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A mostly unqualified triumph for James Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama.

Critics Reviews

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James Cameron

Leonardo DiCaprio

Jack Dawson

Kate Winslet

Rose DeWitt Bukater

Caledon 'Cal' Hockley

Kathy Bates

The Unsinkable Molly Brown

Frances Fisher

Ruth DeWitt Bukater

Movie Clips

More like this, movie news & guides, this movie is featured in the following articles..

Titanic (1997)

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Common sense media reviewers.

Great movie, but too intense, racy for younger kids.

A Lot or a Little?

What you will—and won't—find in this movie.

A person's worth is far greater than the station t

Jack and Rose transcend societal expectations and

Minimal racial diversity. Central female character

Rose is briefly struck by Cal. Violence and intens

One scene of a topless woman as she poses for a pa

The most commonly used swear is "s--t," repeated s

First-class passengers drink wine and champagne wi

Parents need to know that James Cameron's King-of-the-World saga Titanic is one of the highest-grossing movies of all time and is still sure to attract young teen and tween audiences. There's brief nudity (a topless Rose poses for a nude drawing, which is also shown throughout the film) and sexuality (Jack…

Positive Messages

A person's worth is far greater than the station they were born into. Themes include compassion and humility.

Positive Role Models

Jack and Rose transcend societal expectations and fall in love with each other, acting bravely to help save themselves and others. The "haves" for the most part -- excepting Molly Brown, the captain, and the ship architect -- aren't the most admirable lot. Many people onboard act selfishly, like Cal, who pretends a small child is his to get a spot on a lifeboat, or the man who refuses to allow his half-filled lifeboat to return to save more people.

Diverse Representations

Minimal racial diversity. Central female characters like Rose and Molly Brown are portrayed as strong, nuanced, and in charge of their own destiny, despite pressures around them to act otherwise. Early 20th century class conflicts are a central theme: Privileges of the wealthy are highlighted and criticized, ending with Rose choosing to be identified as a third-class passenger.

Did we miss something on diversity? Suggest an update.

Violence & Scariness

Rose is briefly struck by Cal. Violence and intense peril are concentrated toward the end of the movie, especially as the ship begins to sink: Mass chaos leads to fistfights, pushing, gun violence, even suicide. People plunge to their death in icy waters, some killed by falling debris from the ship. Almost everyone left in the water drowns. Close-ups of passengers who stay on the ship, preferring to await the inevitable in their rooms or lounges.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

One scene of a topless woman as she poses for a painting, plus shots of that painting, as well as a few other nude drawings. Jack and Rose flirt, kiss passionately, eventually have sex. The love scene doesn't include any nudity, but the couple is sweaty, out-of-breath, bare-shouldered, on top of each other.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

The most commonly used swear is "s--t," repeated several times throughout. Other strong language includes one "f--k," "horses--t," "son of a bitch," "damn," "hell," "ass," "bloody," and several "goddamns," "oh my Gods," and other exclamations, especially toward the end. Insults include "slut," "whore," and "moron."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

First-class passengers drink wine and champagne with dinner. Men smoke cigars and drink brandy after dinner. Steerage passengers get drunk at a late-night party where beer is plentiful. Jack smokes cigarettes. Rose starts to smoke a cigarette, but her fiancé and mom stop her; she smokes one later after binge-drinking.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that James Cameron 's King-of-the-World saga Titanic is one of the highest-grossing movies of all time and is still sure to attract young teen and tween audiences. There's brief nudity (a topless Rose poses for a nude drawing, which is also shown throughout the film) and sexuality (Jack and Rose make love in the backseat of a car), but the forbidden romance between the main characters (played by Kate Winslet and Leonardo DiCaprio ) is otherwise rather chaste by today's standards. It's the epic Titanic sinking scene that may make this movie too intense for younger kids. Throughout the mass chaos, people fight to save themselves ahead of others, plunge to watery deaths, and, in some cases, even die by suicide. Three incidents of gun violence take place during the sinking, with visuals of blood and depiction of suicide with a gun. On the flip side, characters display compassion and humility. The fact that this movie is based on a historical event may be too intense for sensitive children, but mature kids fascinated with the Titanic will find it compelling to watch. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

• Parents say (135)
• Kids say (738)

Based on 135 parent reviews

Not prepared for multiple references to suicide

Great movie and excellent source for discussions, what's the story.

