power in lord of the flies essay

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

• Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
• The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
• Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
• The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
• Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
• Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
• Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
• Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
• The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

Lord of the Flies Quiz

Test your understanding of human nature and survival with our " Lord of the Flies " Trivia Quiz! Do you have the insight and knowledge to navigate the complex dynamics and symbolism of William Golding's masterpiece? Accept the challenge now and prove your mastery over the gripping and thought-provoking world of " Lord of the Flies "!

1) What does Ralph cry for at the end of the novel?

2) How does Piggy die?

3) What theme does "Lord of the Flies" primarily explore?

4) What object is used to symbolize authority and order?

5) How does the naval officer react when he sees the boys?

6) Why do Jack and his hunters attack Ralph's camp?

7) Who is the author of "Lord of the Flies"?

8) What is the main source of conflict between Ralph and Jack?

9) Who is responsible for maintaining the signal fire?

10) What do the boys call the younger children on the island?

11) What is the "Lord of the Flies"?

12) Who is the first boy to suggest the existence of a "beast" on the island?

13) Who is elected leader of the boys at the beginning of the novel?

14) What is Jack's main priority on the island?

15) Who discovers the true nature of the "beast"?

16) What does the face paint symbolize for Jack's tribe?

17) Who is the last boy to remain loyal to Ralph?

18) What is Ralph's main concern throughout the novel?

19) Which character represents the voice of reason and intelligence?

20) How are the boys finally rescued?

21) What is the significance of the beast in the novel?

22) What tragic event occurs when the boys reenact the hunt?

23) What happens to the boy with the mulberry-colored birthmark?

24) What event causes the boys to be stranded on the island?

25) What happens to the conch shell?

26) Who leads the boys in the brutal killing of Simon?

27) What do the boys use to start a fire?

28) What does the "Lord of the Flies" symbolize?

29) What role does Roger play in the novel?

30) What do the boys chant during their tribal rituals?

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About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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89 Lord of the Flies Essay Topic Ideas & Examples

🔝 top-10 lord of the flies research paper topics, 🏆 best lord of the flies essay titles, 📌 creative lord of the flies thesis ideas, 👍 good titles for lord of the flies essay, ❓ lord of the flies: important questions.

