay will be about. Without a thesis, the essay lacks clear organization and direction. Theses allow writers to organize their ideas by clearly stating them, and they allow readers to be aware from the beginning of a composition’s subject, argument, and course. Thesis statements must precisely express an argument within the introductory paragraph of the piece in order to guide the reader from the very beginning.

IV. Examples of Theses in Literature

For examples of theses in literature, consider these thesis statements from essays about topics in literature:

In William Shakespeare’s “ Sonnet 46,” both physicality and emotion together form powerful romantic love.

This thesis statement clearly states the work and its author as well as the main argument: physicality and emotion create romantic love.

In The Scarlet Letter, Nathaniel Hawthorne symbolically shows Hester Prynne’s developing identity through the use of the letter A: she moves from adulteress to able community member to angel.

In this example, the work and author are introduced as well as the main argument and supporting points: Prynne’s identity is shown through the letter A in three ways: adulteress, able community member, and angel.

John Keats’ poem “To Autumn” utilizes rhythm, rhyme, and imagery to examine autumn’s simultaneous birth and decay.

This thesis statement introduces the poem and its author along with an argument about the nature of autumn. This argument will be supported by an examination of rhythm, rhyme, and imagery.

V. Examples of Theses in Pop Culture

Sometimes, pop culture attempts to make arguments similar to those of research papers and essays. Here are a few examples of theses in pop culture:

America’s food industry is making a killing and it’s making us sick, but you have the power to turn the tables.

The documentary Food Inc. examines this thesis with evidence throughout the film including video evidence, interviews with experts, and scientific research.

Orca whales should not be kept in captivity, as it is psychologically traumatizing and has caused them to kill their own trainers.

Blackfish uses footage, interviews, and history to argue for the thesis that orca whales should not be held in captivity.

VI. Related Terms

Just as a thesis is introduced in the beginning of a composition, the hypothesis is considered a starting point as well. Whereas a thesis introduces the main point of an essay, the hypothesis introduces a proposed explanation which is being investigated through scientific or mathematical research. Thesis statements present arguments based on evidence which is presented throughout the paper, whereas hypotheses are being tested by scientists and mathematicians who may disprove or prove them through experimentation. Here is an example of a hypothesis versus a thesis:

Hypothesis:

Students skip school more often as summer vacation approaches.

This hypothesis could be tested by examining attendance records and interviewing students. It may or may not be true.

Students skip school due to sickness, boredom with classes, and the urge to rebel.

This thesis presents an argument which will be examined and supported in the paper with detailed evidence and research.

Introduction

A paper’s introduction is its first paragraph which is used to introduce the paper’s main aim and points used to support that aim throughout the paper. The thesis statement is the most important part of the introduction which states all of this information in one concise statement. Typically, introduction paragraphs require a thesis statement which ties together the entire introduction and introduces the rest of the paper.

VII. Conclusion

Theses are necessary components of well-organized and convincing essays, nonfiction pieces, narratives , and documentaries. They allow writers to organize and support arguments to be developed throughout a composition, and they allow readers to understand from the beginning what the aim of the composition is.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Thesis Definition

A thesis is a statement in a non- fiction or a fiction work that a writer intends to support and prove. One can find examples of thesis statement at the beginning of literary pieces. These thesis statements are of utmost importance, as they provide clear indicators as to which direction the writer will follow in their work.

A thesis statement is carefully crafted by a writer, and is marked by vigilant selection of words that will never miss its target. Generally, such a statement shows up in the first paragraph, or what is called an introduction . Despite writers’ efforts to prove their thesis statements, not all of these statements can be verified for their exactness. Nevertheless, they do develop an argument .

Importance of a Thesis Statement

In writing an essay , a thesis statement determines the worth of the essay by its capacity to stay focused on its thesis statement. For instance, if a writer fails to clearly mention or define a solid thesis statement in his or her essay, it will be difficult for readers to track the issue the writer plans to discuss and explain. Suppose a writer wants to write an essay on how to make a perfect fruit salad, the quality of his or her writing will exceedingly improve if he or she lets the readers know the subject matter at the start of the essay, for example:

“In this essay, I will tell you how to make the perfect fruit salad. Not only will it be tasty, but also healthy for your body.”

