a dramatic presentation of the story of easter

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Note: For obvious reasons, the durations against each script are only very approximate .

N=Narrator; M=Male; F=Female; C=Child; M/'F=optional Male or Female; VO=Voices only; V=Vary to suit needs

If you cannot find what you are looking for in the list below, try the Dramatix script search engine. Click here.

	Dur: 6min		2M, 1F	Three witnesses of Christ's life, death, and resurrection find forgiveness, healing, and redemption. Length 4-6 minutes
	Dur: 8min		2M	Two business people stand some distance from the crucifixion site, watching what is going on.
	Dur: 15min		1M, 1F, 2C	A modern day one-act Lenten play. Following a sermon about the Lenten season at church, the Taylor family has vowed to give up some of their possessions to the families at the local homeless shelter, instead of their usual fasting of cheese and French fries during the Lenten season. As the story unfolds, each family member makes a difficult decision about parting with something special.
	Dur: 7min		1F	A monologue based on the experience of a female servant who was outside the trial of Jesus.
	Dur: 4min		1M, 5M/F, 1N	An Easter dance/drama/mime, designed to accompany the Rebecca St James song "Above All", from her album, "Worship God".
	Dur: 10min		3M, 1F	It is the time of the Passover, and the apostles are ready to celebrate. They are appalled when Jesus announces one of them will betray and one will deny.  Three apostles give a short monologue relating their past lives and how they became followers of Christ. Each apostle wonders if he will be the one to betray Jesus. The fourth character in this drama is a woman of modern era. She too relates the change Christ made in her life, and her fear that she may be tempted back to her old life.
	Dur: 10min		1 M/F	A monologue that looks at Jesus' time on earth (Christmas to Easter) from the perspective of an angel who doesn't always understand what is happening to Jesus.
	Dur: 20min		1N, 3M, 4F	Set in the time between crucifixion and resurrection, some of the principal characters of Easter reflect on what the death of Jesus has meant to them.
	Dur: 7min		2M, 1M/F/C	Two soldiers watch the final moments of Good Friday.
	Dur: 4min		5M	A teenager forgetting his friend for a concert ticket is compared with Judas betraying Jesus.  Showing that it is often the ones that we are closest to the most that can really hurt us.
	Dur: 3min		1N, 2M, + crowd	A bible reading set to "rap" music. It can be done solo or with a small group, and accompanied by a keyboard's special effects.
	Dur: 7min		4M	3 criminals (one of them Barabbas) discuss their prospects of being forgiven the punishment of crucifixion
	Dur: 7min		4M, 1M/F	A mime based on the Seven Deadly Sins. The Devil binds us with chains we forge for ourselves. Jesus can free us, but at a cost.
	Dur: 15min		2M, 4M/F, +V	The cast from the TV program CSI examine the evidence of the crucifixion.
	Dur: 90min-2 hrs		Large cast	A full-scale Easter passion play, beginning with the Palm Sunday entry into Jerusalem, and continuing to the resurrection of Jesus. This has been written for an outdoor production, but can easily be adapted for the theatre/church. The script is designed to allow scenes to take place in multiple places around the set.
	Dur: 10min		V	A play examining the significance of the Easter message through a parable of two financial institutions.
	Dur: 10min		2M, +V	At the local bar, a member of the guard posted at the tomb of Jesus tells a friend his story of what happened.
	Dur: 10min		9 M/F	Using a "split scene" technique, four social liberties that Americans have are contrasted with the lack of freedoms in some other nations, specifically: freedom of open corporate worship, freedom to own and possess a Bible, freedom of corporate prayer.
	Dur: 7min		3M, 1F, 2+ M/F	Use this as a dramatic reading for the very beginning of worship on Easter morning. If there has been a good Holy Week schedule with a somber Good Friday service with folks meditating on the cross, the grave and the events of Friday then this leads into Easter where they are at…. We have used this effectively at Bethel Lutheran Church in Ericksdahl, Texas.
	Dur: 3 x short		V	These three short dramas - Palm Sunday; Good Friday and Easter Sunday - were written for a 'Kids Praise' activity morning at St Mary Magdalene, Longbenton, UK. A large white sheet and a strong light source is needed so that the children's shadows mime the actions, while the narrator reads out the poem.
	Dur: 1-2 min (x6)		6F	A series of very short vignettes which can be performed separately or all together. They were originally designed to complement an existing Easter musical that did not have female roles. Consequently, these are all female parts. The roles can be changed to men, if they fit.
	Dur: 45min+ (?)		5+ M/F	After the tragic death of Tommy's Dad, Tommy is a wreck, especially since his Dad loved Easter. This year Tommy is in an Easter play and he is very upset. But as the rehearsal of the Easter Play progresses, he starts to realize that He isn't going to have an Easter without Dad!
, ,	Dur: 40min (x3)		V	A trilogy of multimedia Easter dramas. Each drama is 35-40 minutes long. Part 1 : The Original Easter; Part 2 : The Conversion of Saul; Part 3 : “Behind The Scenes” – Easter from a cosmic perspective. Parts 1 and 2 are set in a juxtaposition, with period-style costumes and closely based around the Biblical events, while at the same time using modern technology of television and telephones. “Flintstonian” in a sense, and it works well. Part 3 is more radical, kind of a cross between “The Screwtape Letters” and “Lord Of The Rings”. Pre-recorded VCDs for the multimedia segments are available on request (for a fee – these are professional productions). For copies, write to the author.
	Dur: 12min		1M, 2V	Three first century characters independently talk about themselves. Each person has had some relationship with the Christmas story, and each one is profoundly affected when the Easter story takes place.
	Dur: 15min		3M, 5+ M/F	The work of the greatest Missionary, as seen through the heart of His Father. Modern day setting.
	Dur: 6min		1M, 1M/F	Simon Peter tells why he denied Jesus in the courtyard of the High Priest.
	Dur: 20min		4M, 5F	A sequel to " ". David, Leanne, Jenna and Sarah all experienced first-hand the impact of the First Advent of the Lord in first century Palestine. They came back to 21st century Canada renewed and invigorated to live for Him. Or did they? Sarah has continued to be faithful, Leanne and Jenna are excited and serving God. But, David has slipped back into his old habits of being a workaholic and seems to have forgotten how much the first Christmas has meant to him. God is about to work another miracle in his life.
	Dur: 15min		11M, 1M/F	How the news of the resurrection of our Lord Jesus Christ is received by and impacts the 11 disciples. (Note: This is written to reflect the speech patterns of the Caribbean.)
	Dur: 20min		4M, 1F, 5M/F	This 20-minute play is a modern newscast covering the Crucifixion of Jesus. It starts out with subtle humor, then pulls in the audience with its serious message as various characters wrestle with what they are discussing and reporting.
	Dur: 60-90min?		11+M, 4+F, 4M/F +V	This story starts with an Easter Presentation by children. Two friends watching it discuss the problems of life. Throughout the show they go over the Easter story and realize that God is always there!
	Dur: 7min		3M	A modern-day businessman realizes that he is responsible for the death of Jesus. Suitable for Lent.
	Dur: 90min?		20+M, 4+F, 3+M/F, 1C	A full-length production recreating the events of the first Easter. Scenes occur around the perimeter of the audience.
	Dur: ?		1M, 1F	The owner of the house where Jesus and the disciples celebrated the Last Supper reflects on the Easter events. Can be used as continuity for a Communion Service.
	Dur: 60min		7M, 3F, 4C, 4M/F, +V	A modern-day family on a visit to Israel trace the events of the Gospels from the Nativity to Easter.
	Dur: 8min		1M	A narration in which Judas explains why he handed Jesus over to the authorities.
	Dur: 10min		5M, 1F, 2M/F	An extension of Jesus' confrontation with Pontius Pilate, in the form of a courtroom drama. Explores the idea of what Jesus' kingship might have meant to those around him. Themes of truth, divided loyalty, authority.
	Dur: 10min		1M/F	A simple monologue from an anonymous person in the crowd the day Jesus was crucified. What would a normal Jew do when they heard this man being called their King?
	Dur: 7min		11 M/F	An Oral Interpretation of Drama (O.I.D) or Readers Theatre script. An interpretative drama that demonstrates God's love in an effective and moving way. May have uses for Easter.
	Dur: 10min		1F	A monologue, in which Mary the mother of Jesus reflects on the events of the first Christmas and of the first Easter.
	Dur: 10min		1F	Mary Magdelene shares the story of Easter from one who was forgiven and loved.
	Dur: 10min		1F	A reflection by Mary on the events leading up to Easter, a year later.
	Dur: 12min		1M, 1F, 1VO	A woman hangs a painting of Jesus on the cross on her livingroom wall, to the derision of her husband. Later he comes to appreciate its value.
	Dur: 10min		2N + V	An Easter sequel to the Christmas play, 'The Garden'. This parable - in which the animals destroy their park through disobedience to the Gardener, and then kill the Child of the Gardener - attempts to put the need for Christ into context of the Fall and need for redemption. The two plays may be combined into one.
	Dur: 7min		1M	A sacrifice of love brings an end to a long-standing feud between two families.
	Dur: 10min		6M	Hercule Poirot, the famous Belgian detective, investigates the resurrection.
	Dur: 12min		2N, 5M, 3+F, 1M/F	The disciples take a lot of convincing that Jesus really has risen.
	Dur: 4min		1F	A monologue. On a return visit later in life to the stable where it all began, Mary reflects on the events started by the first Christmas.
	Dur: 10min		1N, 1M/F, 5C	A very sick girl teaches her classmates about God's best gift.
	Dur: 30min		N, 3M, 4F, 1C 2M/F	A multimedia presentation based on the seven sayings of Jesus on the Cross.
	Dur: 2min		N	A reflection on the reaction of Mary arriving at the garden tomb on Easter morning.
	Dur: 8min		6N	Sounds and symbols of the passion of Jesus are presented by a "Greek Chorus".
	Dur: 7min		2N	The basin - such as that used by Pontius Pilate - becomes a symbol for the way in which mankind down through history has washed its hands of situations.
	Dur: 7min		3M, 2M/F, 1VO	Two members of the Sanhedrin are gathered to fabricate a story to explain where the body of Jesus was.
	Dur: 45min(?)		5M, 1F, 4M/F, +V	A trial which examines the evidence for the resurrection of Jesus.
	Dur:1hr30'		16+M, 4M/F	This full-length play has two aims: To look at the Easter story from a cosmic perspective; and to examine more fully the suffering undergone by Christ on our behalf. Not suitable for children.
	Dur: 40min?		16M, 9F, 1C	Following the crucifixion, bystanders and followers of Jesus are unable to understand how this could have happened, if Jesus truly were the Son of God.
	Dur: 12min		3M	Philip and James start Good Friday speculating on whether Jesus is about to reveal his kingship...and end Saturday with the realisation that events have ended differently from what they hoped.
	Dur: 12min		1N, + puppets	The story of the nativity, Easter, and why Jesus came to earth, rolled into a few minutes.
	Dur: 8min			The events of Easter Sunday are reported by a television journalist, who interviews various Jerusalem inhabitants on their views of the claim that Jesus has arisen. One interviewee is definitely more authoritave than the rest.
	Dur: 5min		1M, 2M/F	Discusses the significance of The Last Supper and the Communion.
	Dur: 7min		2F, 1M, 1M/F	The resurrection of the Lord and two different reactions brought about by it.
	Dur: 15min		2M	The events leading up to Good Friday, told by John and Peter, interspersed with video clips and songs.
	Dur: 20min		13M, 2F, 2C	The famous painting of the Last Supper by Leonardo da Vinci is brought to life.
	Dur: 7min		3M/F	Three screenwriters are discussing what to do for their next project, several ideas are rejected until Kim brings up an idea that may just change Joe's future. An interesting twist to the Easter story.
	Dur: 30-45min		11m, 5f, 3m/f	Two other magi arrive in Bethlehem, 33 years too late to give their gifts to Baby Jesus. Trying to find the man, they learn about His ministry and the real reason for His birth. Keywords: Easter, miracles, life of Jesus, ministry.
	Dur: 10min		1M	A monologue looking at the crucifixion from the perspective of a Roman Centurion.
	Dur: 45min?		4M/F, 4VO	The four archangels watch the events of human (Biblical) history unfold from their 'Ready Room', and from time to time are called to play a part. But they struggle to understand the fullness of the plan of God.
	Dur: 5min		4M, 2F, 3M/F	A mime. A simple reconstruction of the scene at Calvary. It is not obvious at first what is going on, but by the end all is clear.
	Dur: 7min		1M	A Roman soldier on duty at the crucifixion thinks back on the events he experienced during the first Easter.
	Dur: 15min		2M + V	The story of the two thieves crucified with Jesus. This is a multimedia production using film clips from "The Gospel of John" and mimes to music (Drimes) to Agnus Dei, The Thief, and Obsession.
	Dur: 75min		15M, 2F, 2M/F	An interactive and slightly modern interpretation of the Passion Play tradition, based on The Message translation of Luke's Gospel. It is a contemporary and challenging work, that suits a younger audience, not one who wants to see a re-run of Stations of the Cross. It is a character based telling of the Easter story, rather than a historical one, and uses minimalistic sets and costumes, along with multi-media elements, to convey the story in a timeless way. There are 6 settings, inside and out, and the audience and the cast mingle in most scenes, so the audience participate in, rather than observe, the action.
	Dur: 90min-120min?		11+M, 3+F, 5+M/F	A rock opera, telling the story of Jesus' life, death and resurrection, taken directly from the scriptures.
	Dur: 12min		N + V	An allegorical dramatic poem based on John 1:1-12. Suitable for dance interpretation. Also suitable for times other than Easter.
	Dur: 15-20min		1M	It is just after the day of Pentecost. A former Zealot tells the members of a synagogue why he became a convert to Christianity.
	Dur: 25min		8M/F, 3VO, 5M, 3F, C Various	Based on the Christmas play "Three Wise Dudes", by John McNeil. This Easter version traces the journey of Three other Dudes who did not make it to the Nativity in time to see the baby Jesus. Instead, they arrived some 33 years later. Many parts are suitable for younger children.
	Dur: 10min		1M, 1N, 1V	A convicted criminal asks a guard to tell him what he sees when Jesus is being taken to 'the place of the skull' for crucifixion. You only see Barabbas. The guard is off stage.
	Dur: 30min		4M, 5C	Flavius, an overweight, not-to-bright centurion, is on a quest - a quest to find the risen Christ! Rumors have it that he's been seen all around the city. . . so Flavius enlists the help of some of Jerusalem's street "urchins" to help him find Jesus before he goes back to heaven! Along the way the children learn about the real reason Christ came, and also a thing or two about disabilities. This fun musical features two solos, and and great accompaniment trax. Good for right AFTER Easter!
	Dur: 4min		3M/F	Three people are playing a word game called "What if?". They are trying to figure out what the world would be like if something had not happened. The nearness of Easter prompts the question, what if Jesus had not been crucified.
	Dur: 30min		12M, 1F, 4M/F	On the Sabbath that Jesus lay in the tomb thousands came seeking Him. This is their story.
	Dur: 60min?		Large cast	The story of Jesus and the early church as seen through the eyes of the apostle Luke.