• Ralph’s character development in “Lord of the Flies.”
• The main theme in “Lord of the Flies.”
• The success of William Golding’s debut novel.
• “Lord of the Flies”: a discussion of innocence and power.
• The role of the conch in “Lord of the Flies.”
• Civilization vs. savagery in “Lord of the Flies.”
• William Golding’s commentary on human nature and evil.
• The symbolism of fear in “Lord of the Flies.”
• A literary analysis of “Lord of the Flies.”
• “Lord of the Flies”: a summary of events.
• Evil in “Lord of the Flies” by William Golding The idea is that we are born with both the capacity of good and the capacity of evil and that the way we are raised, or the environment in which we live determines how we […]
• Lord of the Flies, an Allegorical Novel by William Golding As the auction proceeds, the reader follows the heartbreaking events of the book. Boys hunt down a pig and place its head on a stick as an ‘offering’ to the ‘beast’.
• Symbolism in “Lord of the Flies” by William Golding In The Lord of the Flies, the fire in the story is lit as a symbol of hope and rescue. The island in The Lord Of The Flies resembled the perfect type of Utopia at […]
• “Lord of the Flies” by William Golding The reader will wonder that all the boys respond in the same manner to the sound of the blown shell. The author uses aesthetics to drive emotions out of the reader about the value of […]
• Human Nature in “Lord of the Flies” by Golding Considering this, the present paper will analyze the validity of the given statement by drawing on the experiences of characters in Lord of the Flies and evaluating the conditions in which they lived.
• Literature Studies: “Lord of the Flies” by W. Golding Although Jack Merridew, one of the lead characters of William Golding’s shockingly unforgettable Lord of the Flies novel, is a child and still has a lot to learn in terms of how society works, the […]
• Lord of the Flies: Novel Analysis The sinister nature of the novel is inferred in the title which derives from the Hebrew word, Ba’al-zvuv which means god of the fly, host of the fly or literally the Lord of Flies a […]
• Writing on the Novel I Love: Lord of the Flies In a given Lord of the Flies essay, one needs to illustrate the different themes used by Golding in his novel.
• A Comprehensive Analysis of the Key Elements of “Lord of the Flies” by William Golding
• The Role of Simon in “Lord of the Flies” by William Golding
• Literary Comparison of Ballantyne’s “Coral Island” and Golding’s Island in “Lord of the Flies”
• Attitude Towards Children in the Story “Lord of the Flies”
• Jack as a Symbol of Savagery and Anarchy in “Lord of the Flies” by William Golding
• A Description of the Potential for Evil in Everyone as One of the Theme in the Novel “Lord of the Flies” by William Golding
• Evil in Humanity in “Lord of the Flies” by William Golding
• Savagery and the Beast Theme in “Lord of the Flies”
• The Fall of Civilization Into Savagery in “Lord of the Flies” by William Golding
• An Allegory of Sigmund Freud’s Psychoanalysis Theory in William Golding’s “Lord of the Flies”
• A Literary Analysis of the Symbolism in “Lord of the Flies” by William Golding
• A Comparison Between the Movie and Novel “Lord of the Flies”
• Abuse of Power and the Effect of Tyrannical Leadership Between “Lord of the Flies” and “The Chrysalids”
• Fear of the Unknown in “Lord of the Flies” by William Golding
• A Comparison of “Lord of the Flies” by William Golding and “A Separate Peace” by John Knowles on Peer Pressure
• Internal and External Conflicts in “Lord of the Flies” by William Golding
• Importance of the Extract in the Development of the Main Themes in “Lord of the Flies”
• Destructiveness of Jealousy Depicted in “Lord of the Flies” and “Woman Warrior”
• A Demonstration of the Influence and Power of People Over One Another Through the Character of Piggy in “Lord of the Flies” by William Golding
• A Character of Piggy as the Character Who Most Deserved to Be Saved in “Lord of the Flies” by William Golding
• The Role of Government in “Lord of the Flies” by William Golding
• Moral Consequences in “Lord of the Flies” by William Golding
• The Symbolism of Power in “Lord of the Flies”
• An Analysis of Human Behavior in “All Quiet on the Western Front” and “Lord of the Flies”
• Changes in the Conception of God in “Lord of the Flies”
• Inate Evil in “To Kill a Mocking Bird” and “Lord of the Flies”
• A Look at Disturbing Events Highlighted in William Golding’s “Lord of the Flies”
• Allegory of Social Dissolution “Lord of the Flies” by William Golding
• Ralph as a Good Leader in “Lord of the Flies”
• An Analysis of Democratic and Authoritarian Power in “Lord of the Flies” by William Golding
• Leaders and Leadership in “Lord of the Flies” by William Golding
• Golding’s Pessimistic View on People and Society in His Book “Lord of the Flies”
• Analyzing the Themes of Innocence and Fear in William Golding’s “Lord of the Flies”
• A Description of the Occurrence of Civilization in “Lord of the Flies” by William Golding
• Importance of the Beast in “Lord of the Flies” by William Golding
• Golding’s “Lord of the Flies”: A Dream of a Deserted Island Into Reality
• Adventures, Conflicts, and Struggles in “Lord of the Flies”
• Good and Evil in Human Nature in “Lord of the Flies” by William Golding
• Failure of Paradise in Margaret Atwood’s “The Handmaid’s Tale” and William Golding’s “Lord of the Flies”
• Immorality of Human Nature Depicted in Golding’s “Lord of the Flies”
• Formation of Rules and Perception of Civilisation in “Lord of the Flies”
• How Golding Presents the Decline From Civilisation to Savagery in “Lord of the Flies”?
• What Does Piggy Symbolize in “Lord of the Flies”?
• How Does the Second World War Reflect on “Lord of the Flies”?
• What Ideas About Human Nature and Behavior Golding Was Trying to Express in “Lord of the Flies”?
• What Does the Plane Crash Symbolize in “Lord of the Flies”?
• How Does William Golding Present the Character of Jack in “Lord of the Flies”?
• How Does Golding Express His Ideas About Leadership in “Lord of the Flies”?
• How Does Roger Change in “Lord of the Flies” by William Golding?
• How the Society Suppresses Evil in the Novel “Lord of the Flies”?
• How Does Golding Create a Setting in “Lord of the Flies”?
• How Does the Author Present Human Nature in “Lord of the Flies”?
• How Does William Golding Show Evil at Work in “Lord of the Flies”?
• How Anybody Could Regress Into Savagery in Golding’s “Lord of the Flies”?
• How Is the Author’s Characterisation and Language Attributed to the Novel of the “Lord of the Flies”?
• Why Did William Golding Name His Novel “Lord of the Flies”?
• How Does Golding Present Death in “Lord of the Flies”?
• How Does the Setting Affect the Story “Lord of the Flies”?
• How Children Are Treated in the Story of “Lord of the Flies”?
• How Does Golding Make the Physical World Seem Important in “Lord of the Flies”?
• What Is Ralph’s Attitude Toward Piggy in the First Chapter of “Lord of the Flies”?
• How Many Boys Are in “Lord of the Flies”?
• How Golding Creates Tension in “Lord of the Flies”?
• How Does the Opening Prepare the Reader for the Rest of the Novel “Lord of the Flies”?
• Why the Boys Were Doomed to Fail in “Lord of the Flies”?
• What Influenced William Golding to Write “Lord of the Flies”?
• Ways That Golding Presents the Island in “Lord of the Flies”?
• How Golding Uses Symbols in “Lord of the Flies”?
• How Does William Golding Use the Setting to Develop the Main Theme of His Novel “Lord of the Flies”?
• How Does Piggy’s Character Develop Through Golding’s “Lord of the Flies”?
• What Ruined Ralph and Jack’s Friendship in “Lord of the Flies”?
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Home — Essay Samples — Literature — Lord of The Flies — The Power of Personification in Lord of the Flies

