graphic and design personal statement

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• Graphic Design Masters Personal Statement Sample

Written by Hannah Slack

This is an example personal statement for a Masters degree application in Graphic Design. See our guide for advice on writing your own postgraduate personal statement .

With the modern boom of social media and internet marketing it has become more important than ever to produce quick and easily consumable media. In the last few years, I have developed an interest in the processes and thoughts behind effective logo design. A logo not only needs to represent a brand perfectly and timelessly, but it needs to subtly communicate key brand ideals, evoke positive emotion and foster easy recognition. I have therefore chosen to apply for a Masters in Graphic Design to better understand the artistries behind effective logo design and continue to develop my skills in customer communication and software usage.

I first entered my undergraduate degree with an interest in many different elements of graphic design. Having taken an array of engaging modules in a variety of potential specialisms, I achieved an overall 1st degree qualification. The variety of modules that I took exposed me to an array of editing processes such as photo manipulation and 3D modelling. Additionally, I gained skilled in working with different types of briefs and continued to build upon my creativity through finding inspiration in different areas of design.

During my undergraduate I completed a summer internship with a large media company. My main role involved working with the package design team where I built upon my skills in teamwork. Working on package design also allowed me to develop a deeper understanding of the influences effective graphic design can have on a consumer market. While the focus was on packaging, which is no longer my intended specialism, I knew logo design would be a better fit as I found the most enjoyment in constructing effective visual designs. While there are many elements that go into building and marketing an effective product, the use of shape and colour to catch the eye resonated with me the most

As I began to discover where my passion lay, I took on freelance work to help nurture my skills and build a reputation. The majority of my work has involved creating logos and banners for small YouTube channels. This has allowed me to work with a range of demographics and gain considerable experience of the design process- from the customers conception to the final piece. Freelancing has also allowed me to develop my skills in communication and learn how to balance the customer’s wants against my personal recommendations and expertise.

While I enjoy my current freelance work, I aspire to break into the larger market and work with international businesses and help create logos that will become recognised around the world. The guidance and teaching that you offer on your Masters course will help me learn to refine my skills in design software and effective visual creation. Moreover, I look forward to working with new and exciting briefs that will better replicate the industry I am aiming to enter.

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Crafting a Compelling Graphic Design Personal Statement: 5 Key steps to Standing Out

Crafting a compelling graphic design personal statement requires a blend of passion, skills, creativity, and authenticity to stand out in the competitive world of design.

James Rowland

5 Minute Read

Looking to craft a standout graphic design personal statement? Look no further! In this blog post, we'll provide you with a step-by-step guide to creating an impressive personal statement that showcases your skills and passion for graphic design. Here is the breakdown of how you can standout with your own graphic design personal statement:

Highlight Your Skills and Experiences.

Showcase Your Creativity and Innovation.

Connect with the Company or Program.

Demonstrate Your Commitment and Growth.

End with Confidence and Enthusiasm.

how to structure a graphic design personal statement

Ever since I can remember, I've been captivated by the power of visual communication. The ability to convey messages, evoke emotions, and spark curiosity through design has always fascinated me. From doodling in my notebooks as a child to pursuing formal education in graphic design, my passion for creativity and storytelling has only grown stronger over the years. Here is a structure you can use to help you stand out with your own graphic design personal statement.

Highlight Your Skills and Experiences

During my academic journey, I immersed myself in every aspect of graphic design, from learning the fundamentals of design principles to mastering the latest design software. I completed internships at reputable design firms, where I had the opportunity to work on real-world projects and collaborate with experienced designers. These experiences not only honed my technical skills but also taught me the importance of teamwork, creativity, and attention to detail in the design process.

Showcase Your Creativity and Innovation

One of the most rewarding aspects of graphic design for me is the opportunity to make a meaningful impact through my work. Whether it's designing a logo that captures the essence of a brand, creating engaging social media graphics, or crafting visually stunning packaging designs, I thrive on the challenge of bringing ideas to life in ways that resonate with audiences.

Connect with the Company or Program

I draw inspiration from a wide range of sources, from classic design movements like Bauhaus and Swiss design to contemporary trends in digital design and typography. I believe in the power of simplicity, clarity, and purposeful design to communicate messages effectively and leave a lasting impression.

Demonstrate Your Commitment and Growth

Outside of my academic and professional pursuits, I'm constantly seeking new ways to expand my creative horizons. I attend design workshops, participate in design competitions, and engage with online design communities to stay updated on the latest trends and techniques. I'm also passionate about giving back to the community through pro bono design work for local nonprofits and volunteering at art events and workshops.

End with Confidence and Enthusiasm

As I embark on the next chapter of my journey in graphic design, I'm excited about the opportunity to continue learning, growing, and pushing the boundaries of creativity. I'm eager to contribute my skills, passion, and unique perspective to a dynamic team where I can make a meaningful impact and continue to evolve as a designer.

Example of a Graphic Design Personal Statement

Ever since I can remember, I've been captivated by the power of visual communication. The ability to convey messages, evoke emotions, and spark curiosity through design has always fascinated me. From doodling in my notebooks as a child to pursuing formal education in graphic design, my passion for creativity and storytelling has only grown stronger over the years.

Crafting a compelling graphic design personal statement requires a blend of passion, skills, creativity, and authenticity to stand out in the competitive world of design. By following the steps outlined in this article and infusing your personal statement with your unique voice and experiences, you can create a powerful narrative that sets you apart and opens doors to exciting opportunities in the world of graphic design.

Get in touch

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• Graphic Design Personal Statement Examples

Read below Graphic Design Personal Statement Examples and use them as inspiration to writing your university application. 

Graphic Design Personal Statement

As a passionate and self-taught graphic designer, I am excited to apply to UK universities for graphic design courses. For me, design is a constantly evolving field that requires continuous expansion of one’s culture and creative processes.

I am particularly drawn to graphic design for its omnipresence and diversity, as it is present in nearly every aspect of our daily lives, from printed materials to web design, branding, packaging, and visual identity.

My journey in graphic design began with self-teaching, followed by completing a BEP (equivalent to NVQ Level 2) Graphic Industries course, which provided me with hands-on experience in prepress, on-press, and finishing work.

Currently, I am pursuing a Baccalaureate Professional (equivalent to a BTEC National Diploma) in Graphic Communication, which has further honed my skills in investigating and researching graphic projects, such as logotypes, visual identities, posters, leaflets, and illustrations, among others.

Additionally, I possess a solid understanding of the theoretical and practical components that are necessary for designing, including layout, composition, colour theory, sketch drawing, and CAD using Adobe Suite.

One of my main inspirations in graphic design is the Swiss style, with its emphasis on simplicity, minimalism, and typography.

I am particularly drawn to typography, as it is a core element of visual communication that allows for efficient message conveyance without being superfluous.

I have been fortunate to explore typography in detail, thanks to an enthusiastic teacher; it is a complementary skill that I would like to specialize in after graduation.

My work placements have given me practical experience in the business world. I have created websites, logos, and layouts for printed brochures, and helped staff with various projects.

These experiences have taught me to work with other designers and to be more autonomous and productive in a professional environment.

In addition to my design experience, I have held leadership positions that have honed my teamwork and project management skills. As vice-chairman of the School Life Council, I organized meetings and debates that improved school life for students.

As the communication head of a national student union, I managed important projects and information campaigns and became more aware of current affairs and issues.

I am eager to study in the UK, as I admire the country’s artistic culture and atmosphere. I believe that studying in the UK will provide me with an opportunity to further develop my skills and gain new perspectives.

I am currently preparing for the IELTS test, and I am working on improving my English skills daily.

I am excited to pursue graphic design as a career, as it is something that I am passionate about. I am constantly eager to learn new things and improve my design skills. My self-sufficiency, attention to detail, and versatility in creativity make me confident that I will succeed in higher education and the working world.

I believe that a UK university education in graphic design will provide me with the necessary tools and skills to pursue my passion and create meaningful designs.

Recommended for reading:

• How to Write a Personal Statement for a Master’s
• How to Write a Personal Statement That Stands Out
• UCAS Personal Statement: A Writing Guide And Tips For Success

Graphic Design Personal Statement Example

In today’s world graphics and design are becoming progressively important disciplines that have the potential to play a crucial role in the success of businesses, individuals, and families.

As the world is going through economic turmoil, businesses must stand out from the crowd and employ modern communication techniques and new forms of advertising.

I believe that these fields have enormous potential to kick-start economic growth, and I am eager to be a part of this creative movement.

My passion for design was sparked by my recent visit to the Grand Canyon in Arizona, where I had an opportunity to experience the Skywalk.

The creators of the Skywalk managed to replicate the effect of hovering over the top of the Canyon, as though we were flying in a helicopter, through a combination of excellent design and great imagination.