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Easter skits for youth groups have powerful impacts on viewers and performers alike. Whether you use a simple dramatic reading or an elaborate play, the good news about Jesus will shine through.

One church sign proclaims, “Lent is spring training. Easter is opening day!” So prepare for that exciting event—and outreach opportunity —with Easter skits for youth groups. Teens at your church will enjoy preparing and sharing Resurrection-themed dramas that celebrate the empty tomb.

Ideas abound for Easter skits. Many free scripts available online are easy to adapt. Choose one that fits your youth group size and preparation time. Then also consider the ages of participants and the number of adult volunteers.

To prepare an Easter drama, you can rehearse a bit at each regular youth group meeting. But you also might benefit from scheduling separate practices, especially as Holy Week approaches.

Enlist the help of tech-oriented teens to assist with sound and visuals. Ask creative types to design posters and make costumes. Other kids can lead social media publicity campaigns. Add to the excitement by following up a drama presentation with a brunch or other Easter activity.

So check out all these options for Easter skits. Then break a leg!

8 Easter Skits for Youth Groups

1. shorter dramas for holy week and easter.

This site features a wide variety of brief skits. Kids can present these during worship or for younger Sunday school children. (For longer skits from the same source, click here .)

2. Easter Morning Monologue

Based on John 20:11-18 , this presentation is a Resurrection monologue by Mary Magdalene. The author of this dramatic reading is Carol Penner.

3. The Un-Passion

What if Jesus had been selfless and unloving? This Easter drama skit uses that interesting perspective while walking through key New Testament events.

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The setting, inspired by Leonardo da Vinci's painting "The Last Supper," is the upper room during the last Passover meal celebrated by Jesus and His disciples before the crucifixion. Each disciple, speaking in monologue form, tells why he chose to follow Jesus and how his life has been changed by His presence. Like all men of faith, past and present, each has a different vision of the Lord's purpose, yet, despite their doubts and fears, they are united in their devotion to the Messiah. The audience experiences the humanness of each apostle in this powerful pr...