Narrative Thesis

In a narrative essay, or narrative section of a piece of literature, a thesis statement is called a “narrative thesis.” A narrative thesis can be an apparent one or a hidden or implied one. In both cases, such a statement is a powerful, propelling force behind an entire work, that guides it toward its ultimate purpose and the lesson it intends to instruct.

Narrative Thesis Examples

Below is a list of a few narrative thesis examples – opening lines that determine the entire course of the narratives.

Example #1: Pride and Prejudice (By Jane Austen)

“It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.”

Example #2: One Hundred Years of Solitude (By Gabriel García Márquez)

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

Example #3: Lolita (By Vladimir Nabokov)

“Lolita, light of my life, fire of my loins.”

Example #4: Anna Karenina (By Leo Tolstoy)

“Happy families are all alike; every unhappy family is unhappy in its own way.”

Example #5: 1984 (By George Orwell)

“It was a bright cold day in April, and the clocks were striking thirteen.”

Example #6: A Tale of Two Cities (By Charles Dickens)

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness , it was the spring of hope, it was the winter of despair.”

Example #7: The Catcher in the Rye (By J. D. Salinger)

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

Example #8: A Portrait of the Artist as a Young Man (By James Joyce)

“Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo.”

Function of Thesis

The above arguments clearly reveal the function of a thesis statements or a narrative thesis as a driving force behind a literary composition. It guides the narrative toward its ultimate purpose, which is the moral lesson it aims to inculcate.

Related posts:

• Thesis Statement

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Literary Devices

Literary devices, terms, and elements, definition of thesis.

A thesis is a statement or central idea that a writer puts forward at the beginning of an argument, and will support throughout the following text. The thesis is a premise that the author believes to be true, and will give evidence for by way of facts or situations that reinforce this central idea. Thesis statements are most often found in academic writing, and have a subtler yet analogous role in fiction.

The word “thesis” comes from Greek, in which it means “something put forth.” The definition of thesis developed from this reference to an proposition for which the author wants to argue the validity.

Common Examples of Thesis

We generally do not use formal thesis examples in ordinary life. It is possible, however, to state a main idea and back this idea up with evidence. Someone could say, for example, “We’re destined to be together,” and give reasons why this is the case. The lyrics of the popular song “Ho Hey” by the Lumineers illustrates this concept:

1, 2, 3 I belong with you, you belong with me, you’re my sweetheart I belong with you, you belong with me, you’re my sweet (Ho!) So show me family (Hey!) All the blood that I would bleed (Ho!) I don’t know where I belong (Hey!) I don’t know where I went wrong (Ho!) But I can write a song (Hey!)

Bob Dylan’s song “The Hurricane” also puts forward a thesis statement—Rubin Carter “The Hurricane was innocent of a crime he was charged with—and supports it with evidence of the story:

Pistols shots ring out in the barroom night Enter Patty Valentine from the upper hall She sees the bartender in a pool of blood Cries out “My God they killed them all” Here comes the story of the Hurricane The man the authorities came to blame For something that he never done Put him in a prison cell but one time he could-a been The champion of the world.

There are also countless examples of theses in academia; everyone who attains a Ph.D. must first present a thesis paper, sometimes called a dissertation, that is the product of many years of research and investigation. Examples of thesis papers are often found in other undergraduate and graduate studies as well.

Significance of Thesis in Literature

While the thesis of a work of literature can be harder to extract from the body of the text than in academic writing, it can be just as important. Writers have a certain point of view from which they are writing, and may construct entire poems and novels to prove certain ideas true. While an academic writer can base his or her argument off of fact and data, the literary writer often uses situations and the emotions they provoke to help prove certain ideas. This process can take longer to develop than in academic thesis examples, and yet the result can often be stronger. When authors of poetry and prose appeal to emotion as well as logic (both pathos and logos), the reader is more likely to be convinced of a certain message, as well as remember the message for a longer period of time.