The Power of Personification in Lord of The Flies

• Categories: Lord of The Flies

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Words: 498 |

Published: Mar 8, 2024

Words: 498 | Page: 1 | 3 min read

Table of contents

Personification of the island, personification of the “beast”, personification of nature.

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ENGL 201.ST2 Composition II: The Mind/Body Connection

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In this online section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the body, the mind, and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the psychological effects of self-objectification; and the unique mental and physical challenges faced by college students today, including food insecurity and stress.

English 201 S06 and S11: Composition II with an emphasis in Environmental Writing

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The South Dakota State University 2023-2024 Undergraduate Catalog describes LING 203 as consisting of “[i]nstruction in the theory and practice of traditional grammar including the study of parts of speech, parsing, and practical problems in usage.”

“Grammar” is a mercurial term, though. Typically, we think of it to mean “correct” sentence structure, and, indeed, that is one of its meanings. But Merriam-Webster reminds us “grammar” also refers to “the principles or rules of an art, science, or technique,” taking it beyond the confines of syntactic structures. Grammar also evolves in practice through application (and social, historical, economic changes, among others). Furthermore, grammar evolves as a concept as scholars and educators in the various fields of English studies debate the definition and nature of grammar, including how well its explicit instruction improves students’ writing. In this course, we will use the differing sensibilities, definitions, and fluctuations regarding grammar to guide our work. We will examine the parts of speech, address syntactic structures and functions, and parse and diagram sentences. We will also explore definitions of and debates about grammar. All of this will occur in units about the rules and structures of grammar; the application of grammar rhetorically and stylistically; and the debates surrounding various aspects of grammar, including, but not limited to, its instruction.

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English 284: Introduction to Criticism

This course introduces students to selected traditions of literary and cultural theory and to some of the key issues that animate discussion among literary scholars today. These include questions about the production of cultural value, about ideology and hegemony, about the patriarchal and colonial bases of Western culture, and about the status of the cultural object, of the cultural critic, and of cultural theory itself.