  Easter Season

Adult easter by linda goens.

Flexible cast.

Celebrate the Easter season with this incredible collection of skits. Beginning on Ash Wednesday, there is a skit for all the Holy Days and Sundays in Lent, 10 skits in all. The skits portray people who surrounded Jesus during his last weeks. They are real people who struggled with the same problems dealing with His life and lessons as people of today. Some approach Jesus with their intellects, some with their emotions, and some with a commitment of the soul that is beyond heart and mind. The Lenten dramas emphasize the thoughts and feelings of women while Ho...

  The Road to Calvary

Adult easter by robert blaskey.

7 speakers.

The events at Calvary changed the history of the world. It's easy to identify with the people involved as you listen to their stories. Characters include Peter, Pilate, Mary Magdalene, Judas, Caiaphas, and Mary. Each perceptive monologue is followed by a special prayer given by the leader or minister. Like the Christmas play, "The Road to Bethlehem," this drama can be performed almost anywhere with little rehearsal. Performance time: 15 minutes.

  At the Foot of the Cross: The Last Words of Jesus

Easter by margaret smith.

6 m, 4 w (2 are nonspeaking), 2 flexible

Jesus’ last words on the cross profoundly changed those who heard them. He continued to teach us how to live even in the final moments of His life as He hung on the cross in the agony of His execution. His lessons of forgiveness for the offender, salvation for the sinner, and trust and love for family and friends guide our daily lives. In this play, each character hears a phrase from Jesus' final utterances and reflects on its importance. Two narrators unify monologues delivered by characters whom Jesus affected during the course of His life. All characters a...

  Seven Steps to the Cross

Adult easter by roy wiegand.

flexible casting

Lent and Easter come alive with these seven dramatic portrayals, each 10 to 15 minutes long. These portrayals can be performed sequentially to form an entire program, or select ones can be performed singly to enhance a worship service. The dramas follow the events as they actually happened, beginning with John at midnight after the Last Supper, and ending with Barabbas some thirty years after the crucifixion of Jesus. Other portrayals are the voices of Judas, Peter, Caiaphas, Mary the mother of Jesus, and Mary Magdalene. The monologues are as historically acc...

  The Last Words of Christ in the Way of the Cross

Lenten by thomas j gardiner.

1 m, 1 w. (If more speakers are available, the parts can be distributed)

The 14 Stations of the Cross are brilliantly re-interpreted for modern audiences in these readings. Each Station is written to be whole in and of itself, and thus different Stations may or may not be used in each production. The goal of this play is to "Help us to share in the Passion of our Savior, to sense how those twisted streets of Jerusalem run through the streets of Los Angeles and Calcutta. To intuit how the wood that made the cross may buttress the fragile walls of our own homes, to feel how the steel that made the nails may make bullets and and bayo...

  Seeking Jesus

Resource by laurel means.

11 monologues and duets (up to 9 w)

These eleven monologues and duets, presented through nine women, tell the emotional events of Jesus’ Crucifixion and the miracle of his foretold Resurrection. Chronologically arranged, they closely follow the Passion story in interweaving the women’s relationships with Jesus and with each other. Each piece, however, may stand alone, whether in a liturgical role during a worship service, or as part of a program. "Seeking Jesus" assists us in seeing these women as individuals. They are mothers, wives, sisters, daughters, disciples – just as women of today. Leng...

  Anticipating the Promise

Easter by kevin p. kern.

4 readers and an ensemble of players

Celebrate the Resurrection of Jesus with this Easter vigil play. A cast of four readers brings the Bible to life, and into our modern lives. A troupe of players move among the readers, illuminating the text with movement and pantomime. Six individual Bible stories are dramatically portrayed, including Creation, Abraham and Isaac, Noah and the Flood, Crossing the Red Sea, The Promise of an Abundant Life, and The Three Men in the Fiery Furnace. Anticipating the Promise reminds us that these ancient stories still matter to a modern audience. Run time 15 minutes....

  The Easter Story...Once Again

Adult easter by kent s larsen.

9 readers/actors

The most authentic Easter story comes directly from the Holy Bible. To include all of the key events of the story, however, requires a careful merging of the separate accounts found in the four gospels, Matthew, Mark, Luke, and John. The writer, using the King James version, has performed this merger beautifully, taking pains to preserve the purity of the scriptural accounts. Included in this resource book are two different texts suitable for presentation during the Easter season, or at other times as well. The first part, entitled Actor Script, is about half...

  From Cross to Crown

Easter youth by dolores steger.

You’ll find something for children of all ages in this resource book of recitations, choral readings and three short plays. The recitations cover the Easter experience, from Jesus’ entry in Jerusalem to the resurrection, and beyond. With simple themes and words for the very young, and more advanced concepts and vocabulary for older boys and girls, these verses will allow your entire Sunday school to participate in your Easter program. Your older pre-teens will enjoy these three short Easter-themed plays which require minimal adult direction. The pre-teens can...

  Ashes for Remembrance

Adult easter by carl kelly.

Seven short Easter season monologues. Seven biblical persons speak to us from their various perspectives in language that sounds honest and real. Job tells us why he sits and daubs ashes on his forehead every year. It is such a strange thing to do! A Samaritan woman, Peter, Thomas, Martha, and a Christian centurion, all relate some of their experience of Jesus and how they have reacted. Finally, Mary, the mother of Jesus, asks what only a mother can ask, "Oh, my very precious child, what have they done to you?" You'll find these monologues thought provoking a...

  Between Death and Life

Adult easter by bill yowell.

About 20 minutes.

Here is an excellent collection of six short dramatic scenes and monologues in which an agent of the devil visits Biblical characters at their most vulnerable moments, right after the crucifixion. The Samaritan woman, Peter, John, a centurion and others, the agent preys on their weaknesses - their shame, their fear, their doubt. But faith wins out each and every time. Let these scenes inspire your congregation this Easter. Easy to rehearse. About 20 minutes.

  The Witness of the Light

Adult easter by rev. john c. park.

14 readers.

Here is a beautiful, inspiring, candlelight Easter service. It is the reverse of a Good Friday Tenebrae service in that as a variety of people read short monologues representing witnesses to the crucifixion and resurrection, candles are lit rather than extinguished. Scripture readings, prayers, and suggested hymns are also included. A dramatic service to show the true joy of the resurrection. About 45-minutes. 

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Home » Celebrations » 10 Creative Easter Presentation Ideas for Church

10 Creative Easter Presentation Ideas for Church

• 23 July 2023

Easter is a significant time for Christians around the world as it commemorates the resurrection of Jesus Christ. Churches often organize special presentations and services to commemorate this important event. In this article, we will explore ten creative Easter presentation ideas that can help churches engage their congregations and make the Easter experience more meaningful and memorable.

Why Easter Presentations Are Important for Churches

Easter presentations hold great significance for churches as they provide an opportunity to communicate the central message of Christianity – the resurrection of Jesus. These presentations allow churches to convey the story of Easter in a visually compelling and emotionally impactful way, leaving a lasting impression on the congregation. Easter presentations can help deepen the faith of believers, inspire newcomers, and create a sense of unity and community within the church.

Furthermore, Easter presentations offer a unique platform for churches to engage with the wider community and reach out to those who may not regularly attend church services. By presenting the story of Easter in a creative and accessible manner, churches can attract individuals who may be curious about the Christian faith or seeking spiritual guidance. These presentations can serve as a powerful evangelistic tool, inviting people to explore the message of hope and redemption that Easter represents.

How to Create an Engaging Easter Presentation for Your Church

Creating an engaging Easter presentation involves careful planning and attention to detail. Start by selecting a theme that resonates with the message of Easter. You can choose themes like hope, redemption, or new life. Once you have decided on a theme, brainstorm ideas for incorporating symbolism related to the theme throughout the presentation. This can include the use of props, imagery, and even colors.

In addition to symbolism, captivating visuals play a crucial role in engaging the congregation during Easter presentations. Projection and lighting techniques can be used to create a dynamic and immersive environment. Consider using visuals like videos, images, and animations that enhance the story being told during the presentation. The use of strategic lighting can create an atmosphere of reverence or celebration.

Furthermore, it is important to consider the use of music and sound effects in your Easter presentation. Music has the power to evoke emotions and enhance the overall experience for the congregation. Choose songs that align with the theme and message of your presentation, and consider incorporating live music or a choir for a more impactful performance. Additionally, strategically placed sound effects can help create dramatic moments or emphasize key points in the presentation.