Director James Cameron frames the story of the TITANIC in the late 1990s, when a high-tech underwater mission uncovers hidden treasures from the legendary ship, including a nude drawing of a beautiful girl. A 101-year-old woman (Gloria Stuart) reveals that she's the woman in the drawing, and viewers are then immersed in the events on board the ship from her point of view. She was Rose ( Kate Winslet ), a lovely young woman reluctantly engaged to one of the richest men on the ship, the cool and calculating Cal ( Billy Zane ). Unhappy with her engagement, Rose briefly considers launching herself overboard but is saved by the witty, handsome Jack ( Leonardo DiCaprio ), a third-class passenger who won his Titanic ticket in a poker game. As Jack and Rose grow closer, Cal's jealousy swells, and he eventually frames Jack for stealing. When the ship hits an iceberg, everyone is thrown into a catastrophic, life-and-death situation where wealth and privilege are thrown out the window, relationships are tested, and courage is rare.

Is It Any Good?

One of the highest-grossing movies of all time, this enthralling saga achieved commercial and critical success, winning 11 Oscars out of its 14 nominations. The irresistible love story of Titanic stars two of the best actors of their generation; dazzling visual effects involve the most famous ship disaster of all time; a smug, rich villain is so easy to hate that he should be sporting an evil, twirling mustache; James Horner's score soars, coupled with Celine Dion's hokey-but-touching "My Heart Will Go On" theme; and there are fine performances by supporting actors like Kathy Bates as the "Unsinkable" Molly Brown, Frances Fisher as Rose's snobby mother, Bernard Hill (known best as King Theoden in that other epic, Lord of the Rings ) as Captain Smith, Victor Garber as the Titanic architect, and, of course, Oscar-nominated Stuart as the narrator, Old Rose.

Strong central female characters are the heart of Titanic , along with a look into the differences between social classes. Fans of romance will adore the journey of the star-crossed lovers, while action fans will appreciate the suspense and tension as the ship begins to sink. This is truly a film that has something for nearly everyone.

Talk to Your Kids About ...

Families can talk about how in the face of catastrophe, people's true characters were revealed by their choices. How do different people on board the Titanic react to the ship sinking? Who were the bravest? Who were the most selfish?

Has society's emphasis on class changed since the time period depicted in Titanic ? What are other social considerations that divide people nowadays? How does Rose's life after the Titanic pay tribute to her brief love affair with Jack?

James Cameron is known for depicting strong, fearless female characters. If you're familiar with his other movies, compare Rose to Ripley ( Aliens ), Sarah Connor ( The Terminator ), and Neytiri, Trudy, and Grace ( Avatar ).

How do the characters in Titanic demonstrate compassion and humility ? Why are these important character strengths ?

Movie Details

• In theaters : December 19, 1997
• On DVD or streaming : September 10, 2012
• Cast : Billy Zane , Kate Winslet , Leonardo DiCaprio
• Director : James Cameron
• Inclusion Information : Female actors
• Studio : Paramount Pictures
• Genre : Romance
• Topics : History
• Character Strengths : Compassion , Humility
• Run time : 194 minutes
• MPAA rating : PG-13
• MPAA explanation : disaster related peril and violence, nudity, sensuality and brief language
• Award : Kids' Choice Award
• Last updated : May 17, 2024

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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• ENGLISH HINDI MALAYALAM TAMIL TELUGU KANNADA BENGALI  

Titanic Telugu Movie

Titanic is a 2016 Indian movie directed by Raja Vamsi starring Yamini Bhaskar, Ballireddy Prudhviraj, Raghu Babu and Rajeev Saluri. The feature film is produced by K. Srinivasa Rao and the music composed by Vinod Yajamanya.