Witnessing such a bold and cutting-edge design, which made the impossible possible, motivated me to pursue a career in design.

I am also inspired by graphic designers like Stefan Sagmeister, whose work continually breaks boundaries and challenges the norms.

My interest in design and technology began at a young age, and I have fully immersed myself in all opportunities to be involved in these areas while at school.

At GCSE, I designed and made a garden bench from sustainable wood, and recently, I have been designing a kitchen island unit with recycling and sustainability in mind.

I am also involved in designing a wheelchair that can climb stairs without electronic or other assistance.

I am motivated to use my design skills to make life easier for people with disabilities.

In my spare time and school holidays, I have been studying graphics and have furthered my design skills under my initiative through two different work placements.

These placements have allowed me to appreciate the different phases involved in a design project, from the planning and development stage to manufacture and final fitting.

I have learned how important it is to work closely with the customer to meet and exceed their expectations.

Apart from my design pursuits, I am also actively involved in sports and other extracurricular activities such as rugby, cricket, tennis, and squash.

I am the school squash captain and have completed my Duke of Edinburgh Silver Award. My involvement in these pursuits has helped improve my ability to work as part of a team, which is an essential skill for any designer.

I am excited to apply to UK universities for graphic design courses, as I believe that the UK has a rich and diverse artistic culture that will provide me with opportunities to further develop my skills and gain new perspectives. I am confident that my passion for design, sustainable approach, and teamwork skills will make me a valuable addition to any design program.

I am eager to contribute to the world of design and make a positive impact through my work. I believe that design has the power to change the world, and I am excited to be a part of this creative movement.

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Graphic Design Personal Statement: A Comprehensive Guide

In the competitive design world, your graphic design personal statement is the beacon that showcases your passion and skills. Let’s delve into crafting a standout statement that resonates with your journey and aspirations.

Understanding the Basics of a Graphic Design Personal Statement:

• A personal statement isn’t just about qualifications but about showcasing your personality, passion, and unique perspective.
• Organise your thoughts by structuring your statement with an introduction, body, and conclusion. Include relevant information in each section.

Key Elements of a Winning Graphic Design Personal Statement:

• Passion Narration: Sharing your journey, milestones, and what fuels your enthusiasm for graphic design.
• Educational and Professional Experience: Highlighting relevant experiences, internships, courses, and projects.
• Influences and Inspirations: Discussing influential designers, artworks, or experiences that shaped your approach.
• Skills and Techniques: Showcasing your technical skills, software proficiency, and creative processes.
• Activities and characteristics: How hobbies, volunteering, or activities outside the design world enhance your skill set and character.

Top Tips and Tricks for Writing Your Personal Statement:

• Highlighting the importance of originality, authenticity, and tailored content.
• Providing actionable tips on language, tone, and structure.
• Encouraging self-reflection and storytelling within the statement.

Graphic Design Personal Statement Example:

I love visual storytelling, which combines creativity and communication. Design has always fascinated me. It has the ability to tell stories using colours, shapes, and typography. It does not require words to convey its message.

My journey began with a fascination for creating impactful designs that resonate with audiences on a profound level. Studying innovative designers inspired me to create my own path in this exciting field.

I have learned a lot about design through immersive experiences. In college, I worked on different projects and realised how design can have a big impact on different platforms. Working with others helped me improve my skills and understand the important role design plays in effective communication.

I explored the combination of digital and graphic design during important internships. Learning about UX design and digital briefs changed the way I think creatively.

I wanted to grow beyond school, so I started doing my own projects. I challenged myself with real-life tasks and tried different ways of designing. These experiences made me think in new ways and helped me solve problems creatively.

My journey extends beyond pixels and canvases. Volunteering at community art initiatives and engaging in activities honed my teamwork, communication, and leadership skills. These facets, I believe, are as vital in design as technical proficiency.

With a profound passion for graphic design I am ready for university. Pursuing a higher degree signifies personal accomplishment and reflects commitment to evolving as a designer. This evolution encompasses the creation of engaging, communicative, and motivational experiences.

I want to create innovative experiences as a designer. These experiences should be meaningful and long-lasting. To achieve this, I will utilise creativity, empathy, and technical skills.

Conclusion:

Crafting a compelling graphic design personal statement is your canvas to impress admissions or employers. Tailor your story, let your creativity shine, and watch your statement become a reflection of your passion and dedication.

Begin your graphic design journey with a powerful personal statement that reflects your uniqueness. Start today with our guide to crafting a compelling ‘Graphic Design Personal Statement’.

Read what UCAS has to say about personal statements.

Graphic Design Personal Statement Examples

• 1 Personal Statement Example Links
• 2 UK Admission Requirements
• 3 UK Earnings Potential For Graphic Designers
• 4 Similar Courses in UK
• 5 UK Curriculum
• 6 Alumni Network

Personal Statement Example Links

• Personal Statement Example 1
• Personal Statement Example 2
• Personal Statement Example 3
• Personal Statement Example 4
• Personal Statement Example 5
• Personal Statement Example 6

Are you interested in pursuing a degree in graphic design?

A career as a graphic design artist offers a creative and dynamic pathway for those interested in visual communication, branding, and design.

As a graphic designer, you will use your artistic skills and design software to create visual solutions for a wide range of clients, from corporate brands to non-profit organizations. You may work on projects such as website design, logo design, advertising campaigns, or packaging design.

To become a graphic designer, you may complete a Bachelor’s degree in Graphic Design or a related field, such as Visual Communications or Digital Arts.

During your studies, you will gain knowledge and practical experience in areas such as typography, colour theory, digital media, and design principles. You may also have the opportunity to work on industry projects or internships to gain real-world experience.

A career in graphic design offers many exciting opportunities, including working for design agencies, freelance work, or in-house design teams.

With the growth of digital media and increasing demand for innovative and creative design solutions, the need for skilled graphic designers is on the rise.

👍 When writing a personal statement : Highlight your passion for the course, demonstrating your understanding of it. Use relevant personal experiences, coursework, or work history to showcase how these have fostered your interest and readiness for the course.

UK Admission Requirements

In order to be accepted into a graphic design course at a UK university, applicants must have achieved a minimum of five GCSEs at grades A*-C, including English Language and Mathematics. Additionally, applicants must have achieved a minimum of two A-Levels, with at least one of them being in an art or design-related subject.

This entry criteria is similar to other courses in the UK, with the exception of the A-Level requirement in an art or design-related subject.

This requirement is unique to graphic design courses, as it helps to ensure that applicants have the necessary knowledge and skills to be successful in the course.

UK Earnings Potential For Graphic Designers

The average earnings for someone with a degree in graphic design will vary depending on the individual’s experience and the industry they are employed in. Generally speaking, the median salary for a graphic designer in the UK is £30,000 per year.

In terms of trends in the job market, the demand for graphic designers has been steadily increasing over the past few years. This is due to the increasing use of digital media, which has created a need for more skilled graphic designers.

Additionally, the increasing popularity of e-commerce has created a need for graphic design skills in order to create attractive and effective websites and marketing materials.

Similar Courses in UK

Other related courses to Graphic Design in the UK include:

• Interactive Media Design : This course focuses on the use of digital media to create interactive experiences. It explores the use of digital tools to create engaging user experiences, and covers topics such as user experience design, user interface design, and interactive visual design.
• Animation : This course focuses on the use of animation techniques to create digital art and stories. It covers topics such as character design, storyboarding, animation principles, and the use of software tools.
• Game Design : This course focuses on the design and development of video games. It covers topics such as game mechanics, game design principles, and the use of software tools.
• Digital Art : This course focuses on the use of digital tools to create artwork. It covers topics such as digital painting, 3D modeling, and the use of software tools.

The key differences between these courses and Graphic Design are that they focus on specific areas of digital design, such as interactive media, animation, game design, and digital art, rather than the broader range of topics covered in Graphic Design.

Additionally, these courses focus more on the technical aspects of design, such as software tools and techniques, rather than the conceptual and creative aspects of design.

UK Curriculum

The key topics and modules covered in a university course in graphic design typically include:

• Introduction to Graphic Design: This module introduces students to the fundamentals of graphic design, including the principles of design, typography, colour theory, and composition.
• Digital Imaging: This module covers the use of digital imaging software such as Adobe Photoshop and Illustrator, which are essential for creating and manipulating digital images.
• Web Design: This module covers the fundamentals of web design, including HTML, CSS, and JavaScript. Students will learn how to create websites from scratch and use web design software such as Adobe Dreamweaver.
• Animation: This module covers the fundamentals of animation, including the principles of motion graphics and the use of animation software such as Adobe After Effects.
• Print Design: This module covers the fundamentals of print design, including the use of layout software such as Adobe InDesign. Students will learn how to create print materials such as brochures, flyers, and posters.
• Branding: This module covers the fundamentals of branding, including the principles of logo design and the use of branding software such as Adobe Illustrator.