Incorporating Symbolism: Easter Themes and Motifs

Easter is rich in symbolism, and incorporating these themes and motifs into your presentation can deepen the impact of the message. For example, the cross is a powerful symbol of sacrifice and redemption. Consider using a cross as a focal point in your stage design or incorporating it into your visuals. The empty tomb is another important symbol of resurrection and new life. You can create a replica of an empty tomb and display it on stage to visually represent the resurrection.

Other Easter motifs that can be used include flowers, such as lilies, which symbolize rebirth, or doves, which represent peace and the Holy Spirit. By carefully selecting and incorporating these symbols, you can make your Easter presentation visually stunning and spiritually meaningful.

Additionally, the color palette you choose for your presentation can also contribute to the symbolism of Easter. Consider incorporating pastel colors, such as light pink, baby blue, and soft yellow, which are often associated with the season. These colors can evoke feelings of joy, renewal, and hope, further enhancing the overall message of your presentation.

Captivating Visuals: Using Projection and Lighting Techniques

Visual elements are powerful tools for capturing the attention of the congregation and creating a memorable Easter presentation. Projection techniques can be employed to display images, videos, or scriptures that enhance the storytelling. For example, you can project images of nature to represent new life, or use video clips to illustrate biblical events related to Easter.

Lighting techniques are equally important in creating a captivating Easter presentation. Different lighting colors and intensities can evoke various emotions and moods. For a dramatic effect, consider using spotlights or colored lighting to draw attention to specific elements of the presentation. Soft, warm lighting can create a peaceful and reverent atmosphere during moments of reflection or worship.

In addition to projection and lighting techniques, sound design can also play a crucial role in enhancing the visual experience. By incorporating carefully selected music, sound effects, or even live performances, you can further immerse the congregation in the Easter story. For example, using a choir or soloist to perform a powerful hymn can evoke a sense of awe and reverence.

Another aspect to consider is the use of props and set design. By incorporating physical elements such as crosses, flowers, or symbolic objects, you can create a visually striking and meaningful backdrop for the Easter presentation. These props can serve as visual cues that reinforce the message and themes of the service.

Creative Stage Design Ideas for Easter Presentations

Stage design plays a crucial role in setting the visual tone for your Easter presentation. By creating an immersive and visually stunning stage, you can enhance the overall impact of the message. Consider building a three-dimensional set that represents the Easter story, such as a scene depicting the crucifixion or the empty tomb.

Using props and scenery can also help bring the Easter story to life. For example, you can include elements like a rugged cross, a crown of thorns, or a stone that represents the sealed tomb. These tangible items can help the congregation connect with the story on a deeper level.

Another creative stage design idea for Easter presentations is to incorporate lighting effects. By using different colors and intensities of light, you can create a dynamic and visually captivating atmosphere. For example, you can use warm, golden lighting to represent the resurrection and new life, or use dim, blue lighting to symbolize the somberness of the crucifixion.

In addition to props and lighting, consider using multimedia elements to enhance your Easter presentation. You can incorporate video projections, slideshows, or even live performances to further engage the audience. For instance, you can display images or videos that depict key moments from the Easter story, or have actors perform dramatic scenes that bring the narrative to life.

Enchanting Music and Worship Selections for Easter Services

Music and worship have the power to elevate the Easter experience and create an atmosphere of celebration, reflection, and reverence. Choosing the right music and worship selections is crucial to enhancing the emotional impact of your Easter presentation. Include hymns and contemporary worship songs that focus on the resurrection, redemption, and the victory of Christ.

Consider incorporating a variety of musical elements, such as a choir, solo performances, or instrumental pieces. This diversity can help create a rich and engaging musical experience for the congregation. Interspersing music throughout the presentation can also provide moments of reflection and worship.

Additionally, it is important to consider the cultural and demographic makeup of your congregation when selecting music and worship selections for Easter services. Incorporating diverse musical styles and languages can help create a sense of inclusivity and unity among worshippers. Consider including traditional hymns in different languages or incorporating music from various cultural backgrounds to celebrate the global nature of the Christian faith.

The Power of Storytelling: Crafting Compelling Narratives for Easter Presentations

Storytelling is a powerful tool that can captivate and inspire the congregation during an Easter presentation. Craft a compelling narrative that takes the audience on a journey from the crucifixion to the resurrection. Include personal stories, testimonials, or real-life examples that depict the transformative power of the resurrection in people’s lives.

Use narrative techniques like suspense, foreshadowing, or dramatic pauses to keep the congregation engaged and emotionally connected to the story. Invite members of the congregation to participate in the storytelling by sharing their own experiences or reflections related to Easter.

One effective way to enhance the power of storytelling in Easter presentations is to incorporate visual elements. Consider using images, videos, or props that help bring the story to life and create a more immersive experience for the congregation. For example, you could display images of the crucifixion and resurrection, or use props like a crown of thorns or an empty tomb to symbolize the key moments of the Easter story.

In addition to personal stories and testimonials, another approach to crafting compelling narratives for Easter presentations is to explore different perspectives. Consider telling the story from the point of view of a disciple, a Roman soldier, or even a bystander. This can provide a fresh and unique perspective that allows the congregation to see the Easter story in a new light and gain deeper insights into its significance.

Interactive Elements: Engaging the Congregation in the Easter Presentation

Engaging the congregation is essential to ensure an interactive and participatory Easter presentation. Consider incorporating interactive elements that involve the congregation throughout the presentation. For instance, you can create moments of reflection where the congregation is encouraged to share their thoughts or personal prayers related to Easter.

…..(continues for the rest)

Another interactive element to consider is incorporating live music or singing into the Easter presentation. This can be done by inviting members of the congregation who are musically inclined to participate in the performance. By involving the congregation in the music, it not only enhances the overall experience but also creates a sense of unity and community.

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The Passion Narrative

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The Passion Story

• Harry Boonstra

A dramatic reading from Luke 23

The passion narrative, which describes the suffering of Jesus during the crucifixion and the week that preceded it, forms one of the key events in the Christian story, a story the church must listen to. Many congregations read all of the passion story during Holy Week—sometimes in one service. The evening service of Palm/'Passion Sunday offers a fine opportunity for such a reading.

One way of reading the story is to present a simple "readers theater." Since the passion events are highly dramatic, a. reading with multiple characters is appropriate and effective.

The selection below (NIV, Luke 23:1-49, the Common Lectionary choice for this year) is only a small segment of the passion story; a congregation may wish to expand the reading.

The narrative requires a minimum of three readers: a narrator (N),Jesus(J),and "other speakers" (S); the rolesfor the other speakers can be read by one person but would be more effectively presented by several (Pilate, the. thief, etc.); the congregation can read the part of the people (P).

N Then the whole assembly arose and led Jesus off to Pilate. And they began to accuse him:

P We have found this man subverting our nation. He opposes payment of taxes to Caesar and clams to be Christ, a king.

N So Pilate asked Jesus,

S1 Are you the king of the Jews?

J Yes, it is as you say.

N Then Pilate announced to the chief priests and the crowd,

S1 I find no basis for a charge against this man.

N But they insisted,

P He stirs up the people all over Judea by his teaching. He started in Galilee and has come all the way here.

N On hearing this,Pilate asked if the man was a Galilean. When he learned that Jesus was under Herod's jurisdiction,he sent him to Herod, who was also in Jerusalem at that time.

When Herod saw Jesus, he was greatly pleased, because for a long time he had been wanting to see him. From what he had heard about him, he hoped to see him perform some miracle. He plied him with many questions, but Jesus gave him no answer. The chief priests and the teachers of the law were standing there, vehemently accusing him. Then Herod and his soldiers ridiculed and mocked him. Dressing him in an elegant robe, they sent him back to Pilate. That day Herod and Pilate became friends—before this they had been enemies.

Pilate called together the chief priests, the rulers and the people, and said to them,

S1 You brought me this man as one who was inciting the people to rebellion. I have examined him in your presence and have found no basis for your charges against him. Neither has Herod, for he sent him back to us; as you can see, he has done nothing to deserve death. Therefore, I will punish him and then release him.

N With one voice they cried out,

P Away with this man! Release Barabbas to us!

N Barabbas had been thrown into prison for an insurrection in the city, and for murder.Wanting to release Jesus, Pilate appealed to them again. But they kept shouting,

P Crucify him! Crucify him!

SI Why? What crime has this man committed? I have found in him no grounds for the death penalty. Therefore I will have him punished and then release him.