Director: Raja Vamsi Producer: K. Srinivasa Rao Production Company: Kanna Cine Productions Music Director: Vinod Yajamanya Cinematographer: Amar G Editor: MR Varma Screenplay Writer: Raja Vamsi Dialogue Writer: Raja Vamsi Original Story Writer: Raja Vamsi

Notice: All forms on this website are temporarily down for maintenance. You will not be able to complete a form to request information or a resource. We apologize for any inconvenience and will reactivate the forms as soon as possible.

• DVD & Streaming
• Action/Adventure , Drama , Romance

Content Caution

In Theaters

• December 19, 1997
• Leonardo DiCaprio as Jack Dawson; Kate Winslet as Rose DeWitt Bukater; Billy Zane as Caledon 'Cal' Hockley; Bill Paxton as Brock Lovett; Gloria Stuart as Old Rose; Kathy Bates as Molly Brown

Home Release Date

• September 1, 1998
• James Cameron

Distributor

• Paramount Pictures

Movie Review

It’s a time of opportunity for Jack Dawson. A few nights ago he was sleeping under a bridge, and just look at him today! After a well-played portside card game, he ends up a passenger on a beautiful cruise liner, the ship of dreams, the Titanic. And he’s taking an ocean voyage back to America.

But even that serious stroke of luck doesn’t live up to what happens next: Out of the blue, he meets the girl of his dreams.

Who woulda believed it? She’s definitely out of his league. He’s a drift-about adventurer/part-time artist and she … well, she’s Rose DeWitt Bukater, a young beauty his pals would probably call highfalutin. But Jack just calls her … perfect .

Sure, she’s got a few problems—one of them being a smothering engagement to a wealthy, controlling snake named Cal Hockley. On the other hand, even though Jack would just as soon the snobby Hockley take a hike, he’s glad of him. ‘Cause the guy drove Rose right into his arms. Jack was at the right place at the right time and stopped Rose from doing something stupid. But that’s how fate works, right? Someone steps out on a ledge, and somebody else is there to help.

Opportunities arise.

And now, as he walks on the deck of this gorgeous ship—sun on his face, Rose on his arm—why, everything seems possible. When they land in America, they’ll run away together. Work their way around the world, owing nothin’ to nobody. This is the beginning of a whole new life for both of them. Can’t you feel it? Jack’s the king of the world!

(You did know that this movie is about the Titanic, right?)

Positive Elements

At the root of Jack and Rose’s relationship is the question of freedom. Rose is wealthy but so locked in to the future marriage that her mother and fiancé have devised that she feels completely without choice. The free-spirited Jack is penniless but has freedom and choice in spades. He continually tells Rose that she can have those things too—with or without him. Even in the most dire of times, when it looks like they both might perish, Jack spurs his love to fight for a life she can live richly. “You must promise me that you won’t give up. No matter what happens,” he tells her.

She doesn’t. In her old age, we see her appear to still be pining for Jack from across the years. But the camera also pans across her life that’s been captured in a series of photos, illustrating just how fully she’s enjoyed the years, her family and her children.

In the midst of the shipwreck disaster, Jack and Rose both put their lives on the line for each other and for those they come across in need. The film also takes the time to point to others on the ship who face their deadly circumstances with as much bravery and love as possible: A mother calms her children with stories of family and home. An elderly couple embrace and whisper words of love. Crewmen stay below decks aiding the stragglers, even as the waters rush in. And right up to the point of the final devastation, the ship’s string quartet plays comforting tunes and hymns to calm the frightened passengers.

Spiritual Elements

Passengers sing a hymn during an onboard service. The musicians play “Nearer, My God, to Thee.” A scared passenger is intoning “Yea, though I walk through the valley of death …” when Jack steps up behind him and snorts, “You wanna walk a little faster through that valley!?” A priest comforts passengers by reciting passages from Revelation. Long before, an overconfident man boasts that “God himself could not sink” the ship.

Elderly and frail, Rose passes away in her sleep, and we watch as her younger self walks up Titanic’s once again pristine grand staircase. She’s welcomed by Jack and all the other people who died.

Sexual Content

When Jack reveals to Rose that he’s a struggling artist, he shows her some of his sketches, including several female nudes that the camera studies closely. Then, as a sign of her rising independence, Rose requests that he sketch her in the same way. She walks out of her bedroom in a see-through black robe that shows her nakedness underneath. She then opens the robe, fully revealing her breasts and quite a lot of her midsection. As she reclines on a couch, posing for Jack, the camera returns repeatedly to a shot of her face and chest.