Examples of Thesis in Literature

JAQUES: All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.

( As You Like It by William Shakespeare)

This famous example of thesis from the character of Jaques is a beautiful metaphor for the similarities between life and the stage. It is often quoted because it seems to reflect a world-view that Shakespeare probably held; everything that happens in the world can be read as a type of performance with everyone just trying to play their part.

You never really understand a person until you consider things from his point of view . . . until you climb into his skin and walk around in it.

( To Kill a Mockingbird by Harper Lee)

The above excerpt from Harper Lee’s To Kill a Mockingbird is famous because it is an important central idea to the novel. Atticus Finch believes in empathy and understanding other people’s life stories and points of view. Therefore, he strongly believes that we must try to understand where other people are coming from. This one statement is a thesis that the rest of the book supports.

TOM: Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.

( The Glass Menagerie by Tennessee Williams) Thesis examples can often be found at the beginning of a work of poetry, prose, or drama, as is the case with Tennessee Williams’s The Glass Menagerie . The character of Tom narrates the play, and often breaks the fourth wall to address the audience directly. In this quote, which opens the play, Tom presents the idea that the drama that is about to unfold is entertaining yet tells the truth. Similar to Shakespeare, this could be understood as Tennessee William’s thesis about the power of drama.

And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual.

( East of Eden by John Steinbeck)

In his novel East of Eden , John Steinbeck often makes authorial interjections. These passages seem to highlight Steinbeck’s own views on different matters, rather than any particular character’s views. The short excerpt above is one of the strongest examples of a thesis statement in all of literature; Steinbeck firmly believe in free will, and vows to fight against anything that would limit free will. He presents more than one example of thesis in his novel, and creates characters and situations that support his beliefs.

so much depends upon a red wheel barrow glazed with rain water beside the white chickens.

(“The Red Wheelbarrow” by William Carlos Williams)

Poetry can have examples of thesis statements just as easily as prose or drama. William Carlos Williams’s poem “The Red Wheelbarrow” is famously enigmatic, while also being quite direct. He makes the straightforward argument that “so much depends” on a certain intangible object. In this case, “a red wheel / barrow.” Many readers and scholars have interpreted this short thesis statement in countless different ways. Thus, it is an interesting thesis example because Williams states it so unswervingly, yet does not support it with other evidence. Readers are left to interpret and prove this thesis example themselves.

Test Your Knowledge of Thesis

1. Which of the following statements is the best thesis definition? A. A minor claim to support the main proposition that author has put forth. B. A central idea which the author intends to support via evidence. C. A piece of evidence or a fact. [spoiler title=”Answer to Question #1″] Answer: B is the correct answer.[/spoiler]

2. What thesis could be extracted from the following quote from John Steinbeck’s East of Eden?

Monsters are variations from the accepted normal to a greater or a less degree. As a child may be born without an arm, so one may be born without kindness or the potential of conscience.

A. All people with physical deformities are monsters. B. All monsters are evil. C. Some people can be born without kindness, making them monstrous. [spoiler title=”Answer to Question #2″] Answer: C is the correct answer.[/spoiler]

3. What is the thesis in William Shakespeare’s “Sonnet 116”?

Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no; it is an ever-fixed mark, That looks on tempests, and is never shaken; It is the star to every wandering bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.

A. True love does not change when problems arise. B. Love is a game for fools. C. Only married people understand true love. [spoiler title=”Answer to Question #3″] Answer: A is the correct answer.[/spoiler]

Poetry & Poets

Explore the beauty of poetry – discover the poet within

How To Write A Thesis Statement For Poetry Analysis

How to write a thesis statement for poetry analysis

Poetry analysis can be a daunting task for anyone, even seasoned writers and academicians. To help guide you through the process of writing a thesis statement for poetry analysis, there are a few key steps that you need to consider. The process can be broken down into five easy to understand steps so you can produce a well-crafted thesis statement that can be used to effectively write a full essay. The process starts by learning about the author, analyzing the poem’s structure, and researching the background of the poem.