N But with loud shouts they insistently demanded that he be crucified, and their shouts prevailed. So Pilate decided to grant their demand. He released the man who had been thrown into prison for insurrection and murder, the one they asked for, and surrendered Jesus to their will.

As they led him away, they seized Simon from Gyrene, who was on his way in from the country, and put the cross on him and made him carry it behind Jesus. A large number of people followed him, including women who mourned and wailed for him. Jesus turned and said to them,

J Daughters of Jerusalem, do not weep for me; weep for yourselves and for your children. For the time will come when you will say, "Blessed are the barren women, the wombs that never bore and the breasts that never nursed!" Then they will say to the mountains, "Fall on us!" and to the hills, "Cover us!" For if people do these things when the tree is green, what will happen when it is dry?

N Two other men, both criminals, were also led with him to be executed. WTien they came to the place called the Skull, there they crucified him, along with the criminals—one on his right, the other on his left.

J Father, forgive them, for they do not know what they are doing.

N And they divided up his clothes by casting lots. The people stood watching, and the rulers even sneered at him. They said,

P He saved others; let him save himself if he is the Christ of God, the Chosen One.

N The soldiers also came up and mocked him. They offered him wine vinegar and said,

S2 If you are the king of the Jews, save yourself.

N There was a written notice above him, which read: THIS IS THE KING OF THE JEWS.

One of the criminals who hung there hurled insults at him,

S3 Aren't you the Christ? Save yourself and us!

N But the other criminal rebuked him.

S4 Don't you fear God, since you are under the same sentence? We are punished justly, for we are getting what our deeds deserve. But this man has done nothing wrong. Jesus, remember me when you come into your kingdom.

J I tell you the truth, today you will be with me in paradise.

N It was now about the sixth hour, and darkness came over the whole land until the ninth hour, for the sun stopped shining. And the curtain of the temple was torn in two.Jesus cried out with a loud voice,

J Father, into your hands I commit my spirit!

N When he had said this, he breathed his last. The centurion, seeing what had happened, praised God and said.

S5 Surely this was a righteous man.

N When all the people who had gathered to witness this sight saw what took place, they beat their breasts and went away. But all those who knew him, including the women who had followed him from Galilee, stood at a distance, watching these things.

Harry Boonstra ( [email protected] ) is former theological editor of RW and emeritus theological librarian of Calvin College and Calvin Theological Seminary, Grand Rapids, Michigan.

Sharing the Love of Jesus with the World.

Exploring the Easter Story: From Betrayal to Resurrection

Let’s take a deep dive into the E aster Story , which echoes through time and forms the bedrock of the Christian faith. It’s a narrative woven with intrigue, betrayal, and ultimate triumph over death. This journey begins with Jesus’ final days, walks us through his arrest under flickering torchlight, and leads to the sad scene at Golgotha.

The plot thickens as we explore how Judas’ kiss sealed Jesus’ fate and pondered over false testimonies in shadowy chambers. As dawn breaks on Sunday morning, Mary Magdalene witnesses an astonishing sight—an empty tomb where once lay Jesus’ body—setting off whispers of resurrection that turn into proclamations of joy.

You’ll get why this ancient account isn’t just history; it’s a storyline alive today for millions around the globe who find hope in its message each spring season.

Table of Contents

The Last Supper: A Prelude to Betrayal

Imagine sitting at a table where the fate of humanity is about to shift. This was no ordinary dinner; it was the Passover meal, marking liberation and carrying undertones that spoke of a greater deliverance yet to come.

Communion Instituted by Jesus

In what would become an enduring symbol of faith, Jesus broke bread with his disciples. At that moment, he laid down a tradition central to today’s Christian worship. He painted a picture of sacrifice with simple elements—bread and wine—representing his body soon broken for many and bloodshed for forgiveness,  as recounted in Matthew 26:26-28 . Every time believers gather around this sacrament now known as communion, they remember not just a supper that occurred over two millennia ago but also the very essence of their belief—the time Jesus offered himself up for all.

The act might seem sad or even mystical when you consider its significance. As each piece was torn from the loaf, did those present sense how profoundly these gestures foreshadowed events only hours away? And as they sipped from the cup passed among them, could anyone grasp how deeply this shared drink connected them?

Predictions of Betrayal Unfold

Sitting amongst friends during such sacred observance should have been comforting; however, amidst mouthfuls, there lay heavy words—a friend would turn foe. Amidst whispers and glances under flickering candlelight came predictions whispered by Jesus himself—an announcement so shocking it seemed surreal—that one dining alongside him would betray Jesus into hands eager for injustice.  Luke 22:21 highlights this tense moment .

This wasn’t any regular sit-down meal; it had layers more profound than most could comprehend then—or even now perhaps—as every morsel consumed pointed towards an ultimate price about to be paid on behalf of man’s redemption.

And while details like ‘who sat where’ or ‘what else filled their plates’ may remain obscured by history’s veil—it’s clear through gospel accounts like Matthew’s narrative that beyond rituals observed lies truth often too weighty for hearts unprepared—and so much hinged upon actions set within those walls wherein followers called master ‘Lord’ without fully understanding just why… until later anyway.

Important Takeaway: 

The Last Supper wasn’t just a meal; it was the setting where Jesus instituted communion, foretold betrayal, and set in motion events leading to mankind’s salvation. This gathering holds deep significance as believers remember through bread and wine the sacrifice Jesus made for all.

Gethsemane to Golgotha: The Arrest and Crucifixion

The night air in the garden was heavy with more than just the scent of olives; it bore witness to an agonizing prelude to sacrifice. Within Gethsemane, a profound moment unfolded as Jesus knelt, His heart burdened by what lay ahead.

Agony in Gethsemane

Underneath ancient olive trees amidst whispers of betrayal that would soon echo through time, Jesus confronted his deepest fears. With his friends close but their consciousness fading into sleep’s embrace, he prayed fervently for another way—a path different from the looming shadow of death on a cross. This prayer wasn’t merely words spoken softly into the night; it was an outpouring of soul-wrenching honesty before God.

Jesus knew what awaited Him beyond those tranquil groves—the jeers and lashes from soldiers who didn’t understand they were partaking in history’s most pivotal act. As sweat-like drops of blood fell upon the sacred ground at Gethsemane, one could almost hear destiny holding its breath—waiting for dawn when everything would change.

Betrayal and Arrest Under Moonlight

The silence shattered by footsteps heralded a betrayal set in motion hours earlier over supper shared among friends—and now Judas Iscariot approached with lips poised to deliver a kiss fraught with duplicity. It signaled not affection but doom; thus, soldiers arrested Jesus without resistance or uproar under cover of darkness where no one else dared tread except for courage wrapped up in treachery.

In these moments that threaded themselves through prophecy and purpose alike, swords clashed briefly only to be stilled by Christ Himself—for violence had no place here nor ever within His message, which echoed love even unto enemies who grasped not its depth nor height yet wielded iron instead against flesh meant for saving them all if only they believed truly without seeing first-hand miracles wrought aforetime amid crowds whose hearts swayed like reeds depending on which wind blew strongest then…

Trials Before Pilate and Herod

Pontius Pilate found himself caught between politics and conscience—as Roman governor charged with keeping peace during times rife with potential insurrection around every corner, especially during holy days such as Passover… Yet Jewish leaders brought before him a man named Jesus, whom they accused fiercely. However, guilt seemed elusive save perhaps within eyes seeking reasons other than truth when convenience dictated course more so…

Peter’s Denial and Remorse

The night’s presence remained, a weight upon shoulders that had once been bold and unwavering.

Jesus faced His darkest moments in Gethsemane, grappling with the reality of His impending death. Betrayed by a kiss, He was arrested and taken for trial without putting up a fight, fulfilling ancient prophecies.

Intrigue surrounded Jesus’ trials as Pilate juggled politics and justice. Meanwhile, Peter’s struggle reflected human frailty amidst fear and loyalty.

The trials of Jesus are a dramatic tapestry woven with political intrigue, clashing authorities, and the fulfillment of ancient prophecies. Caught in a power struggle between Roman governance and Jewish leadership, we see a man who stood before rulers yet carried an authority they could neither comprehend nor conquer.

Roman Governor’s Reluctance

Pontius Pilate faced an enigma when Jesus was brought before him by the Jewish leaders. There was a figure stirring up Jerusalem at the volatile time of Passover. Despite finding no fault in him after questioning, he found himself amidst a whirlwind of public pressure—a pressure that would ultimately sway his decision against what seemed to be his better judgment.

Pilate’s hesitancy shines through historical accounts as he tries to offer alternatives like releasing another prisoner or simply flogging Jesus instead. Yet, each attempt failed to satisfy those calling for crucifixion. In this delicate dance for justice versus appeasement, Pilate faltered where one might have expected strength from Rome’s representative.