In addition to the theoretical aspects of the course, there is usually a strong emphasis on hands-on experience and practical work. Students are typically required to complete a number of projects throughout the course, which involve creating and manipulating digital images, designing websites, creating animations, designing print materials, and creating logos.

Alumni Network

Notable alumni from the Graphic Design course include graphic designer and artist, David Carson, who is renowned for his experimental typography and his use of unconventional layouts and typefaces. He has worked on various projects for high-profile clients such as Microsoft, Nike, and Pepsi. He is also a professor at the University of Arizona, where he teaches courses in graphic design and typography.

The Graphic Design course also has a number of other notable alumni, including graphic designer and illustrator, Paula Scher, who has worked on projects for the New York City Ballet and the Metropolitan Museum of Art. She is also the author of several books on graphic design, including “Make It Bigger” and “Graphic Design: The New Basics.”

The Graphic Design course also offers alumni events and networking opportunities, such as the annual Graphic Design Alumni Reunion. This event is held every year at the University of Arizona, and it provides alumni with the opportunity to network with other alumni and faculty members, as well as to learn about the latest developments in the field of graphic design.

Additionally, the Graphic Design Alumni Network hosts an online forum where alumni can connect with one another and discuss their experiences in the field.

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Creative Graphic Design Statements to Promote Yours

Table of Contents

Graphic design is a process of visual communication and problem-solving through illustration, typography, and photography.

When used effectively, graphic design can capture an audience’s attention, convey messages, persuade people to buy products or services and create lasting impressions. As a graphic designer, it is important that you are able to market your skills and talent to people. A  graphic designer personal statement  is meant to help you do that.

This article contains some great personal statements and how to craft a good one.

How to Create a Graphic Designer Personal Statement

If you’re looking to become a successful graphic designer, it’s important that you have a strong portfolio showcasing your best work. In addition to your portfolio, submitting a well-written personal statement can be beneficial in helping you stand out from the competition. Your personal statement should highlight your skills and why you chose to pursue a career as a graphic designer . 

The process of creating a  graphic designer personal statement  can be broken down into three steps: brainstorming, drafting, and editing.

Brainstorming

Brainstorming entails coming up with creative ideas. To come up with awesome ideas for your personal statement, you’ll need to think about your experiences as a graphic designer.

Think of what makes you unique and why you want to pursue a career in graphic design. Once you have a list of topics to discuss, it’s time to start writing. You can check the personal statements of other graphic designers for inspiration during brainstorming.

The next step in creating your personal statement is drafting it. The draft should be around 100-500 words long and include all the information mentioned above. Make sure you proofread it carefully before submitting it; mistakes will only reflect poorly on your application. 

At the editing stage, you should read through the statement to make sure you cover the basics of good writing. Editing is an important stage in the creation of any document, including personal statements.

During this stage, make sure that everything flows well together and that there are no grammar or spelling errors present. If necessary, get someone else to read over your statement, so they can provide feedback. After you’ve done your editing, you can submit the final version.

Examples of Personal Statements for Graphic Designers

We have some good examples of personal statements you can use when applying for jobs.

I’ve been a graphic designer for the past several years, and the sheer power of this medium continues to astound me. With my current ability, I am able to take ideas from concept to completion quickly and efficiently. I combine creative design elements with practical technology-driven solutions. 

My aptitude for learning new techniques has enabled me to stay abreast of rapidly evolving trends in graphic design. Ultimately, this enables me to create visually stunning results that deliver on both aesthetic and performance objectives. I am proud of the work I produce, continuously pushing myself to innovate and go beyond what is expected of me.

I’ve worked as a graphic designer for the last decade. During that time, I gained expertise in creating eye-catching visuals. Throughout my career, I’ve worked with a variety of media outlets to create stunning designs that captivate audiences.

Through my studies at University and additional courses throughout my professional journey, I honed my craft and brought life to many projects. My ability to take complex concepts and translate them into compelling visual stories is one of my strong suits. It has allowed me to reach great heights in this field. Working with teams, both big and small, I am known for my collaborative spirit and willingness to explore new techniques. Additionally, I’m always eager to continue developing my skill set. For instance, recently, I have started experimenting with virtual reality graphics, which provide a truly unique experience.

Having worked as a graphic designer for the past several years, I’ve developed an in-depth understanding of the profession. In addition, I understand how to leverage art to communicate a message. My experience has taught me how to think strategically and creatively when it comes to marketing campaigns or branding initiatives. I can efficiently collaborate with clients from different industries. 

I also have extensive knowledge of tools such as Adobe Photoshop, InDesign and Illustrator. With these tools, I can create visuals that are both aesthetically pleasing and effective. Additionally, my attention to detail ensures every design project is completed within budget and on time, making me an invaluable asset to any business. 

I’m a visionary with a passion for art, and I relish finding inventive solutions to complex design problems while never sacrificing quality. It is this commitment to excellence that has enabled me to become one of the leading professionals in the field. With a keen eye for aesthetics and a penchant for experimentation, I am confident that I will be a great addition to your team.

As an experienced graphic designer with over 15 years of experience, I have seen firsthand the power and potential of this creative art form. From designing websites to developing promotional materials, I’ve had the opportunity to use my skills to reach out to students and advertise for companies. My work has been marked by innovation and diligence. I am always looking for ways to push boundaries and create captivating designs that leave lasting impressions. Additionally, I take pride in mentoring aspiring graphic designers and helping them to develop their craft. 

I derive satisfaction from using my creativity to serve others, whether by assisting people in conveying their ideas visually or creating beautiful images. By combining elements such as typography, colors, shapes, textures and illustrations, I can produce eye-catching visuals that will engage viewers. Through careful attention to detail and aesthetic principles, I am able to give each project a distinct look and feel which encapsulates its purpose. 

My passion for graphic design is unyielding, and I thrive on staying ahead of current trends while also mastering traditional techniques. With every new project comes an opportunity to explore my capabilities further and bring concepts to life in fresh and inspiring ways. As someone who values efficiency and results, I strive to deliver quality service that exceeds expectations.

Graphic design is both an artistic and business discipline that involves the manipulation of symbols. Like any other professional, graphic designers need a personal statement to showcase their skills . The steps in this guide, as well as the examples, can guide you as you create yours.

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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How To Write A Personal Statement For A Graphic Designer

In this article, you'll learn how can you write a powerful personal statement for a graphic designer to describe your experience.

If you have decided to pursue a career as a graphic designer, you should know that a personal statement would help you describe your experience and personality easier and help the employer assess your suitability for the job too. However, writing a personal statement comes with challenges and requirements that need to be followed. It is an essential document that can help you pass to the next recruitment step and be invited to an interview. But how can you write a powerful personal statement for a graphic designer?

Needs and Requirements To Write A Personal Statement For A Graphic Designer

Every company that is looking for graphic designers has some needs and requirements. If you feel you answer these needs, you should point this out in your personal statement. Even though graphic designers’ job is a more and more popular one, the requirements of every company are different. And sometimes, even the tasks are different. Therefore, it is important to read the description of the program or the job and identify the requirements you have the skills for. Point them out in your personal statement to help the company get an idea of meeting their needs.

Writing a personal statement for many people as something unnecessary or difficult. But it is exactly this set of skills and resources required to write the statement that companies are looking for. Graphic design students find themselves writing an application but not being sure about the format or information to include. There are professionally trained personal statement writers that have the knowledge and experience necessary to support every student in his pursuit. So, why not get their help?

Your Reasons To Write A Personal Statement For A Graphic Designer

One of the most popular interview questions is: why are you looking for this opportunity? Graphic design students want to pursue a professional career in this domain, so many are looking for jobs in the industry. But why do you like graphic design? Why is exactly this opportunity the one that caught your attention? Which are your reasons for applying to this opening?

The ones who will read your personal statement will want to get to know you better, and by stating your reasons for applying, you can help them do this. This personal statement is like a recommendation letter, where you emphasize your strengths and suitability for the job.

Relevant Experience

Many employers are looking for graphic designers that have work experience in this field. However, graphic designer students might find themselves defeated by the complex requirements many employers have. But it would help if you did not lose hope. If you have relevant experience in the field, you should emphasize it in your personal statement essay.

It is a nice way to tell a little bit about your experience as a graphic designer and the different roles you may have had. Many students think that they should hire. But freelancing or voluntary experience as a graphic designer counts too. If you also have a portfolio with your designs, it would be helpful to share it, along with your personal statement. Maybe some employers are already asking you to submit some samples of your work, so it is an opportunity to show your value. A personal statement is your opportunity to sell your abilities, and you need to do it well.