To address these and other questions, we will survey the history of literary theory and criticism (a history spanning 2500 years) by focusing upon a number of key periods and -isms: Greek and Roman Classicism, The Middle Ages and Renaissance, The Enlightenment, Romanticism, Realism, Formalism, Historicism, Political Criticism (Marxism, Post-Colonialism, Feminism, et al.), and Psychological Criticism. We also will “test” various theories we discuss by examining how well they account for and help us to understand various works of poetry and fiction.

• 300-400 level

ENGL 330.S01 Shakespeare

TuTh 8-9:15 a.m.

Dr. Michael S. Nagy

This course will focus on William Shakespeare’s poetic and dramatic works and on the cultural and social contexts in which he wrote them. In this way, we will gain a greater appreciation of the fact that literature does not exist in a vacuum, for it both reflects and influences contemporary and subsequent cultures. Text: The Riverside Shakespeare: Complete Works. Ed. Evans, G. Blakemore and J. J. M. Tobin. Boston: Houghton Mifflin, 1997.

ENGL 363 Science Fiction

MWF 11-11:50 a.m.

This course explores one of the most significant literary genres of the past century in fiction and in film. We will focus in particular on the relationship between science fiction works and technological and social developments, with considerable attention paid to the role of artificial intelligence in the human imagination. Why does science fiction seem to predict the future? What do readers and writers of the genre hope to find in it? Through readings and viewings of original work, as well as selected criticism in the field, we will address these and other questions. Our reading and viewing selections will include such artists as Ursula K. LeGuin, Octavia Butler, Stanley Kubrick and Phillip K. Dick. Students will also have ample opportunity to introduce the rest of the class to their own favorite science fiction works.

ENGL 383.S01 Creative Writing I

MWF 2-2:50 p.m.

Amber Jensen

Creative Writing I encourages students to strengthen poetry, creative nonfiction, and/or fiction writing skills through sustained focus on creative projects throughout the course (for example, collections of shorter works focused on a particular form/style/theme, longer prose pieces, hybrid works, etc.). Students will engage in small- and large-group writing workshops as well as individual conferences with the instructor throughout the course to develop a portfolio of creative work. The class allows students to explore multiple genres through the processes of writing and revising their own creative texts and through writing workshop, emphasizing the application of craft concepts across genre, but also allows students to choose one genre of emphasis, which they will explore through analysis of self-select texts, which they will use to deepen their understanding of the genre and to contextualize their own creative work.

ENGL 475.S01 Creative Nonfiction

Mondays 3-5:50 p.m.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 485.S01 Writing Center Tutoring

MW 8:30-9:45 a.m.

Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops, and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations and develop a richer sense of writing as a complex and negotiated social process.

ENGL 492.S01 The Vietnam War in Literature and Film

Tuesdays 3-5:50 p.m.

Dr. Jason McEntee

In 1975, the United States officially included its involvement in the Vietnam War, thus marking 2025 as the 50th anniversary of the conclusion (in name only) of one of the most chaotic, confusing, and complex periods in American history. In this course, we will consider how literature and film attempt to chronicle the Vietnam War and, perhaps more important, its aftermath. I have designed this course for those looking to extend their understanding of literature and film to include the ideas of art, experience, commercial products, and cultural documents. Learning how to interpret literature and movies remains the highest priority of the course, including, for movies, the study of such things as genre, mise-en-scene (camera movement, lighting, etc.), editing, sound and so forth.

We will read Dispatches , A Rumor of War , The Things They Carried , A Piece of My Heart , and Bloods , among others. Some of the movies that we will screen are: Apocalypse Now (the original version), Full Metal Jacket , Platoon , Coming Home , Born on the Fourth of July , Dead Presidents , and Hearts and Minds . Because we must do so, we will also look at some of the more fascinatingly outrageous yet culturally significant fantasies about the war, such as The Green Berets and Rambo: First Blood, Part II .

ENGL 492.S02 Classical Mythology

TuTh 3:30-4:45 p.m.