Know Your Poet

The first step in writing a thesis statement for poetry analysis is to learn as much as you can about the poet. Learning about your poet’s style, believes, and intentions can help you gain a better understanding of the poem. It can also give you inspiration for your thesis statement. Focus on what the poet is trying to convey in the piece. Research the poet’s biography and any other related literary works that he or she may have written.

Also, take note of the time period in which the poem was written. Historical context is often an important part of a poet’s work and can help to shed light on the intentions of the poem. Understanding these elements of the poem can help to create a more meaningful thesis statement. It can also allow the reader to see how the poem fits into the greater context of the poet’s works.

Analyze the Poem

The next step in writing a thesis statement for poetry analysis is to analyze the poem. Analyzing the poem allows you to understand the poem’s structure, themes, and identify key words. As you analyze the poem, consider the tone and imagery of the piece. Identify any symbols that might be present. Pay close attention to the meter, rhyme, and stanzas used by the poet.

By thoroughly analyzing the poem you can uncover important aspects of the poem’s writing that should be highlighted in your thesis statement. This analysis can also provide you with insight into the poet’s style and thought processes. Make sure to note any questions that arise during your analysis that could help you to further develop your thesis statement.

Research the Poem

Once you have a better understanding of the poem’s structure, themes, and author, you should begin researching the poem. Do some research into any cultural, philosophical, or theological symbols in the poem, as well as the poem’s possible historical context. Go through the poem line by line, examining any personifications, metaphors, or allusions used by the poet. Take the time to research any allusions or symbols used in the poem.

Finding critical reviews and scholarly articles about the poem can also provide you with important information about the poem that can help you to create a thesis statement. This research can also help you to understand the perspective of the poem’s creator.

Formulate the Thesis Statement

Once you have a thorough understanding of the poem, it’s time to formulate the thesis statement. Start by summarizing the main points that you found during your research, analysis, and reading of the poem. Summarize the main themes, symbols, and other critical aspects of the poem. Use these points to help you develop a single statement that goes beyond simply summarizing the poem.

Formulate a statement that explores the poet’s intent and ideas behind the poem. Focus on how these points are woven into the poem to create a unique, meaningful statement. The thesis statement should be concise, but still reflect the main points of the poem.

Revise the Thesis Statement

The last step in writing a thesis statement for poetry analysis is to revise the thesis statement until it is clear and concise. Take the time to look over the statement and make sure it is an accurate representation of the poem. The statement should not be too general, vague, or difficult to understand.

Ensure that your thesis statement reflects the main ideas of the poem and proofread your statement for any spelling or grammar errors. Once you are satisfied with your statement, you should incorporate it into the introduction of your essay.

Poetry Analysis Techniques

When beginning a poetry analysis, it is important to conduct a close reading of the poem to gain a better understanding of the text. This can be done by carefully examining the various elements of the poem. Some key elements to consider during a close reading include the speaker or narrators, figurative language, repetition, and rhyme scheme.

In addition, look for any possible historical context or underlying messages in the poem. Lastly, consider the poet’s use of symbolism, meter, and allusions when conducting a thorough analysis. By understanding the elements of poetry and taking the time to conduct a thorough analysis, you can easily create a meaningful thesis statement that can be used to effectively write a full essay.

Interpretive Analysis

Interpretive analysis looks for the deeper meaning behind a poem. It attempts to uncover what the poet is trying to convey through his or her work. To conduct an interpretive analysis, focus on the poem’s structure, imagery, and other elements. Consider the language used in the poem and look for any shared themes, ideas, or sentiments.

In addition to the figurative language used in the poem, look at how the speakers, narrators, and characters within the poem interact. Drawing connections between the poem and its underlying themes can help to bring a deeper understanding of the poem to the surface. By taking the time to conduct an interpretive analysis, you can gain a better understanding of the poem and form a more meaningful thesis statement.