Proofreading and Editing

One of the details you should care about the most is the way your personal statement looks. The first impression is significant, and you should not exceed one page. Arrange the text so that it is read easily. More importantly, check for any typos, grammar, or spelling mistakes. Your personal statement for a graphic designer is your business card. Make sure you build it carefully. Take time to write your personal statement and work on it ahead of the deadline. Like this, you can edit and rephrase some sentences or introduce relevant information. Keep it short and simple.

Writing a personal statement for a graphic designer can be challenging and come with difficulties, especially for graphic designer students entering the work market. Make sure you build your personal statement essay to have an introduction, body, and conclusion. Briefly state your reasons for applying, mention any relevant experience in the field, and present your personality and skills. Please read the requirements and make sure you meet them. Every graphic designer job might have different tasks, but also requirements. Meeting them as well as possible is essential.

Author Bio: Judy Nelson is an essay writer who has specialized in personal statement essays. Judy’s hobby is graphic design, and she knows how difficult it may be for fresh graduates or students to land themselves a job in this field. Her goal is to support students in pursuing a career in this field by writing their personal statements.

Claudio Pires is the co-founder of Visualmodo, a renowned company in web development and design. With over 15 years of experience, Claudio has honed his skills in content creation, web development support, and senior web designer. A trilingual expert fluent in English, Portuguese, and Spanish, he brings a global perspective to his work. Beyond his professional endeavors, Claudio is an active YouTuber, sharing his insights and expertise with a broader audience. Based in Brazil, Claudio continues to push the boundaries of web design and digital content, making him a pivotal figure in the industry.

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PERSONAL STATEMENT EXAMPLE Graphic Design Personal Statement

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Graphic Design Personal Statement

I would like to study Graphic Communication Design at university as I would like to pursue a career in graphic arts. Graphic design is becoming ever more important as more and more people engage with companies via digital media as well as print media. I have enjoyed designing for a long time often without realising it myself. I have always had a keen interest in interior design and branding products often helping my dad make design decisions within his company. During college I have focused my work to focus on ethical, moral and social issues often those affecting the LGBT community. I want my work to challenge peoples preconceptions through art and educate them on issues.

In my graphics work I particularly enjoy the work of Paul Rand. The simplicity of his design appeals to me particularly as he is able to effectively communicate a message with a striking yet legible design structure. He also uses symbolism in addition to typography to create sometimes obscure yet legible communication, for example his work on the IBM poster. I have a particular interest in typography as a form of communication.

Outside of my college course I have developed my skills by completing design work for a number of different bodies. I am working alongside the NHS CCG in Bolton to design the branding and layout of a Mental Health and Wellbeing app. I led this project with a local charity, BAND. I was approached by the CCG at a public event that was seeking the opinion of young people. As the project developed over 12 months the opportunity for funding to build the app that I had imagined came up from the NHS and BAND asked me to remain onboard with the project and to see it through to its fruition. This experience has taught me the importance of sticking to a formal deadline in order to satisfy the client.

I also run an LGBT community group, Bolton LGBT+. We were set up at the request of the Department of Health in 2014. I was tasked with the design of the logo and the whole communication guideline. The aim of the branding was to create something inviting and easy to understand that members of the community could quickly identify and connect with. I now design all of our leaflets, posters, business cards and website (boltonlgbt.org.uk). These posters are displayed across Greater Manchester. On the back of this the Bolton LGBT Partnership asked me to work with their chair to create their brand and communication guideline. Work on this has allowed me the opportunity to increase my confidence as well as my communication skills which allows me to understand a brief better and feel comfortable to question and explore things I do not understand.

As part of my A Level coursework I am creating the Art & Design department publication 'The Collective' for 2017/18. The publication will showcase a range of content created by students, it will not only refer to art but it will also present pieces which explore topical, social and moral issues from diverse viewpoints. We plan on releasing The Collective in December and June and distributing copies around college as well as in the local area to highlight, and better understand the work that art & design students are doing. Myself and the other contributors will not only be involved in the creation of the content but we will participate in the design of the magazine, events managing, fundraising and marketing. It is a chance to work with a range of students on a group project. It will also give the me a chance to cross over into contrasting disciplines and diversify my interests and skill set.

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Personal statement advice: art and design

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What art and design tutors are looking for

The underlying message is that tutors want to know about you, your practice, your inspirations, and your aspirations, and for your personal statement to act as written accompaniment to your portfolio and performance at interview.

How to make your art and design statement stand out

Admissions tutors prefer to read personal statements that don't stick to a predictable formula – here are a few tactics to ensure yours packs a punch.

• Focus on the course: Martin Conreen, design admissions tutor at Goldsmiths, University of London, urges applicants for design courses 'not to over mention art' but to stay focused on design. He also feels some applicants waste too much space on non-relevant factors like their sporting achievements.
• Your influences: Martin adds he wants to hear who your influences are, why they inspire you, and 'how their work has resonance with your own, or with your own ideas'.
• Examples of what inspires you: David Baldry, fine art course leader at University Campus Suffolk, echoes this: 'Tell us what inspires you. We want to know what contemporary art interests you, so talk about key artists or an exhibition that made an impression on you. We want to know how you respond to the world creatively, so talk about your experiences or projects you’ve developed independently. Also, edit it so it sounds punchy'.
• Demonstrate your artistic ambitions: Alison Jones, fine art admissions tutor at Goldsmiths, is looking for 'interesting individuals who have a passion for art and a commitment to developing themselves as artists. Therefore, your personal statement should demonstrate an understanding of your own work, focusing on what is unique about your practice'.
• Be original: starting your statement with a well-known quote – such as 'fashion is not something that exists in dresses only' – is inadvisable. 189 applicants quoted that exact Coco Chanel snippet last year, so it really won't make you stand out from the crowd.

It's all summed up nicely by Arts University Bournemouth whose advice is:

'Be focused on the field you're applying for (no scattergun approach), name artists or designers you admire, think contemporary, reflect on exhibitions or galleries or events you've visited, and don't think "I'll tell them at the interview" – put it in the statement!'

Find out more about studying art and design, including entry requirements, why you should study it, and possible careers it could lead on to.  

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Art and design personal statements

On this page you'll find a collection of real personal statements written by students applying to study art, design and related courses at university.

These personal statements are written by real students - don't expect them all to be perfect! But by reading through a few of these samples, you'll be able to get some ideas and inspiration for your own personal statement. 

Art and design personal statement examples

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18 of the best design portfolio examples

The best design portfolios come in all shapes, sizes and formats.

Getting your portfolio right is vital – it can be the difference between getting hired or not. If you need to update yours, we definitely think looking at a few examples is a good place to start, which is why we've collated this list of the best design portfolios around.

We've included portfolios from creatives of different disciplines, including illustrators, studios and freelance designers. Each excels in different elements, for example, while one may have stunning aesthetics, another may have a brilliant user experience. 

To start building your design portfolio, you need a platform to create it on. In which case, you can see our best website builder post or you can head over to the best portfolio templates or WordPress portfolio themes , which have pre-existing templates. But for now, just scroll down to indulge in some of the best design portfolios, listed in no particular order.

Top design portfolio examples for inspiration

01. bruno simon.

Paris-based creative developer Bruno Simon has approached his portfolio in an unexpected way. You can actually drive a virtual car between his projects and experience using a keyboard. In 2019, it won Site of the Year at  awwwards , and it's not hard to see why. We wouldn't recommend this type of portfolio to everyone, but if you can make the design of your portfolio show off the skills you want to highlight, then you should.

Gus is a creative strategy company rather than a straight design site, but we think there are plenty of lessons to be learned from its brilliant site. It's cleverly laid out on a grid, and strikes an irreverent tone while giving the reader exactly what they're looking for, with an easy to navigate UX. We particularly like the ' frequently asked questions ' section.

03. Good Habit

London branding and design studio, Good Habit , has a fun and fresh portfolio that beautifully displays its work. A plainer Studio section outlines what the studio does, while the brands section displays projects with large format photography intermixed with sections of texts. It really works.

04. Studio Feixen

This Switzerland based design studio is absolutely jam-packed full of fun and characterful work. Studio Feixen perfectly showcases its vibrant work with a mix-match style portfolio that abstains from a 'less-is-more' approach. Despite the examples being framed in a range of different sized shapes on the portfolio page, the site still looks cohesive.

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05. RoAndCo

Founded by creative director Roanne Adams, NYC-based RoAndCo offers beautifully crafted design, branding and creative direction to clients in fashion, beauty, tech and lifestyle. Viewing RoAndCo’s portfolio is an experience in itself, in keeping with the studio's work ethos. Projects are presented in an editorial-like fashion, allowing the viewer to flick through split-screen images, animated web presentations and full-screen video. It's a carefully considered design portfolio and a pleasure to view, whether you're browsing on a computer or a mobile device. 