King Herod’s Mockery

In contrast, King Herod is curious about this miracle worker but indifferent to his fate beyond personal amusement. When Pilate sent Jesus over to Herod Antipas (tetrarch of Galilee), it almost felt like passing off responsibility rather than seeking genuine counsel on legal matters concerning life and death decisions.

Herod mocked Jesus but did not judge him; instead, he sent him back adorned with elegant robes as if dressing up the gravity of such proceedings into some twisted form of entertainment. This mockery underscores how far removed these rulers were from understanding whom they judged—the irony being their lackadaisical approach would soon collide with divine destiny unfolding right under their noses.

Imagine standing in a courtyard, your heart racing as you’re questioned about your best friend—now on trial for his life. That was Peter’s reality the night Jesus was arrested. Known for his loyalty, Peter faced the ultimate test and failed not once but three times before the rooster crowed, just as Jesus had predicted.

Examining Peter’s Personal Turmoil

In that moment of fear, surrounded by strangers in Jerusalem’s cold night air, Peter denied knowing Jesus . This wasn’t a mere slip; it was vehement—a total disavowal made all the more poignant because earlier, he had promised to follow Christ to death if necessary. It paints a stark picture: even those with unwavering conviction can falter under pressure.

The weight of what happened didn’t fully hit him until he heard that rooster—the signal of dawn and betrayal fulfilled. Imagine his despair when he realized that despite good intentions when push came to shove, he turned away from someone who needed him most.

A Fulfillment of Dire Prophecy

This wasn’t an unexpected twist but rather an eerie fulfillment of prophecy spoken directly from Jesus’ lips. The man who walked on water at Christ’s command couldn’t withstand questions fired at him by servants and guards without denying any association with Jesus thrice over—an act foretold during their last meal together, which should have prepared him yet seemed to catch him off guard entirely.

After each denial—bolstered perhaps by self-preservation or shock—he drifted further into regret until finally, upon hearing the prophesied crowing signaling morning’s arrival alongside his failure (and thus confirming both), guilt washed over Peter like nothing else could have done so powerfully at this holy day fraught with tension and tumultuous events unfolding around them all.

Peter’s fierce loyalty was put to the test, and he failed, denying Jesus three times out of fear. This act of betrayal had been foretold by Jesus himself, yet it left Peter awash with guilt at dawn’s first light.

FAQs in Relation to the Easter Story

What is the true history of easter.

Easter’s roots trace back to Christian traditions, marking Jesus’ crucifixion and celebrating his resurrection roughly 2,000 years ago.

What is the most important part of the Easter story?

The resurrection stands as Easter’s climax; it symbolizes hope and eternal life for believers worldwide.

What are five facts about Easter?

Bunnies don’t lay eggs. Candy sales soar. It’s not fixed on the calendar. Worldwide celebrations vary widely. And yes, peeps go stale—intentionally, for some.

What does Easter have to do with Jesus?

Easter commemorates Jesus’ sacrifice by death and spotlights his triumphant return from the grave.

Reflect on the easter story; It’s a story of sacrifice, betrayal, and redemption. Remember Jesus’ final days—the intimate Passover meal with his disciples and the dark hour in Gethsemane, where he prayed as Judas watched.

Ponder the trials—how false testimonies swirled around an innocent man. Picture Jesus before Pilate, King Herod, and then back to Pilate again. Think about that lonely path to Golgotha, where soldiers arrested Jesus and nailed him to a cross.

Imagine early Sunday morning when Mary Magdalene found a stone rolled away from the tomb. Realize this: what seemed like defeat was victory over death itself.

Hold onto these truths; they’re not just ancient words but pillars of hope today. In every springtime celebration of Easter, we echo this powerful message of life prevailing over death.

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The Easter Story in audio format

International (MNN) — Many people read the Easter story this time of year, but you can also listen to it.

Faith Comes by Hearing has produced a dramatic audio recording of the New Testament account of Jesus' crucifixion and resurrection. It was taken from the book of Mark and comes to life with multiple character voices, musical backgrounds, and sound effects.

The program was designed to help people engage in the Bible and hear the Easter story in a dramatic, audio format. Not everyone is a visual learner, so this will give people another format to hear the story of Christ's death and resurrection this Easter season.

"The Bible tells us about Jesus, why He came, how He lived, and why He died," says Bill Lohr, FCBH organizational spokesperson, in a news release. "But the story doesn't end there; this special Easter presentation also shares the Biblical story of Jesus' resurrection. This Easter, commemorate this moving Bible story by listening to the Word of God in audio."

Pray that many people will hear the Easter story this year. Pray that this dramatic audio reading will touch the hearts of those who have never heard the story before.

I could not find or hear the Easter Story. Please direct me so I can hear it.

Evangeline,

You will find the link to the dramatization in this post:

https://www.faithcomesbyhearing.com/news/blog-post/easter-story

Hope this helps!

THANK YOU. MAY OUR LORD JESUS CHRIST PROTECT YOU AND ANSWER ALL DESIRES OF YOUR HEART AND GIVE YOU ALL YOU NEED .SR H.H

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Drama Ministry

Magnificent monologues for easter.

Drama Ministry offers an excellent assortment of scripts that can be performed by an individual or smaller team. In this feature, we'll take a look at  10 Magnificent Monologues for Easter ! Covering the topics of Palm Sunday, the Last Supper, Good Friday, the crucifixion of Christ, and his resurrection - these easier to learn and perform monologues can add something truly special to your Easter services!  Just click on the links below for more information and a short preview of each script! Triumphal E ntry Bible Story, Palm Sunday The man searches for the donkey that was taken for Jesus' entrance into Jerusalem. By following the donkey, the man finds a teacher, king and savior. The Servant The Last Supper A Jewish servant recalls the night he witnessed the Last Supper. Gethsemane's Lost Prayer Bible Story, Prayer, Easter Peter ponders the tragic night in Gethsemane, and his failure to follow his master's only request. Cross My Heart Bible Story, Good Friday A first-century Judean woman speaks to the audience about what she knows of Jesus... and his cross. Pierced Bible Story, Easter Before the last supper, Jesus shares a final, private conversation with Judas. The Lamb Crucifixion A young Jewish girl recounts her terrifying experience in Jerusalem during Passover. Paradise Bible Story, Easter The events of the crucifixion as seen through the eyes of Joseph, a convicted thief sentenced to die beside Jesus on Calvary. Potter's Field Bible Story, Crucifixion A caretaker in the potter’s field recounts his graveyard’s strange history. In His Shoes Bible Story, Good Friday, Resurrection One of the Roman guards who cast lots for Jesus' clothing relates his encounter with the teacher from Galilee. Mary, the Mother Bible Story, Good Friday, Resurrection Mary recounts the events leading up to Jesus' crucifixion and finds comfort in knowing that she will see her son again.

Posted in: Acting , Performing , Rehearsals

Jaymey Hardin

Jaymey Hardin has been a noteworthy leader in the Contemporary Christian Music market for more than 20 years. Known for his work in marketing, product development, and A&R, he is also credited for his contributions as a writer, videographer, and musician. He is the son of a preacher man and has a heart for the church. He and his wife, Lindsay live in Franklin, TN, and are expecting their very first... dog.

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Telling the Story of Tennessee Baptists Since 1835

FIRST PERSON: EASTER MESSAGE IS REACHING LOST IN DRAMATIC WAYS

March 26, 2024

A local believer portrays Jesus carrying the cross through a crowd, accompanied by Roman soldiers. The dramatization called, “Empty Tomb,” was performed at a local mall with more than 1,000 people seeing it in a day. — IMB photo

He has risen! As you celebrate this Easter season, please remember your many IMB missionaries on the field. In some areas, like where we live in the Asia-Pacific Rim, it’s the perfect time to explain the true meaning of this holiday.

We want you to know how Christians are presenting the gospel on the island nation where we live. A couple of years ago, we partnered with national believers to do a dramatic presentation of Jesus’ miracles, death, burial and resurrection in high-traffic public places in our town. This Easter, many local fellowships are producing their own dramas.

National believers graciously volunteer to fill all 24 roles in the cast. They serve as Jesus, Pilate, narrators, etc. It’s really a bonding time for our local churches. We even have a Deaf fellowship involved in the production.