Literary Themes

Many poets use recurring literary themes in their work. Some of the most common literary themes in poetry include love, nature, death, and time. In addition to these, poets also use themes surrounding war, religion, identity, and more. By looking at the common themes of the poem, you can get a deeper understanding of the poet’s intent.

Consider the context of the poem to help you find the surrounding themes. Look for any religious or political messages in the poem, as well as any underlying emotions that the poet is attempting to convey. By understanding the poem’s themes, you can create a more meaningful thesis statement.

Symbolism is a common element used in poetry. Symbols can be words, images, or concepts that stand for or represent something else. Symbolism can be used to represent larger themes in the poem or to help convey a certain emotion or feeling. Look for any symbols throughout the poem, paying special attention to which symbols the poet focuses on the most.

Symbols can take on many forms and can have different meanings for different readers. Consider the context of the poem and the time period in which it was written. Think about the meaning of the symbol in the context of the poem and what the poet is attempting to communicate. Analyzing symbolism within a poem can help to form a more meaningful thesis statement.

Conclusions

In conclusion, writing a thesis statement for poetry analysis can be a daunting task. However, by following these five steps you can break the process down into manageable pieces. Start by learning as much as possible about the poet and the poem, then analyze and research the poem. Once you have a better understanding, begin to formulate and revise your thesis statement. By the end of the process, you will have an effective thesis statement that can be used to write a full essay.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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A Summary and Analysis of Percy Shelley’s ‘A Defence of Poetry’

By Dr Oliver Tearle (Loughborough University)

‘A Defence of Poetry’ is an essay written by the Romantic poet Percy Bysshe Shelley (1792-1822). One of the most important prose works of the Romantic era, and a valuable document concerning Shelley’s own poetic approach, the essay is deserving of closer analysis and engagement.

You can read Shelley’s ‘A Defence of Poetry’ here before proceeding to our summary and analysis of the essay below.

‘A Defence of Poetry’: summary

Shelley wrote ‘A Defence of Poetry’ in 1821 in response to an essay written by his friend, Thomas Love Peacock. In ‘The Four Ages of Poetry’, Peacock – now best-remembered for novels like Nightmare Abbey – wittily argued that poetry was surplus to requirements in the modern age, because scientific and technological discoveries had rendered it unnecessary.

We can get all the wonder we need from science. Arguing from a Utilitarian position, Peacock (with his tongue if not firmly in his cheek then certainly languidly resting against it) suggests that poetry is of less use to modern man than it was in previous ages.

Shelley intended his essay to be published in the follow-up issue of the Literary Miscellany , which had published Peacock’s essay that had prompted Shelley’s rebuttal. However, the Miscellany folded after its first issue, so Shelley’s essay was never printed in his lifetime – and it only appeared in print in 1840, eighteen years after Shelley’s death, when his widow, Mary Shelley, published it.

Shelley argues that poetry is mimetic: that is, it reflects the real world. In the early days of civilisation, men ‘imitate[d] natural objects’, observing the order and rhythm of these things, and from this impulse was poetry born. Reason and imagination are both important faculties in the poet.

Reason, he tells us, is logical thought, whereas imagination is perceiving things, and noticing the similarities between things (here, we might think of the poet’s stock-in-trade, the metaphor and simile, which liken one thing to another). It is through reason but also through imagination that we can identify beauty in the world, and from such a perception or realisation are great civilisations made. Poets, then, are the makers of civilisation itself, as Shelley argues:

But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting: they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true that partial apprehension of the agencies of the invisible world which is called religion.

The poet throughout history has been both legislator (law-maker) and prophet (religious messenger). And because poets work within the medium of language (unlike the sculptor or painter, who works in the visual medium), they have attained a greater degree of fame than other artists.

Shelley distinguishes between ‘measured’ and ‘unmeasured’ language, the former being poetry (which uses metre , i.e., you measure out the syllables per line) and the latter being prose. Poetry is superior to prose, even though both use language, because poetry also taps into the possibilities of sounds: ‘the language of poets has ever affected a certain uniform and harmonious recurrence of sound, without which it were not poetry, and which is scarcely less indispensable to the communication of its influence, than the words themselves, without reference to that peculiar order.’