06. Robin Mastromarino

Paris-based interface designer Robin Mastromarino employs some neat UI animation touches to keeps things fresh on his design portfolio site. His projects appear as though they're on a wheel, juddering into view, which is an engaging effect. The images in each case study respond to scrolling by warping slightly. It's an effect that we wouldn't recommend for every creative, but for a UI design specialist, this strikes the right note and gives a taster of what the designer can do. 

07. Active Theory

Entering Active Theory 's portfolio website is like visiting a whole other world. It employs a moody, almost cyberpunk aesthetic throughout, and to great effect. From the atmospheric homepage animation with mouse-activated glitch effects to the trippy About page, the setting all gels together to form a cohesive package. The studio keeps things cleaner for its project pages. Each example features a full-screen animation overlaid with a short blurb and relevant links to further information, including detailed case studies hosted on Medium.

08. Raw Materials

Raw Material' s site is a feast for the eyes. The Work section is particularly fun, with more detail on projects shown through diagrams and images. We also like the 3D models in the 'Hello' section, which also appear in 'Contact'. Overall it's a fun fresh site that makes the studio stand out from the crowd.

09. Velvet Spectrum

Velvet Spectrum is the online moniker of visual artist and designer Luke Choice. He shows that simplicity can also make an impact on his homepage, which shows a montage of uber-colourful thumbnails that lead through to visually arresting super-size examples of his work for maximum impact. The black background keeps things clean and helps the work stand out. It makes for a simple but highly effective design portfolio.

10. Locomotive

Locomotive , a studio based in Quebec, Canada, specialises in crafting digital experiences, so it's taken care to make its design portfolio site an all-round delightful and engaging experience. Playful, entertaining animations bring the site to life, and not just on the homepage. It seems like thought and effort has been put into every detail. Little surprises keep the viewer's interest while they browse through the site, making this a perfect example of how animated flourishes can be used effectively without them becoming gimmicky or distracting.

11. Studio Thomas

Named after its two creative directors, Thomas Austin and Thomas Coombes, Studio Thomas in East London creates visual communication for both physical and digital worlds. Its portfolio is a superb example of Brutalist web design with plenty of neat touches. Projects are presented in an orderly but eye-catching way with clear visuals and wireframe models. The site perfectly reflects the studio's explorative and experimental attitude, and it backs up the studio's claim to offer "design for bold brands."

12. Buzzworthy Studio

Describing itself as a "badass digital studio in Brooklyn", Buzzworthy Studio really needed to come up with the goods to back up that claim, and happily, its portfolio does the job. It features dazzling web techniques from the off. Bold typography and animation combine to grab your attention, and a strong eye for aesthetics ensures that viewers stick around to explore all of Buzzworthy's projects. It's one hell of a calling card.

13. Xavier Cussó

This stunning portfolio site for Barcelona-based designer Xavier Cussó was built by Burundanga Studio. It shows off Cussó's work with bold colours, in-your-face typography and practically every animation and parallax scrolling trick in the book. But that doesn't make it feel overloaded. The animation makes and impact and maintains the viewer's attention throughout.

14. Merijn Hoss

Illustrator and artist Merijn Hoss takes a more pared-back approach, but his design portfolio is still very effective. Hoss creates beautifully detailed psychedelic works of art, but his profile presents his work in quite a simple, clean format. It's one of the most traditional approaches we've included on this list of design portfolios and isn't nearly as flashy as some of the previous examples, but it works well because the colourful thumbnails really pop out of the gallery's white background, putting the focus on the artist's work. Click the thumbnails, and large project images and a short description are revealed. Hoss's design portfolio is proof that you don't need all the bells and whistles to make an impact.

15. ToyFight

Manchester-based studio ToyFight uses a number of whizzy effects – from parallax scrolling to animated transitions and even 3D rendered versions of the studio's founders fighting each other. All of this could threaten to overwhelm the work on show, but seeing as it's been executed with such visual humour and panache, the site is a joy to explore. This is a good lesson in how personality can also sell creatives'  work.

16. Made Thought

The London and New York-based contemporary branding and design studio Made Thought shows that bigger can definitely be better with a portfolio that's impossible to ignore. With an onslought of text and images facing you straight away, that then gives way to stunning examples of work. It certainly feels modern, aided by the fact the studio regularly updates its portfolio site to keep it looking fresh.

17. Malika Favre

Illustrator Malika Favre uses a full-screen edge-to-edge tapestry of thumbnails to entice visitors into viewing her vibrant artwork in more detail. The colours and layout already draw attention, while the arrangement of animated pieces within still artworks serves even more to keep eyes on the screen. Once clicked, the thumbnails reveal a full-screen gallery presentation of the work featured. It's displayed on complementary coloured backgrounds that show off her work to great effect and makes for a bold, colourful presentation that grabs the viewer's attention.

18. Yul Moreau

Born in Seoul, based in Paris and "raised by the '80s", Yul Moreau has a portfolio site that grabs your attention from the off with its splendidly garish background montage of retro video. This single-pager does a brilliant job of showcasing the art director's work, combining video, images, clever scroll effects and detailed text explanations to give a complete overview of his work.

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Ruth spent a couple of years as Deputy Editor of Creative Bloq, and has also either worked on or written for almost all of the site's former and current print titles, from Computer Arts to ImagineFX. She now spends her days reviewing mattresses and hiking boots as the Outdoors and Wellness editor at T3.com, but continues to write about design on a freelance basis in her spare time. 

• Rosie Hilder

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Create designs that inspire

Trending searches, productivity, social media, generate stunning ai-powered visuals.

A girl rides a skateboard while walking her dog. The girl is wearing a purple sweatshirt, baggy jeans and boots. She has expressive, round brown eyes and a look of determination. The background is an out of focus park and the girl is in a 3d illustrated animation style.

A watercolor hummingbird, centered, in red and yellow with a soft cream, watercolor background.

A banana with sunglasses surfing a blue wave.

Front-facing view of a mountain with floral decorative elements, papercraft quilling style, in pastel pink, blue and purple colors.

An abstract background of melting liquid with a metallic sheen, dark purple and gold colors with reflective studio light.

Illustration of a man playing a decorated steel pan drum.

A macro, detailed portrait of the face of a Dalmatian dog staring straight ahead with bright blue eyes on a solid pastel blue, out of focus background. The portrait is realistic with studio lighting.

A yellow sun with orange rays rises over white and purple clouds in a pop art style. There should be a halftone effect and screen printing aesthetic. The orange rays radiate outward and fill the background.

A group of assorted donuts in a pink bakery box.

A portrait of a man in a digital collage style. The man is wearing thick red glasses with circular patterns in blue and orange on the inside of the frames. The man is in a red polka dot shirt with a background of thick, brightly colored lines in pink, blue, and red. Collaged into the background is a ferris wheel and a circus tent.

A profile view of a caterpillar crawling on a moss-covered rock with the lush, green forest in the background, macro view, detail, close-up.

Cartoon style woman with a blue hat, fishing on a river near a forest.

A colorful street scene in the style of Mexican mural art. The street has adobe-colored shops on both sides with striped awnings. There is a fountain in the center and trees and mountains in the distance.

A single pink ranunculus in the style of a vintage botanical drawing.

A unicorn stands on a wooden pier looking out over clouds below, with a starry night sky above.

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Top 10 T-Shirt Design Trends for 2024

It’s a new year, which means new design trends for t-shirts! We looked through our favorite designs from the past year to help you get ahead on the newest trends. Explore the 10 new t-shirt design trends for 2024 below to see how you can get these looks for your next t-shirt creation.

Blooming Brilliance: A Showcase of Floral Designs

Sketchbook style: hand-drawn designs, small space, big statement: “pocket” print designs, vintage vibes: retro font revival designs, culinary creations: edible delight designs, frontier flair: cowboy-inspired designs, paws and prints: artsy animal designs, folklore fusion: folk art-inspired designs, creative collaborations: guest artist designs, typography totes: text-focused tote bag designs.

Flowers aren’t just for Spring – they’re strong symbols of growth, renewal, and hope all year long! 

Tips for using this design: Let’s give those florals room to bloom! Stick them on a background that makes them pop – light designs rock on dark shirts, and dark designs steal the show on lighter ones. Your floral elements can be as realistic or stylized as you’d like, and they can also be as detailed or simplistic as you’d prefer. When selecting flowers for your design, it’s essential to contemplate the meanings associated with specific flower types to discover the perfect match.

This trend goes to show that simplicity doesn’t equate to being ordinary. Bring a unique blend of creativity and personal flair to your designs with hand-drawn illustrations and typography.

Tips for using this design: Let’s talk about adding some hand-drawn magic to your design! It’s like unlocking a whole world of creativity that can lead to some seriously eye-catching results. Try playing around with different styles – go for that charmingly “imperfect” and maybe a bit “messy” look or switch it up to something more “crisp” and “clean.” The style you choose? Well, it’s all about the message you want to send and the audience you want to engage.