Local believers perform a drama to explain what Easter is all about in Asia-Pacific Rim. — IMB photo

In 2022, we did the presentation in a church parking lot. Then God opened up an opportunity for a second presentation in a neighborhood where we had permission to shut down the street, so there was plenty of room for people to gather. Last year we performed the drama at the mall. It was a great spot since people go to the mall for everything in our country, whether it’s to escape the heat or shop for groceries. More than 1,000 people stopped to see the drama throughout the day. The gospel was proclaimed, and God’s praises rang from the mall’s atrium from morning until evening.

The artistic aspect of the drama is received well in this culture. We have seen some great results from these presentations: Local churches working together and experiencing creative ways to share God’s Word. Local believers gaining experience in sharing the gospel. Access to plant seeds of the gospel among people who may never come in contact with the Truth.

Please pray for our friends and local believers as they explain the true meaning of the national holiday of Good Friday on March 29 and Ascension of Jesus Christ (May 8) to those around them who have never heard.

He has risen indeed! B&R — Jacob and Julie Stanley serve with the IMB in Asia-Pacific Rim. (Names changed due to security) 

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Read The Easter Story!

About 1960 years ago, Jesus and his friends and followers were in Jerusalem preparing for the special Passover celebrations.

At the same time, the chief priests and other Jewish officials were meeting at the house of Caiaphas, the High Priest, to discuss ways of capturing Jesus quietly, and killing him. They wanted to kill Jesus because they hated how popular he was with the people and thought he might take some of their power away, and also more importantly, they did not believe Jesus's claim that he was the Son of God. "But we can't do it during the Passover celebrations," they agreed, "because the people might riot."

Judas Iscariot, one of Jesus's twelve disciples, went to the chief priests, and asked, "How much will you pay me if I betray Jesus to you?" They gave him thirty silver coins. From then on, Judas watched for a chance to betray Jesus to them.

On the first day of the Passover ceremonies, the disciples came to Jesus and asked, "Where are we going to eat our Passover meal?" Jesus replied, "Go into the city and find a man carrying a water jar and tell him, 'Our Master says, my time has come, and I will eat the Passover meal with my disciples at your house.'" So the disciples did as he told them, and prepared the meal there.

That evening as Jesus sat eating the Passover meal with his disciples, He broke the bread, blessed it and said, "Take this and eat it, for this is my body, which I am giving for you." He then took the cup of wine and gave thanks and said, "Drink this, all of you. This is my blood which is poured out for you." Then he said, "One of you will betray me." The disciples asked each other who would do that. But Judas knew he was talking about him and slipped out as soon as he could.

Jesus and the rest of the disciples finished the meal and when they had sung a hymn, they went out to a local beauty spot, the Mount of Olives, and Jesus said to them, "This very night all of you will run away and leave me." Peter, one of Jesus's best friends, said to him, "Even if everyone else leaves you, I never will. Even if I have to die with you, I will never let you down. I tell you the truth," Jesus answered, "Tonight, before the rooster crows, you will say three times that you don't know me."

Then Jesus took his disciples to a place called Gethsemane and said to them, "Sit here while I go over there and pray. Pray for strength against temptation." He went a little way from them, knelt down and started to pray. "God, my Father, if it is possible, please take this burden from me. But do what you want, not what I want." Jesus stayed there and prayed for about an hour.

When he returned to the disciples, he found them asleep and asked them, "Why are you sleeping? Couldn't you stay awake for one hour? Watch and pray so that you will not fall into temptation, for your spirit is willing, but your body is weak." Then he went away for a second time to pray, "My Father, if it is not possible to take this painful thing from me, and if I must do it, I pray that what you want will happen." Jesus went back to his followers and found that they had fallen asleep again, so he went and prayed a third time. When he came back the last time, they were still asleep so he told them, "Wake up! It is nearly time for the Son of Man to be betrayed by sinners! Here comes my betrayer."

After he left the meal, Judas had gone to the high priests and made arrangements with them and the soldiers about how they would know Jesus. "The one who I kiss is the one to arrest.", he said. When they arrived where Jesus and his disciples were, Judas went up to Jesus and kissed him and said, "Greetings, Teacher." And with that, the soldiers arrested Jesus.

Jesus was taken to the court of Caiaphas (the High Priest), the teachers of the law and the Jewish Elders. Peter followed at a distance into the courtyard. He sat down with the guards to see what would happen. The priests and the Sanhedrin (the name of the Jewish parliament) brought lots of witnesses who told lies about Jesus. But nothing could be proved and Jesus would not say anything to defend himself. Finally the High Priest said to him, "I ask you under oath: Are you the Son of God?" Jesus replied, "You say that I am." Then the High Priest said, "He has spoken against God!! Do we need anymore witnesses?" The other priests replied, "He should die for what he has said!"

Meanwhile, in the courtyard, a servant girl came up to Peter and said, "You were with Jesus of Galilee." Peter said, "I don't know what you're talking about." Then he went out to the gateway where another girl saw him and told the people around her, "This man was with Jesus of Galilee." Peter said, "I swear I don't know him!" After a little while, the people standing around the gate came up to Peter and said, "Surely you were with him, your accent gives you away." (People from Galilee had a different accent to people in Jerusalem.) Now Peter became angry and said, "I don't know the man!!" Immediately a rooster crowed. Then Peter remembered what Jesus had told him, "Before the rooster crows, you will deny me three times." He went outside and cried. He had denied knowing Jesus because he was scared that he might be arrested.

To sentence someone to death, the Jewish leaders had to have the Roman Governor's permission. So even thought it was now getting towards dawn (and against Jewish law!) they took Jesus before the Roman governor, Pilate, who asked him, "Are you the King of the Jews?" Jesus replied, "Those are your words." The priests and chief elders then began accusing him and still, Jesus did nothing to defend himself (much to the amazement of Pilate). The governor said, "Don't you hear how they're accusing you?" But still, Jesus didn't say anything!

Pilate didn't know what to do with Jesus. Because he didn't think he had done anything wrong, he sent him to the Jewish King Herod. Herod was pleased that Jesus had been arrested and questioned him, but again, Jesus said nothing. So Herod made fun of him and Herod's soldiers beat Jesus up. Then Herod sent Jesus back to Pilate as he didn't know what to do with Jesus either!

It was the custom, at the time Passover, for the Roman governor to release one Jewish prisoner chosen by the ordinary people. At that time, they had a notorious prisoner called Barabbas. When Pilate asked the crowd who they wanted released. The Priests stirred up the crowd so they called for Barabbas. Pilate asked them, "What do you want me to do with Jesus, who is called King of the Jews?" They answered back, let by the Priests, "Crucify him! Crucify him!"

Pilate asked them, "Why? What crime has he committed?" But, they shouted even louder, "CRUCIFY HIM!! CRUCIFY HIM!!" When Pilate saw that he was getting nowhere, he took some water and washed his hands in front of the crowd. (This is where we get the phrase 'washing our hands of something' when we want to show that we don't want the blame if something goes wrong!) Then Pilate released Barabbas. Jesus was flogged, and handed him over to be crucified.

The governor's soldiers took Jesus into the governor's palace and gathered around him. They stripped him and put a scarlet robe on him and then twisted together a crown of thorns and rammed it on his head. They put a staff in his right hand and knelt in front of him and mocked him saying, "Hail, king of the Jews!" They spat on him, and took the staff and struck him on the head again and again. After they had beaten him up, they took off the robe and put his own clothes on him. Then they led him away to crucify him.

As the soldiers led him away, they grabbed a man named Simon, (who was from Cyrene and on his way in from the country) from the watching crowd and made him carry the cross because Jesus had been beaten so badly, he was too weak to do so.

When they came to the place where they executed people, called Golgotha or 'The Place of the Skull', they offered Jesus cheap wine to drink to help stop the pain, but after he tasted it, he refused to drink it. When they had nailed Jesus up on to the Cross, the Jewish rulers among the crowd sneered at Jesus, saying, "If you are so wonderful and the King of the Jews, save yourself." An inscription, in Greek, Latin and Hebrew, was written on a bit of wood and put over Jesus' head on the cross. It read, "THIS IS JESUS, THE KING OF THE JEWS." Jesus prayed to God, "Father, forgive them, for they don't know what they are doing."

Two thieves were being crucified at the same time as Jesus, one on the right and one on the left. One of the criminals who hung next to Jesus hurled insults at him, "Aren't you the Christ? Why don't you save yourself and us, too!!" But the other thief disagreed with him and said, "Aren't you afraid of God since you are under the same sentence? We are being punished because we did wrong things. But this man has done nothing wrong." Then he said to Jesus, "Remember me when you come into your Kingdom." Jesus told him, "I tell you the truth, today you will be with me in heaven."