Rose’s reclining nude sketch subsequently becomes a central part of the story, and we see it several times. We also see a painting of Picasso’s that features abstractly rendered topless women.

Rose and Jack caress, kiss repeatedly and ultimately have sex in the backseat of a car in the ship’s cargo hold. Most of this interlude takes place offscreen; we see Rose place Jack’s hand on her clothed breast, saying, “Put your hands on me, Jack.” The camera returns to the panting and nearly naked couple afterwards.

Violent Content

Class distinctions are a big part of this film. So we’ll break the violence down into two classes: fisticuffs and full-on calamity.

Cal yells angrily at Rose, knocks their table over and grabs her roughly by the chin. He later viciously slaps her across the face. Cal’s valet punches Jack in the stomach. Men struggle for survival by pummeling one another. Rose punches a panicked crewman, bloodying his nose.

At about 100 minutes in, the Titanic hits the iceberg we all know is approaching. And for the next 80 minutes the disaster unfolds, breaks apart, gradually rises in intensity and then sinks below the icy waters. The terror is disturbingly realistic. Violent moments find panic-stricken passengers falling from great heights. They’re electrocuted, drowned or crushed by toppling smokestacks. A nervous armed guard attempting to control the crowd shoots a man, then kills himself.

When the ship’s stern is thrust high into the air, its weight causes the vessel to break in two—and crash down on the folks already flailing in the water below. Once both halves of the doomed ocean liner disappear below the surface, a lone lifeboat navigates the silent sea of dead, frozen bodies bobbing in the night tide.

Crude or Profane Language

“There’s no need for language, Mr. Huxley,” Rose’s mother tells her daughter’s fiancé. And though she’s absolutely correct, it seems the movie’s scriptwriters paid her no mind. Dialogue here contains an f-word, a dozen s-words and a handful each of “d‑‑n,” “h‑‑‑,” “a‑‑,” “b‑‑ch” and “b‑‑tard.” God’s and Jesus’ names are misused more than 20 times. God’s is paired with “d‑‑n” at least 10. Regional profanities include the Irish/Scottish version of the American s-word and “a‑‑,” along with “b-gger,” “b-llocks” and “bloody.” Rose makes an obscene finger gesture.

Drug and Alcohol Content

The wealthy folks in first class are regularly seen smoking cigars and drinking champagne, wine or brandy. And when Jack steals Rose away to a steerage-class party, the partiers there are tossing back glasses of beer and smoking hand-rolled cigarettes. Jack and Rose share in all of the above.

A man drinks from a hip flask, and one beer drinker gets falling-down drunk. The well-known historical figure Molly Brown tells a story of her husband once coming home “drunk as a pig.”

Other Negative Elements

The big secret of Rose’s family heritage is that her father passed away leaving them nothing but debt. Rose’s mother uses that fact and several tons of guilt to try to force Rose into a loveless marriage that can save their family’s fortunes.

Cal accuses Jack of stealing a diamond necklace after having the jewelry planted in the young man’s pocket. When Rose reveals that half the people onboard are destined to die, Cal retorts, “Not the better half.” He calls Rose a “whore who runs to a gutter rat.” She spits back, “I’d rather be his whore than your wife!” Cal picks up a crying child and uses her as a way to claim an open spot on a lifeboat, even though the seats were intended for women and children only.

Jack and others gamble.

It cost the White Star Line $7.5 million to build the RMS Titanic. It cost Paramount Pictures $200 million to make a movie about it. It was a huge risk to launch a ship so big in 1912. It’s an even bigger risk to tell its story in 1997. Scores of books and movies had already come and gone before James Cameron latched onto the idea—the idea to tell a story that everyone who buys a ticket for or purchases a video of would already know what happens at the end. And I haven’t mentioned yet that the movie lasts 3 hours and 15 minutes. It took less time for the grim disaster to play out in real life.