By featuring a small “pocket” print on the front of your apparel, you can peak curiosity and inspire conversations. This trend shows that a little design can make a big impact.

Tips for using this design: When you’re tackling the front “pocket” area of your shirt, remember that space is tight, so let’s make it count! If you’re adding text, go for something bold and super easy to read. And for pictures, keep it simple, so even on a smaller scale, it’s crystal clear. 

Sometimes the best design inspiration is right in front of you, or, in this case, sometimes it’s right behind you. Drawing from the aesthetics of times past allows you to evoke a sense of nostalgia and tap into the cherished memories of yesteryears. Feel free to get into the groove with this design trend.

Tips for using this design: Retro fonts are full of personality – seek out fonts with bold strokes, unique serifs, or letters that just have that special feel you’re going for. But it’s not just about the letters – think big picture! Blend those retro fonts with colors, graphics, patterns, or illustrations from the good ol’ days to create a design that not only catches your eye but immerses you in a whole vibe. And hey, no matter which font steals your heart, make sure it’s easy on the eyes and looks fabulous at any size!

We’re here for comfort – and comfort foods! Incorporate meal-time must-haves to your designs to add a tasty twist. This trend is super playful and lots of fun. 

Tips for using this design: Use color palettes inspired by the food you’re depicting. For example, vibrant greens and reds for fruits or warm browns for baked goods. Shake things up with typography that’s as fun as your favorite dish – imagine spaghetti-shaped letters or donuts spelling out your message. It’s the little details that add that extra flair to your designs. And why not throw in a seasonal twist? Picture pumpkin spice embodying the cozy warmth of fall or ice cream cones capturing the pure essence of summer. 

Add some yeehaw energy to your designs by incorporating imagery and typography inspired by the Old West! This trend is ready to go for a ride and make a statement. Cowboy hat not included, but definitely encouraged. 

Tips for using this design: Elevate your Western aesthetic by weaving in cowboy accessories such as buckles, studs, or fringe details into your designs. These seemingly small elements have the power to make a significant impact on the overall look and feel. As you dive into this design adventure, embrace the cowboy theme with genuine authenticity and a whole lot of respect for the cowboy culture. Keep an eye on historical accuracy and cultural nuances to make sure your designs not only look good but also resonate positively with everyone.

This trend is for all the animal lovers out there! Unleash your creativity and add some furry friends to your designs.

Tips for using this design: Pick animals that really speak to your audience or convey the message you have in mind. Think about the special meanings tied to different animals. Sometimes, it’s just perfect to make one particular animal the star of your design. Go for an animal with a lot of personality or a story that people can relate to. When it comes to your design style, ask yourself if you’re leaning towards realistic depictions, playful illustrations, or artsy abstract takes on animals.

This trend celebrates cultural richness with a contemporary twist. Add a dash of folksy charm to your designs by incorporating intricate patterns, bright colors, and beautiful details.

Tips for using this design: Let your designs tell lively stories, narrating culture, traditions, and the everyday beauty. Infuse them with folk-inspired elements for a deep connection and richer meaning. Boost your creativity by creating your own unique folk patterns, avoiding generic ones to give your designs a special touch. Approach folk art with genuine cultural sensitivity and respect, keeping in mind the cultural context to pay homage, not unintentionally appropriate traditions.

Take your collection to a whole new level by partnering with a guest artist to create your design! This trend is innovative, exciting, and celebrates community. 

Tips for using this design: While it’s crucial to offer guidance, giving the guest artist creative freedom is equally important. Trust their skills and unique viewpoint to bring that special spark to our apparel collection. Actively acknowledge and promote the guest artist’s work, recognizing that collaboration is a two-way street where showcasing their talent benefits both parties. Ensure their name, bio, and social media handles are highlighted alongside the apparel featuring their artwork.

Embrace the written word with this design trend that seamlessly blends style and self-expression. You can carry your favorite quotes, mantras, or witty phrases with you everywhere you go! 

Tips for using this trend: Find a message or phrase that really speaks to your audience – something empowering, amusing, or thought-provoking. Play around with fonts until you discover the one that perfectly complements your message. Don’t forget about readability, especially if your text is stealing the spotlight. Mix things up by trying out different layouts; it’s like a puzzle where alignment, size, and spacing come together to create a design that’s not just visually appealing but dynamic and well-balanced. Let your creativity flow as you design typography that not only catches the eye but tells a story.

Here’s to a year filled with bold, beautiful choices, both in your t-shirt designs and daily life. We can’t wait to see what you create in 2024! 

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Written by:  Hayden Ireland /  Content Specialist Illustrated by:  Madison Summers /  Lead Marketing Designer

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Sorority T-Shirt Design Trends

Stuck on what your next sorority tee should look like? Our t-shirt design experts have studied the most recent trends in Greek apparel design and gathered the 5 top trends they’re seeing this school year. Keep your sorority’s apparel on trend by getting inspired by these top designs ideas.  1.

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The Bonfire Design Team is always on the lookout for the next trends in t-shirt design. What’s hot right now? Plants. It makes sense, who doesn’t love a wander through the greenhouse or succulent-filled apartment? Check out these amazing shirt designs as we dive into the trend of: Plant Shirts!

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What is generative AI? Artificial intelligence that creates

Generative ai models can carry on conversations, answer questions, write stories, produce source code, and create images and videos of almost any description. here's how generative ai works, how it's being used, and why it’s more limited than you might think..

Contributing writer, InfoWorld |

The emergence of generative AI

How does generative ai work, what is an ai model, is generative ai sentient, testing the limits of computer intelligence.

• Why does AI art have too many fingers?
• Potential negative impacts of generative AI
• Use cases for generative AI

Generative AI is a kind of artificial intelligence that creates new content, including text, images, audio, and video, based on patterns it has learned from existing content. Today’s generative AI models have been trained on enormous volumes of data using deep learning , or deep neural networks, and they can carry on conversations, answer questions, write stories, produce source code, and create images and videos of any description, all based on brief text inputs or “prompts.”

Generative AI is called generative because the AI creates something that didn’t previously exist. That’s what makes it different from discriminative AI , which draws distinctions between different kinds of input. To say it differently, discriminative AI tries to answer a question like “Is this image a drawing of a rabbit or a lion?” whereas generative AI responds to prompts like “Draw me a picture of a lion and a rabbit sitting next to each other.”

This article introduces you to generative AI and its uses with popular models like ChatGPT and DALL-E . We’ll also consider the limitations of the technology, including why “too many fingers” has become a dead giveaway for artificially generated art.

Generative AI has been around for years, arguably since  ELIZA , a chatbot that simulates talking to a therapist, was developed at MIT in 1966. But years of work on AI and machine learning have recently come to fruition with the release of new generative AI systems. You’ve almost certainly heard about ChatGPT , a text-based AI chatbot that produces remarkably human-like prose.  DALL-E  and  Stable Diffusion  have also drawn attention for their ability to create vibrant and realistic images based on text prompts.

Output from these systems is so uncanny that it has many people asking philosophical questions about the nature of consciousness—and worrying about the economic impact of generative AI on human jobs. But while all of these artificial intelligence creations are undeniably big news, there is arguably less going on beneath the surface than some may assume. We’ll get to some of those big-picture questions in a moment. First, let’s look at what’s going on under the hood.

Generative AI uses machine learning to process a huge amount of visual or textual data, much of which is scraped from the internet, and then determines what things are most likely to appear near other things. Much of the programming work of generative AI goes into creating algorithms that can distinguish the “things” of interest to the AI’s creators—words and sentences in the case of chatbots like ChatGPT , or visual elements for DALL-E . But fundamentally, generative AI creates its output by assessing an enormous corpus of data, then responding to prompts with something that falls within the realm of probability as determined by that corpus.

Autocomplete—when your cell phone or Gmail suggests what the remainder of the word or sentence you’re typing might be—is a low-level form of generative AI. ChatGPT and DALL-E just take the idea to significantly more advanced heights.

ChatGPT and DALL-E are interfaces to underlying AI functionality that is known in AI terms as a model. An AI model is a mathematical representation—implemented as an algorithm, or practice—that generates new data that will (hopefully) resemble a set of data you already have on hand. You’ll sometimes see ChatGPT and DALL-E themselves referred to as models; strictly speaking this is incorrect, as ChatGPT is a chatbot that gives users access to several different versions of the underlying GPT model. But in practice, these interfaces are how most people will interact with the models, so don’t be surprised to see the terms used interchangeably.

AI developers assemble a corpus of data of the type that they want their models to generate. This corpus is known as the model’s training set, and the process of developing the model is called training . The GPT models, for instance, were trained on a huge corpus of text scraped from the internet, and the result is that you can feed it natural language queries and it will respond in idiomatic English (or any number of other languages, depending on the input).