Shelley also makes a distinction between storytelling (and, indeed, history) and poetry, arguing, ‘A story of particular facts is as a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which is distorted.’ Poetry thus reflects the world, like a mirror, but does so in a way that renders the distorted image beautiful.

Indeed, poetry can make us see the world in a new light, making it richer and more beautiful:

Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar; it reproduces all that it represents, and the impersonations clothed in its Elysian light stand thenceforward in the minds of those who have once contemplated them, as memorials of that gentle and exalted content which extends itself over all thoughts and actions with which it coexists.

The key to all of this, Shelley reiterates, is imagination.

Shelley devotes the next portion of ‘A Defence of Poetry’ to a sort of critical history of poetry from the days of ancient Greece up to the present, considering how, throughout the ages, poets have had a moral influence upon the world.

He argues that, following the Fall of Rome and the establishment of Christianity, it was poets who saved the world from ruin and anarchy: ‘the world would have fallen into utter anarchy and darkness, but that there were found poets among the authors of the Christian and chivalric systems of manners and religion, who created forms of opinion and action never before conceived; which, copied into the imaginations of men, became as generals to the bewildered armies of their thoughts.’

He sees the medieval poet Dante (1265-1321) as the ‘bridge’ between the ancient and modern world. Responding to Peacock, Shelley argues that the poet’s purpose is utilitarian, since poetry ‘lifts the veil from the hidden beauty of the world’, and has a moral purpose. Shelley concludes his essay with the rousing and famous words:

Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.

We have discussed this famous last line in more detail in a separate post .

‘A Defence of Poetry’: analysis

Shelley’s was not the first great defence of poetry as an art form, and probably the most notable precursor in English literature is Sir Philip Sidney’s ‘An Apology for Poetry’ , from the 1580s. But Shelley’s argument is more closely keyed into his own time, and emphasises some key aspects of Romanticism as a literary movement, and the importance of the poet as a figure in that movement.

Shelley’s central argument in ‘A Defence of Poetry’ is, at bottom, a moral one: poets enhance our sympathetic imaginations and thus poetry is a force for moral good. This is why, in that often-quoted final line, ‘poets are the unacknowledged legislators of the world’: because poets have both the moral purpose and the imaginative faculties which help to make our world and its moral systems what they are.

As M. H. Abrams observed in his analysis of ‘A Defence of Poetry’, in his brilliant The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Galaxy Books) , Shelley’s argument in ‘A Defence of Poetry’ is in some ways a Platonic one, concerned with ‘eternal Forms’; but crucially, whereas Plato had written of poets as the rivals of philosophers and statesmen as imitators of the natural world, Shelley collapses this rivalry and argues that great lawmakers and philosophers are poets.

Critics have often noticed that ‘A Defence of Poetry’ is a great essay on poetry in spite of what it leaves out: there is no detailed history of the development of poetry (Shelley’s whistle-stop tour of classical and medieval poets notwithstanding), nor is there any list of rules which good poets should follow.

Instead, Shelley’s argument is one which reflects many of the tenets of the Romantic movement: the idea of the poet as a visionary or prophet, the primacy of the imagination, and the ways in which the poet can change the world, becoming lawmaker, statesman, and philosopher all in one.

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The African continuum : toward a definition of Afro-American poetry as the basis for incorporating poetry of the black arts movement into the teaching of American literature

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• African American poetry PS591.N4 A34 1993
• African-American poetry of the nineteenth century : an anthology PS591 .N4 A35 1992
• The African continuum : toward a definition of Afro-American poetry as the basis for incorporating poetry of the black arts movement into the teaching of American literature Allen, Harriette Bias PS591.N4 A45 1980a
• Ancient Black youth and elders reborn : anthology of the poetry, short stories, oral histories, and deeper thoughts of African-American youth and elders PS591.N4 A53 1985
• I am the darker brother; an anthology of modern poems by Negro Americans Adoff, Arnold PS591.N4 A65