But everything director James Cameron touches seems to turn to gold. And he made sure he packed his ship of dreams with quite a bit that’s worth watching. There are enormous and fantastically elaborate set pieces that lend a broad grandeur to the adventure. A Romeo-and-Juliet romance involves a brash scruff from steerage and an upper-crust beauty who longs to escape her gilded cage. You’ve got cowardice and arrogance, bravery and compassion. And he wraps everything up with one of the most spectacular, protracted disaster sequences every captured on film.

Those still considering whether or not to take this fated cinematic ocean journey—for the first time or the fifth —however, should also realize that there’s more to run into here than a single hull-slicing chunk of ice. Some of the death scenes are grisly. Some of the language is as icy blue as the frozen bodies floating in the water. And some of Rose’s clothing choices—or lack of clothing choices—go far beyond what you’d expect in this kind of film.

What do we learn, beyond fictionalized glimpses of the real history behind Titanic’s ill-fated maiden voyage? That the joys of freedom surpass those of wealth. And that selfless courage is a virtue almost beyond all others. But also that impulsiveness bests discretion. And that youthful love and desire should never be checked or shortchanged.

“This is crazy; it doesn’t make any sense,” Jack says in the midst of his impulsive sexual romp with Rose. She responds, “I know, that’s why I trust it.”

That kind of philosophy, grabbed onto like a life vest and lived out with the fervor we see modeled here, is guaranteed to hit a few icebergs of its own. Which is why Rose is wrong. We can’t— shouldn’t —completely trust it.

A 3-D UPDATE: Titanic was a huge film to begin with—both visually and at the box office. And the three-dimensional rendering (in April 2012, exactly 100 years after the actual ship sank) of the ship’s living grandeur and violent death heightens the sad story’s emotional impact even further. Whether it’s Jack and Rose standing on the bow, the ship’s mighty pistons plunging up and down or the broken hull slipping beneath the waves, watching Cameron’s cinematic take on the Titanic’s tragedy in 3-D detail reinforces the film’s already realistic feel.

Cameron says he felt little compulsion to reshoot any scenes for the big encore. He told Entertainment Weekly , “There is an impulse to want to revise it. But I think every film should represent the time when it was made—both the technology that was available and the state of mind of the filmmaker and the actors. I could have redone half the shots in the film and made them look better, but what’s the point? Everybody’s got to set their own ground rules for themselves.” He did, however, make one exception, though even the most eagle-eyed Titanic fans will be hard-pressed to spot it. Astronomer Neil deGrasse Tyson questioned the positioning of the stars in the night sky at the moment the ship sank, and he urged Cameron to correct them. Cameron responded, “‘All right, you son of a b‑‑ch, send me the right stars for the exact time, 4:20 a.m. on April 15, 1912, and I’ll put it in the movie.’ So that’s the one shot that has been changed.”

Adam R. Holz

After serving as an associate editor at NavPress’ Discipleship Journal and consulting editor for Current Thoughts and Trends, Adam now oversees the editing and publishing of Plugged In’s reviews as the site’s director. He and his wife, Jennifer, have three children. In their free time, the Holzes enjoy playing games, a variety of musical instruments, swimming and … watching movies.

After spending more than two decades touring, directing, writing and producing for Christian theater and radio (most recently for Adventures in Odyssey, which he still contributes to), Bob joined the Plugged In staff to help us focus more heavily on video games. He is also one of our primary movie reviewers.

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Tv/streaming, collections, great movies, chaz's journal, contributors, special effects live up to hype in 'titanic'.

There is a shot in " Titanic " that I watched like a hawk. The point of view is from above, as the great ship steams to its destiny. In one apparently uninterrupted piece of celluloid, we see the ship from bow to stern, every foot of it, with flags flying and smoke coiling from its stacks, and on the deck hundreds of passengers strolling, children running, servants serving, sportsmen playing.

I watched it because I knew, logically, that this shot was a special effect. They did not rebuild the Titanic to make the movie. I knew, in general, what to look for - what trickery might be involved - and yet I was fooled. The shot looks like the real thing.