AI models treat different characteristics of the data in their training sets as vectors —mathematical structures made up of multiple numbers. Much of the secret sauce underlying these models is their ability to translate real-world information into vectors in a meaningful way, and to determine which vectors are similar to one another in a way that will allow the model to generate output that is similar to, but not identical to, its training set.

There are a number of different types of AI models out there, but keep in mind that the various categories are not necessarily mutually exclusive. Some models can fit into more than one category.

Probably the AI model type receiving the most public attention today is the large language models , or LLMs. LLMs are based on the concept of a transformer, first introduced in “ Attention Is All You Need ,” a 2017 paper from Google researchers. A transformer derives meaning from long sequences of text to understand how different words or semantic components might be related to one another, then determines how likely they are to occur in proximity to one another. The GPT models are LLMs, and the T stands for transformer. These transformers are run unsupervised on a vast corpus of natural language text in a process called  pretraining (that’s the  P in GPT), before being fine-tuned by human beings interacting with the model.

Diffusion is commonly used in generative AI models that produce images or video. In the diffusion process, the model adds noise —randomness, basically—to an image, then slowly removes it iteratively, all the while checking against its training set to attempt to match semantically similar images. Diffusion is at the core of AI models that perform text-to-image magic like Stable Diffusion and DALL-E.

A  generative adversarial network , or GAN, is based on a type of reinforcement learning , in which two algorithms compete against one another. One generates text or images based on probabilities derived from a big data set. The other—a discriminative AI—assesses whether that output is real or AI-generated. The generative AI repeatedly tries to “trick” the discriminative AI, automatically adapting to favor outcomes that are successful. Once the generative AI consistently “wins” this competition, the discriminative AI gets fine-tuned by humans and the process begins anew.

One of the most important things to keep in mind here is that, while there is human intervention in the training process, most of the learning and adapting happens automatically. Many, many iterations are required to get the models to the point where they produce interesting results, so automation is essential. The process is quite computationally intensive, and much of the recent explosion in AI capabilities has been driven by advances in GPU computing power and techniques for implementing parallel processing on these chips .

The mathematics and coding that go into creating and training generative AI models are quite complex, and well beyond the scope of this article. But if you interact with the models that are the end result of this process, the experience can be decidedly uncanny. You can get DALL-E to produce things that look like real works of art. You can have conversations with ChatGPT that feel like a conversation with another human. Have researchers truly created a thinking machine?

Chris Phipps, a former IBM natural language processing lead who worked on Watson AI products, says no. He describes ChatGPT as a “very good prediction machine.”

It’s very good at predicting what humans will find coherent. It’s not always coherent (it mostly is) but that’s not because ChatGPT “understands.” It’s the opposite: humans who consume the output are really good at making any implicit assumption we need in order to make the output make sense.

Phipps, who’s also a comedy performer, draws a comparison to a common improv game called Mind Meld.

Two people each think of a word, then say it aloud simultaneously—you might say “boot” and I say “tree.” We came up with those words completely independently and at first, they had nothing to do with each other. The next two participants take those two words and try to come up with something they have in common and say that aloud at the same time. The game continues until two participants say the same word.

Maybe two people both say “lumberjack.” It seems like magic, but really it’s that we use our human brains to reason about the input (“boot” and “tree”) and find a connection. We do the work of understanding, not the machine. There’s a lot more of that going on with ChatGPT and DALL-E than people are admitting. ChatGPT can write a story, but we humans do a lot of work to make it make sense.

Certain prompts that we can give to these AI models will make Phipps’ point fairly evident. For instance, consider the riddle “What weighs more, a pound of lead or a pound of feathers?” The answer, of course, is that they weigh the same (one pound), even though our instinct or common sense might tell us that the feathers are lighter.

ChatGPT will answer this riddle correctly, and you might assume it does so because it is a coldly logical computer that doesn’t have any “common sense” to trip it up. But that’s not what’s going on under the hood. ChatGPT isn’t logically reasoning out the answer; it’s just generating output based on its predictions of what should follow a question about a pound of feathers and a pound of lead. Since its training set includes a bunch of text explaining the riddle, it assembles a version of that correct answer.

However, if you ask ChatGPT whether two pounds of feathers are heavier than a pound of lead, it will confidently tell you they weigh the same amount, because that’s still the most likely output to a prompt about feathers and lead, based on its training set. It can be fun to tell the AI that it’s wrong and watch it flounder in response; I got it to apologize to me for its mistake and then suggest that two pounds of feathers weigh four times as much as a pound of lead.

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Apple announces winners of the 2024 Apple Design Awards

Delight and Fun

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Text of this article

June 6, 2024

Apple announces :br(xl)::br(l)::br(m):winners of the 2024 Apple Design Awards

Winners from around the world will be recognized at WWDC24 for excellence in design and outstanding technical achievement in apps and games

Today, Apple unveiled the winners of its annual Apple Design Awards, honoring 14 best-in-class apps and games. This year’s winners include development teams from around the world who were selected for their stellar design, technical achievement, and innovation.

“It’s inspiring to see how developers are using our technology to create exceptional apps and games that enhance the lives of users,” said Susan Prescott, Apple’s vice president of Worldwide Developer Relations. “This year’s winners have demonstrated how apps can create powerful and moving experiences — and we’re excited to celebrate their hard work and ingenuity at WWDC this year.”

Seven different categories recognize one app and game each for delight and fun, inclusivity, innovation, interaction, social impact, visuals and graphics, and a new spatial computing category. Winners were chosen from 42 finalists.

Winners in this category provide memorable, engaging, and satisfying experiences that are enhanced by Apple technologies.

App : Bears Gratitude Developer : Isuru Wanasinghe (Australia)

Bears Gratitude is a simple way to encourage and embrace honest self-reflection. The journaling app provides a welcoming way to establish daily gratitude practices. Thoughtfully crafted characters within the app help create a sense of warmth and routine to support users in building happiness, one day at a time.

Game : NYT Games Developer : The New York Times Company (United States)

Through a compelling mix of titles, NYT Games has redesigned its navigation and expanded its gaming catalog. New titles like Connections are calibrated for maximum replay value, with elegant design and ease of use that result in an experience that encourages everyone to join in on the fun.

Finalists for this category include Dudel Draw by Silly Little Apps, LLC; Hello Kitty Island Adventure by Sunblink Entertainment LLC; Rooms by Things, Inc.; and WHAT THE CAR? by Triband ApS.

Winners in this category provide a great experience for all by supporting people from a diversity of backgrounds, abilities, and languages.

App : oko Developer : AYES (Belgium)

By alerting pedestrians to the state of signal lights through haptic and audio feedback, oko is an immediately impactful app for people who are visually impaired. It is a powerful solution to a critical safety scenario that takes advantage of Apple technologies including VoiceOver and Dynamic Type.

Game : Crayola Adventures Developer : Red Games Co. (United States)

A colorful adventure game that offers a wide range of creation options for all players, Crayola Adventures brings to life character choices that include different skin tones, abilities, body types, pronouns, and full game narration. All ages can enjoy this delightful game experience, offering a mix of activities that include making decorations, solving puzzles, and reading storybooks.

Finalists for this category include Complete Anatomy 2024 by Elsevier, quadline by Kovalov, Tiimo by tiimo ApS, and Unpacking by Humble Bundle.

Winners in this category provide a state-of-the-art experience through novel use of Apple technologies that sets them apart in their genre.

App : Procreate Dreams Developer : Procreate (Australia)

Procreate Dreams is a stunning design tool that allows creatives of all kinds to create 2D animations using the extensive and familiar library of brushes, gestures, and PencilKit-enabled behaviors from the original Procreate. The controls are effortlessly intuitive, with support for both multitouch interactions and Apple Pencil. The app offers powerful animated effects, audio, and video to bring users’ creations and artwork to life.

Game : Lost in Play Developer : Happy Juice Games (Israel) 

Filled with endearing characters and fun minigames, Lost in Play offers players a charming adventure through childhood imagination with thoughtfully crafted puzzles. This point-and-tap journey features hand-drawn graphics, easy-to-learn interactions, and compelling gameplay that ignites a childlike sense of discovery throughout.

Finalists for this category include  Call of Duty: Warzone Mobile  by Activision Publishing, Inc.;  Copilot Money  by Copilot Money, Inc.;  SmartGym  by Mateus Abras; and  Wavelength  by Palm Court LLC.

Winners in this category deliver intuitive interfaces and effortless controls that are perfectly tailored to their platform.

App : Crouton Developer : Devin Davies (New Zealand)

Crouton provides users with a clean interface for stashing away recipes, creating grocery lists, and presenting step-by-step instructions in the kitchen. With its effortless series of interactions, Crouton lets users keep their focus on the counter rather than the screen.

Game : Rytmos Developer : Floppy Club (Denmark)

Rytmos challenges players to solve puzzles by creating pathways using simple drag gestures, and every completed level adds a new element to an evolving song. The brightly conceived onboarding makes gameplay instantly clear, and the gestures are simple and fun, even when the game starts delivering more complexity.