Drs. Michael S. Nagy and Graham Wrightson

Modern society’s fascination with mythology manifests itself in the continued success of novels, films and television programs about mythological or quasi-mythological characters such as Hercules, the Fisher King, and Gandalf the Grey, all of whom are celebrated for their perseverance or their daring deeds in the face of adversity. This preoccupation with mythological figures necessarily extends back to the cultures which first propagated these myths in early folk tales and poems about such figures as Oðin, King Arthur, Rhiannon, Gilgamesh, and Odysseus, to name just a few. English 492, a reading-intensive course cross-listed with History 492, primarily aims to expose students to the rich tradition of mythological literature written in languages as varied as French, Gaelic, Welsh, Old Icelandic, Greek, and Sumerian; to explore the historical, social, political, religious, and literary contexts in which these works flourished (if indeed they did); and to grapple with the deceptively simple question of what makes these myths continue to resonate with modern audiences. Likely topics and themes of this course will include: Theories of myth; Mythological Beginnings: Creation myths and the fall of man; Male and Female Gods in Myth; Foundation myths; Nature Myths; The Heroic Personality; the mythological portrayal of (evil/disruptive) women in myth; and Monsters in myth.

Likely Texts:

• Dalley, Stephanie, trans. Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others. Oxford World’s Classics, 2009
• Faulkes, Anthony, trans. Edda. Everyman, 1995
• Gregory, Lady Augusta. Cuchulain of Muirthemne: The Story of the Men of the Red Branch of Ulster. Forgotten Books, 2007
• Jones, Gwyn, Thomas Jones, and Mair Jones. The Mabinogion. Everyman Paperback Classics, 1993
• Larrington, Carolyne, trans. The Poetic Edda . Oxford World’s Classics, 2009
• Matarasso, Pauline M., trans. The Quest of the Holy Grail. Penguin Classics, 1969
• Apollodorus, Hesiod’s Theogony
• Hesiod’s Works and Days
• Ovid’s Metamorphoses, Homeric Hymns
• Virgil’s Aeneid
• Iliad, Odyssey
• Apollonius of Rhodes Argonautica
• Ovid’s Heroides
• Greek tragedies: Orestaia, Oedipus trilogy, Trojan Women, Medea, Hippoolytus, Frogs, Seneca's Thyestes, Dyskolos, Amphitryon
• Clash of the Titans, Hercules, Jason and the Argonauts, Troy (and recent miniseries), Oh Brother, Where Art Thou?

ENGL 492.ST1 Science Writing

Erica summerfield.

This course aims to teach the fundamentals of effective scientific writing and presentation. The course examines opportunities for covering science, the skills required to produce clear and understandable text about technical subjects, and important ethical and practical constraints that govern the reporting of scientific information. Students will learn to present technical and scientific issues to various audiences. Particular emphasis will be placed on conveying the significance of research, outlining the aims, and discussing the results for scientific papers and grant proposals. Students will learn to write effectively, concisely, and clearly while preparing a media post, fact sheet, and scientific manuscript or grant.

Graduate Courses

Engl 575.s01 creative nonfiction.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles, and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 592.S01: The Vietnam War in Literature and Film

Engl 704.s01 introduction to graduate studies.

Thursdays 3-5:50 p.m.

Introduction to Graduate Studies is required of all first-year graduate students. The primary purpose of this course is to introduce students to modern and contemporary literary theory and its applications. Students will write short response papers and will engage at least one theoretical approach in their own fifteen- to twenty-page scholarly research project. In addition, this course will further introduce students to the M.A. program in English at South Dakota State University and provide insight into issues related to the profession of English studies.

ENGL 792.ST1 Grant Writing

This online course will familiarize students with the language, rhetorical situation, and components of writing grant proposals. Students will explore various funding sources, learn to read an RFP, and develop an understanding of different professional contexts and the rhetorical and structural elements that suit those distinct contexts. Students will write a sample proposal throughout the course and offer feedback to their peers, who may be writing in different contexts, which will enhance their understanding of the varied applications of course content. Through their work in the course, students will gain confidence in their ability to find, apply for, and receive grant funding to support their communities and organizations.