"That was a model shot," James Cameron said, smiling. "The people were all computer graphics. The way we did it was, we had people act out all of those individual behaviors in what we call a 'motion capture environment.' So, a steward pouring tea for a lady seated on a deck chair - that was all acted out and then that motion file was used to drive and animate those figures. The end result is like you said: We pull back down the full length of Titanic, and you see 350 people all over the decks, doing all those different things. The same technique was used for the sinking, when you see hundreds of people on the ship jumping off or rolling down the decks."

So it's all f/x. Well, I didn't expect them to build the Titanic and sink it again. But what I also didn't expect was a film so completely convincing in its details. There are a few moments the viewer doubts (the portholes look suspiciously bright at night), but in general Cameron's film is a triumph of reconstructed realism: Inside and out, in good times and bad, when it is launched and when it goes to its grave, the Titanic in this movie looks like a real ship.

James Cameron is, of course, a director who specializes in special effects, and he's been at the cutting edge since " Aliens " (1986), still the most disturbing of the " Alien " series. Before that he worked valiantly in films where the budget and the technology were not yet there for him ("Piranha II" in 1981, "Terminator" in 1984). After, he was the king of f/x, with such credits as "The Abyss" (1989), "Terminator II" (1991), " True Lies " (1994), and such producer credits as Kathryn Bigelow's " Strange Days " (1995). The story's the thing

There has always been the choice in Cameron's work to insist on a story; he doesn't lazily throw cardboard puppets into explosions and chases. When time ran out on the production schedule for "The Abyss," and he had to make a deadline decision about what to finish for the release print, he kept the relationship story between aquanauts Ed Harris and Mary Elizabeth Mastrantonio . Not until the Directors' Cut could we see the spectacular special effects (a city rising from the sea, a tidal wave) that he was willing to surrender before he short-changed his story.

In "Titanic," there are three stories: the historic story of the sinking of the grandest ship of its time; the fictional story of a young female passenger and the men in her life; and the modern story of the Titanic in its grave, 2 1/2 miles beneath the sea.

There is a lot of footage of the real Titanic on the bottom, some fake footage, and some that dissolves from one to the other. Cameron wasn't content to buy footage from documentaries about the search for the Titanic; he shot the film's undersea footage himself, new for this film: "It's all our own. I made the dives and operated the camera and we lit it and everything."

You saw the Titanic, I said.

"Yes. Sat on the deck 12 times. The IMAX film stuck the camera inside the sub; it shot out of the view port, which was very limiting. We built a camera that went outside the sub and could pan and tilt and do all the normal movie camera type stuff. Ironically, we totaled the number of hours that we spent at Titanic during the course of those dives and it was more than the number of hours that the passengers spent on board."

That last shot, I said, where we float on the bottom along the wrecked ship's deck, and then . . .

"In that particular case it's a model," he said, "but we did generate a lot of footage of the real ship that's in the film. Also interiors of the ship as it sits right now on the bottom of the ocean, and then fake interiors as well."

It's all so seamless.

"It's consistent with what Titanic looks like. We couldn't explore the whole interior of the ship. We could only get a glimpse into some areas. We went down some corridors to the D-deck level and saw a lot of the remaining hand-carved woodwork, the wall-paneling, the beautiful ornate carved doors. A lot of it is still there. It's very, very cold, which helps preserve things. There are marine organisms that will eat wood, but in certain areas the wood was covered with white-leaded paint that protected Titanic."

"Titanic," he calls it. Not "the Titanic."

"That's how they referred to liners in those days. The great ships were places, not things. They were an entity almost. You'd say, `I'm crossing in Mauritania.' "

I was sitting in Chicago, drinking coffee with a man who had been as close to the Titanic as he was to me.

"It was eerie," Cameron said. "I love to dive and I love shipwrecks, so the adrenalin was spiking. But there's something about Titanic that's sort of mythic, that's storylike and you don't quite believe it. It's almost more like a novel than an event that really happened - and yet here's the wreck. It really happened. People died here. That was the thing I had to take away. Not just the images of a wreck. I had to take away the sense of responsibility to do it right and to honor Titanic. The film that resulted is an expression of what happened there."