Finalists for this category include Arc Search by The Browser Company of New York Inc; finity. by Seabaa, Inc.; Little Nightmares by Playdigious; and Procreate Dreams by Savage Interactive Pty Ltd.

Winners in this category improve lives in a meaningful way and shine a light on crucial issues.

App : Gentler Streak Fitness Tracker Developer : Gentler Stories (Slovenia)

Gentler Streak aims to improve everyone’s lifestyles, no matter who or where they are. The app is powered by optimistic and encouraging reminders that factor in both physical fitness and mental wellbeing. Its health data is smartly organized and seamlessly integrated to help users thoughtfully track exercise, rest, and wellness. In a Monthly Summary view, users are shown how they are doing in relation to their history, emphasizing the focus on individual progression rather than comparison against others.

Game : The Wreck Developer : The Pixel Hunt (France) 

In the visual novel The Wreck, players follow alongside the story of Junon, a writer who is abruptly called to a hospital to make a life-changing decision that will impact her family forever. The game is eloquently written through deep and intimate narratives that reflect stressful situations, and invites players to think about their choices throughout a nuanced and powerful gameplay experience.

Finalists for this category include Ahead: Emotions Coach by ahead Solutions GmbH; Cityscapes: Sim Builder by MagicFuel Games; How We Feel by The How We Feel Project, Inc.; and The Bear by Mucks Games.

Winners in this category feature stunning imagery, skillfully drawn interfaces, and high-quality animations that lend to a distinctive and cohesive theme.

App : Rooms Developer : Things, Inc. (United States)

Rooms offers users a blank slate for building imaginative scenes, a platform for cozy gaming, and a social space that offers interactions with thousands of other people’s creations. The rooms within the app are filled with delightful detail, and the app’s interactions, sounds, and visuals strike the balance between quirky and compelling.

Game : Lies of P Developer : NEOWIZ (South Korea)

Lies of P is an imaginative adventure that reimagines a classic tale, allowing players to control a robotic puppet created by Geppetto, who must survive a battle march through a burned-out city to find his maker. The visuals showcase a world of beautiful textures, detailed lighting, and stunning effects, and visual customization options like MetalFX upscaling and volumetric fog effects on Mac let users style the game to their liking.

Finalists for this category include DEATH STRANDING DIRECTOR’S CUT by 505 Games (U.S.), Inc.; Honkai: Star Rail by COGNOSPHERE PTE. LTD.; Meditate by RhythmicWorks; and Sunlitt: Sun Position and Path by Nicolas Mariniello.

Winners in this category bring extraordinary craftsmanship to their exceptional spatial experiences.

App : djay pro - DJ App & AI Mixer Developer : algoriddim GmbH (Germany)

djay is an entirely new way to interact with music in a spatial environment. With remarkable technical ingenuity and best-in-class immersion, djay brings users high-definition sound quality and endless creativity for music mixing. The app features high-quality turntables, a cool interactive effects panel, and an array of magnificently considered environments, from a nighttime desert scene to a space lounge populated by dancing robots.

Game : Blackbox Developer : Shapes and Stories (United States)

Blackbox on Apple Vision Pro challenges users to think about every corner of the spatial canvas. Players are greeted by engaging puzzles and clever easter eggs at every turn. The game is filled with wonderful details, and every solution feels like learning a new magic trick as puzzles gently unfold around the player and curiosity is rewarded.

Finalists for this category include  Loóna: Cozy Puzzle Games  by Loona Inc.;  NBA  by NBA MEDIA VENTURES, LLC;  Sky Guide  by Fifth Star Labs LLC; and  Synth Riders  by Kluge Strategic Inc.

To learn more about the Apple Design Award winners and finalists, visit developer.apple.com/design/awards or the Apple Developer app.

Press Contacts

D'Nara Cush

[email protected]

Apple Media Helpline

[email protected]

Images in this article

D'Nara Cush

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Graphics design/illustration personal statement example.

At university I hope to study graphics design, the reason for this is because from a young age I’ve always had a very high interest in advertising and graphics design everything that is around us has been designed and this has always fascinated me, I’ve wanted to be involved and a part of this.

In my spare time I normally educate myself looking at tutorials on either web design, video editing and graphics such as Photoshop and Indesign, my strongest software experience is Photoshop and Indesign and I spend my majority of my time designing abstract and random graphics. In effect this means that I’m very familiar with the adobe products interface and the majority of the panels, my video editing skills are very mild which means there’s room for improvement.

During my two years of sixth form I’ve built strong relationships between the teaching staff through my determination and willingness to help them whenever there in need of assistance, I have designed a number of posters for a range of different teachers advertising events that were occurring in the college, an example of this was a concert poster that I designed for the music department to help them raise money for a school trip to new York.

Another achievement was the designing of the school website, me and 2 other colleagues in my college was put in charge of designing the school website which I and the staff were highly impressed with the outcome, I gained 12 GCSE’s at grade C and Above including art and graphics design which shows that I have been interested in graphics design and art from a young age and that I’ve also had a clear mindset wanting to progress down the path way of graphics design and advertising, I also had a part time job for 3 years working in an youth empowerment centre which helped to improve my organisational skills an example of this is admin work such as reorganising the jobs display board. Built my overall confidence with dealing with members of the public, this is due to running educational workshops to younger members of the public.

At a young age I was inspired by my uncle who was a designer and he has worked for artists such as take that, Britney spears, Robbie Williams and many other major mainstream stars, whenever I was around him and his was busy doing work I would always ask questions and was so engaged in everything he told me.

Through the research I’ve taken out looking at graphics design courses has inspired me a great deal more that this is the career path that I was made to do, within graphics design there is illustration, 3D design and typography, I’m always playing around with text to make it look as artistic as possible when designing things so typography is something I’ve also really been passionate about.

I Have a natural eye for design as everywhere I go I seem to inspect and observe all design work and high quality illustrations such as restaurants that I go to I observe their menu’s and think to myself how could they improve their advertising, some would call this a habit or even a hobby.

The current subjects that I’m studying at college are Product design, Media Studies and ICT, I have an extremely high interest in all my subjects but I’m naturally skilled in media studies, because it was so easy to incorporate Graphics and design into my work it was a huge reinforcement with my practical coursework giving me a high A in the coursework, ICT is very similar, for A2 I’m creating a website for a legit client and they have requested it to be aesthetically pleasing meaning to my advantage I can again incorporate graphics into my studies.

Product Design again is the same situation, I’m remarketing a product currently on the market and re branding it to improve its marketing and advertising, this involves posters, the illustration on the bottle and a POS stand meaning yet a third time I will be incorporating graphics into my studies.

Hobbies that I have are basketball which I occasionally play in my spare time. Also In my spare time I enjoy working out and keeping fit, I’m very conscious about my health and it also gives me a chance to get away from my studies and for me its a type of relaxation, this also helps with my organisational skills as I know how to separate work from play.

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This personal statement was written by stevendawson for application in 2011.

stevendawson's Comments

I feel that i have put a great deal of effort and time into this, such as planning and drawing out a spider diagram of ideas beforehand, but i cant help but be conscious, so I'm asking people of the Internet to help me where improvements are needed

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Related Personal Statements

It an ok statement however,.

Sun, 16/10/2011 - 14:07

it an ok statement however, you need to read through this yourself more than once to find that there are a lot of grammatical errors, especially in the first paragraph. i.e. it just one very big sentance, try splitting it down to 3 sentances. Another note is, dont include your GCSE grades because yor basically repeating information that the moderator will know from the ucas website.

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Wed, 10/07/2013 - 15:02

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FROM BBBBBBRIXTON

BBBBRIXTON BROZ

Wed, 10/07/2013 - 15:08

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oii mans need to chill man

Wed, 10/07/2013 - 15:10

oii mans need to chill man why cant we all get along and have a gd tyme ;)

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Wed, 10/07/2013 - 15:11

ok babz lets meet up my place or yourz? ;) xx

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£250000 an hour boi you

Wed, 10/07/2013 - 15:14

£250000 an hour boi you musttt beee gooddddd ;) but i will give you a good time so maybe it should just be freee? i give happy endings toooooo ;)

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Walnut and Me

By Sam Anderson Illustrations by Gaia Alari

Listen to Episode 1 of the series, where Sam Anderson explains his love for his dog, Walnut. Find all episodes of ‘Animal’ at nytimes.com/animal .

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Photo credit: Ryan Carll/Upstate Images

Sam Anderson is a staff writer for the magazine. He has written about rhinos, pencils, poets, water parks, basketball, weight loss and the fountain of youth.

Gaia Alari is a self-taught illustrator and animator, specializing in a traditional frame-by-frame style of hand animation.

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