"Titanic," which opens Dec. 19, is said to be the most expensive movie ever made. Perhaps it is. Few films contemplate financing an expedition to the bottom of the Atlantic just to get things rolling. When "Titanic" missed its original opening date last summer, there were rumors that the film was in trouble, that it would be a disaster in the tradition of " Raise the Titanic !" (1980), a film that inspired its producer, Lord Grade, to observe, "It would have been cheaper to lower the ocean."

But the film's world premiere, in November at the Tokyo Film Festival, was a triumph, and now the word is trickling forth from press screenings that, whatever its cost, "Titanic" is value for money, a marriage of imagination and technology in the Hollywood tradition of well-crafted epics.

The framing story involves an old lady, a Titanic survivor, who sees TV documentary footage of a sketch drawn on board all those years ago. She visits the documentary filmmakers and tells her story, which is reconstructed in flashbacks. Kate Winslow plays the survivor as a young girl, Billy Zane is her rich and arrogant fiance (who loves her all the same), and Leonardo DiCaprio is the kid from steerage who becomes her lover and, eventually, her savior.

Around their story all of the details are fashioned of fact and fiction. The real Titanic took a long time to sink, and the film recreates an eerie feeling of how that time was spent by the passengers - both first class ticket holders, and those with cheaper tickets who are temporarily locked below, because there were not enough lifeboats for everyone.

"Many died in terror, you know," Cameron said. "When you look at the numbers, if you were a third class male on Titanic you stood a 1-in-10 chance of survival. If you were a first class female, it was virtually a 100 percent survival rate. It broke down along lines of gender and class. If you were a first class male, you stood about a 50-50 chance of survival. And the crew took it hardest.

"Of the 1,500 who died, 600 or 700 of them were crew members. The people who stayed in the dynamo room and the engine room, to keep the lights on so that the evacuation would not become panicked - who stayed till the end and missed their opportunity to leave the ship - that's something you'd see less of today."

I can only imagine, I said, the conditions on the set when you were filming the scenes where Titanic is almost vertical and people are sliding straight down and bouncing off air vents and deck walls.

"That was our most dangerous work," Cameron said. "The stunt team worked for weeks in advance, videotaping each one of those stunts and rehearsing it and showing me the tapes. It was all intensely pre-planned and the set was made about 50 percent out of rubber at that point, all padded up. But there's always an X-factor. We had 6,000 stunt person days on this film - the equivalent of one man doing stunts seven days a week for 16 years. But it was all happening at once. We did have a guy break his leg, which I hated. I don't think anybody should get hurt for a film. So I decided to do more of it with computer graphics. Here was a case where the effects actually stepped in and took the place of some of the more dangerous stunts - like the guy falling who hits the propeller of the ship and bounces off. But a lot of those other stunt falls are real. If you look at our stunt credits in the film it's like the Manhattan phone book." It was such a blow to human confidence, I said, that this great ship, unsinkable, the largest ever, would . . .

"The great lesson of Titanic for us, going into the 21st century," he said, "is that the inconceivable can happen. Those people lived in a time of certainty; they felt they had mastered everything - mastered nature and mastered themselves. But they had mastered neither. A thousand years from now Titanic will still be one of the great stories. Certainly there have been greater human tragedies during this century, but there's something poetically perfect about Titanic, because of the laying low of the wealthy and the beautiful people who thought life would be infinite and perfect for them." What would you have done? Anyone seeing this movie, I said, will have to ask themselves this question: Would I have fought to get on a lifeboat? Would I have pushed a woman or a child out of the way? Or would I have sat down in the lounge and called for a brandy, like Guggenheim, and faced the inevitable with grace?

"The sinking of Titanic took 2 hours and 40 minutes. People had time to think about their doom and to make choices. It wasn't instantaneous like the crash of the Hindenberg. This was about moral choices, and so it asks every member of the audience to question their own moral choices, their own courage, their own kind of fiber."

He sighed. "I don't know what I would have done. Well, I know what I would have done if I had been taken back on a time machine and put on the deck of Titanic. I know exactly how I could have survived without hurting anybody else. But if I was really there, with my personality but without my current knowledge, I don't know what I would have done."

What would the time traveler have known to do?

He smiled. "Oh, it's very simple. You just wait until Boat No. 4 is pulling away from the ship and dive in at the front off the B Deck level and swim to it, because it was only half full anyway."

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Titanic Review

19 Dec 1997

Director Jean Negulesco’s version may not be the best account of the liner sinking (that’s Roy Ward Baker’s UK classic A Night To Remember) or the epic romance that is James Cameron’s. But this is spiffy Hollywood melodrama, with an Oscar-winning script aped in countless disaster flicks. All life is aboard for conflict and redemption, notably estranged couple Barbara Stanwyck and Clifton Webb, defrocked priest Richard Basehart and millionairess Thelma Ritter, and you’ll puddle up every time they go down bravely glugging, “Nearer my God to Thee...”

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Release date : September 10,2021

123telugu.com Rating : 3/5

Starring:  Nani, Ritu Varma, Aishwarya Rajesh, Jagapathi Babu

Director :  Shiva Nirvana

Producers : Sahu Garapati, Harish Peddi

Music Director :  S. Thaman, Gopi Sundar

Cinematography :  Prasad Murella

Editor :  Prawin Pudi

Tuck Jagadish has made a lot of noise in the last few weeks thanks to its OTT release. The film is finally streaming on Amazon Prime and let’s see how it is.

The film is set amidst a joint family in Bhudevipuram. The village is torn between Aadisesh Naidu(Nasser) and Veerendra(Daniel Balaji). On the other hand, Tuck Jagadish(Nani) is the most loved and youngest member of the Aadisesh family and loves Gummadi Varalakshmi(Ritu Varma). Things take a sharp turn when Aadisesh Naidu passes away all of a sudden. This creates a big rift between Tuck Jagadish and his elder brother Bose(Jagapathi Babu). How will the family reunite and how will Tuck Jagadish handle all the mess forms the rest of the story.

Plus Points:

Nani is the life and soul of Tuck Jagadish. If not for Nani, things would have been quite tough for the audience. Nani owns the character and gives a standout performance. He does not overact and gives subtle expressions. Be it his look, or performance in the family scenes, Nani has owned the role. Ritu Varma is also quite impressive as Gummadi Varalakshmi and gives able support to Nani in the film.

Jagapathi Babu gets a meaty role and he does well in the second half. All his scenes with Nani have been handled well. The supporting cast is pretty impressive as the main villain, Daniel Balaji is another highlight. He brings a fresh feel to the film but is not used well in the latter part.

The first half is filled with neat family emotions and the twist brought in during the pre-interval is also neat. The interval bang gives you a high and Aishwarya Rajesh does a decent job in her role. Naresh, Rao Ramesh, Rohini, Devadarshini are decent in their roles.

Minus Points:

One of the major drawbacks is the lack of novelty in the story. We have seen so many films with issues between siblings and Tuck Jagadish is no different. Nani’s character takes a new route post the interval and his role is established with so many unnecessary scenes which kill the interest of the audience.

The mother character is the main pillar of the film but the choice of Parvathi T is completely wrong as her role and the way she failed to hold the screen is one of the biggest drawbacks. A powerful and known actress would have made a lot of difference.

The whole Aishwarya Rajesh angle is age-old and has been tried in so many films earlier. Director Shiva Nirvana has told in his interviews that the screenplay will be new but that is not the case as the film has some deviations.

Technical Aspects:

The production values of the film are pretty good as the able camerawork showcases the film in a beautiful manner. Thaman’s music is decent but the BGM by Gopi Sundar was below par. Editing is strictly okay as some key scenes of Nani in his new job should have been chopped off. Production design and the way Nani has been styled are quite good. Dialogues are neat but the screenplay was dull.

Coming to the director Shiva Nirvana, he has done a pretty ordinary job with the film. He has taken a routine story and given an even ordinary narration. His previous two films, Majili and Ninnu Kori also had simple stories but the emotions were so good. But that is not the case here as the emotions look artificial in key areas and the film is dragged.

On the whole, Tuck Jagadish is a typical village-based family drama that has good emotions and twists in the first half. Nani plays the sheet anchor’s role and shoulders the film with his standout performance. The narration gets bogged down a bit in the second half but the pre-climax and ending are handled well making this film a simple and clean watch this weekend.

Reviewed by 123telugu Team

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