This happened about 12noon, and from then until 3pm it was dark because the sun did not shine! At 3 o'clock Jesus cried out in a loud voice, "My God, My God, why have you left me?" Then Jesus cried out in a loud voice again, "It is finished!" And he died. A Roman centurion, was standing in front of Jesus and heard his cry and saw how he died. He said, "Surely, this man was the Son of God!"

Because the next day was the Sabbath (Saturday, the Jewish Holy Day), the Jews didn't want the bodies left on the crosses. Later, an important Jewish council member called Joseph of Arimathea asked Pilate for Jesus's body. Pilate gave his permission for Joseph to remove his body. He and Nicodemus (another council member) took Jesus' body and wrapped it in strips of cloth (which was the Jewish burial custom). Near the place where Jesus was crucified, there was a garden that Joseph owned and in the garden was a tomb that no one else had ever used. So they buried Jesus in this tomb. The Romans put their best guards at the tomb and the Jewish Leaders had a massive stone rolled in front of it to stop Jesus's followers stealing the body and saying that he had come back to life.

Early on Sunday morning, Mary Magdalene, one of Jesus's followers, and some other women went to the tomb to put spices onto the body to stop it smelling. When they got to the tomb, they discovered that the stone had been rolled away from the entrance. They wondered what had happened! Suddenly two men dressed is white robes that glowed appeared in the tomb. The women were very frightened, but the men said "He is not here! He has risen just as he said." Then the women remembered what Jesus had said.

The women left the tomb and went to tell the other disciples about what had happened. The others did not believe the women because it sounded like rubbish! But Peter and John got up and ran to the tomb and found it empty with only strips of cloth lying in it. When they saw the empty grave, they believed that Jesus had risen. Then the disciples went home.

Mary stayed at the tomb and was very sad and crying. She turned away from the tomb and saw Jesus there, but she didn't know it was Jesus. "Why are you crying? Who are you looking for?" Jesus asked her. She thought it was the gardener so said to him, "If you took Jesus's body away, please tell me where he is so I can go and see him." Jesus said to her, "Mary!" She turned to look at the man properly and saw that it was Jesus. She said to him, "Rabboni!" (this means 'teacher' in Hebrew) She when to hug Jesus, but he said, "Don't hold on to me, because I have not gone back to heaven yet. But go and tell my disciples that I am going back to heaven." So Mary went back and told the disciples all about what had happened and that she had seen Jesus alive!

Jesus Appears to the Disciples

Later on the same day, two of Jesus's followers were walking from Jerusalem to a town called Emmaus (about 11 kilometres or 7 miles). They were talking about what had happened over the last few days. They were joined by a stranger on the road and started walking with him. It was Jesus but they didn't recognise him. Jesus asked them "What are you talking about?" They told Jesus all that had happened and about the women going to the tomb, the Angels telling them that Jesus was Alive and the other disciples finding the tomb empty. Jesus then explained to them about what the old Jewish prophets had said about Jesus coming back to life (although they still didn't recognise him!) When they had finished talking, they were near Emmaus. It was getting late, so the two men asked Jesus to stay the night with them.

They sat down to dinner and Jesus said grace. As he broke the bread to eat, the disciple realised it was Jesus. (They might have seen the holes in Jesus's hands where the nails had been.) They were amazed and ran all the way back to Jerusalem to tell the other disciples in Jerusalem what had happened!

They found the other disciples in a locked room because they were scared of being found by the Jewish leaders. While the two disciples were saying what had happened, Jesus appeared in the room and said "Peace be with you!" They were scared and thought Jesus was a ghost. But Jesus said "Look at my hands and feet, it is me. Touch my hands where the nails went in. A ghost doesn't have a body!"

He showed them his pierced hands where the nails had gone in and they believed it was him, Alive! Jesus ate some fish with them and explained why he had died and that he would soon go back to heaven. He also explained that he would send a helper, the Holy Spirit, to live in and help all of Jesus's followers. He told them not to leave Jerusalem until the Helper had come. He also told them to go and tell other people about him and that he loves everyone so much he died for them.

But there was one disciple who wasn't there when Jesus first appeared, his name was Thomas and he doubted that Jesus really was alive. He said that unless he saw the holes in Jesus hands, he wouldn't believe that he was raised from the dead.

The next week, the disciples were in the room again. This time Thomas was with them. Even though the room was locked, Jesus still appeared to them. He showed Thomas his hands. Thomas touched him and said, "My Lord and My God!" And believed that Jesus was alive.

40 days after Jesus rose from the dead, he got his followers together and took them out to Bethany. He prayed for them and while he was doing so, he was carried back up into Heaven. A shining cloud covered Jesus, but suddenly two men dressed in white shining clothes stood next to Jesus and said "Why are you looking into the sky? Jesus who you saw going into heaven will return the same way!"

The disciples went back to Jerusalem as Jesus had told them to do. A while later, the disciples were in a house waiting to celebrate Pentecost (the Jewish harvest festival). Suddenly there was a sound like a strong blowing wind in the house. They saw things like flames of fire that came and rested on each of the disciples. They were filled with the Holy Spirit, the helper just as Jesus had promised.

They went outside and to tell people about Jesus and found that people from lots of different countries could understand what they were saying. (People from different countries were staying in Jerusalem then for the Pentecost festival.) The people didn't understand this was possible, some people thought they were all drunk! But Peter said "How can we be drunk? It's nine o'clock in the morning!"

The disciples found that by the power of the Holy Spirit, they could speak lots of different languages. They told all the people about Jesus and what he did for everyone. Over 3000 people became Christians that day!

People have been telling others about Jesus all over the world ever since.

You can download the Easter Story with as a pdf (860kb)

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Story, theology and drama in the Gospel of John

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During our liturgies over the coming weeks we will hear frequently from the Gospel of John, which is chosen by the Church to ‘introduce the profound mysteries celebrated each year during Lent and Easter’. Peter Edmonds SJ guides us through the evangelist’s unique narrative and encourages us to read the whole of this ‘religious classic’ for ourselves.

• We first identify their prologues, which tell readers what they need to know in order to understand the narrative that follows. (e.g. Mark 1:1-13)
• Secondly, we familiarise ourselves with the body of their story, which reports the teaching, preaching and healing activity of Jesus. The bulk of this takes place in Galilee on both sides of its lake (e.g. Mark 1:15-8:21); this Galilean ministry is followed by an account of the journey of Jesus with his disciples to Jerusalem (e.g. Mark 8:22-10:52).
• Thirdly, we read of events in Jerusalem. After a brief ministry in the Jerusalem Temple, Jesus is arrested, tried before religious and secular authorities, and then cruelly executed by crucifixion. We may also give this section the title, ‘Final Days’. (e.g. Mark 11:1-13:37; 14:1-15:47)
• Finally, there is an epilogue, which tells of Jesus’s resurrection from the dead and the appearances which followed. In contrast to the passion accounts which run in parallel, the three Synoptic gospels vary considerably in their details and contents. (e.g. Mark 16:1-20)

Prologue (1:1-2:22)

The theology, body (2:23-12:50), final days (13:1-19:42).

• The seven Pilate scenes, with Pilate and Jesus moving inside and outside, and discussing themes like kingship, truth and power. The ‘light of the world’ (8:12) encounters the powers of this world (18:28-19:16)
• The five ‘stations of the cross’ which present a king enthroned, ordering the future for the little Church of his believing mother (2:1-11) and the loving and loved disciple (13:23) to whom he hands over his spirit (19:16-37).

Epilogue (20:1-21:25)

Warning: weigh the risks.

Peter Edmonds SJ is a member of the Jesuit community in Stamford Hill, North London.

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Monologue - Four Easter Monologues

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C.S. LEWIS: THE MOST RELUCTANT CONVERT

C.s. lewis on stage: further up & further in, the screwtape letters.

Premiering Palm Sunday and available through Easter

Nine Scenes from The Gospel of Mark ! Nine Amazing Songs!  All in 45 Minutes!

View a 40-Second Preview!

Nikki Renée Daniels

Company , Porgy and Hamilton (Chicago)

Alan H. Green

Charlie and the Chocolate Factory , School of Rock

Jeff Kready

Tootsie , Billy Elliott

Telly Leung

Aladdin , Godspell

Daniel J. Maldonado

Moulin Rouge — World Premiere

Diane Phelan

School of Rock , The King and I

Marty Thomas

Wicked , The Secret Garden

Kay Trinidad

Hadestown , The Little Mermaid

Ken Denison

Executive Producer

Laura Bergquist

Music Director/Arranger

Ken Denison & Christa Scott-Reed

Co-Directors

Experience the last days of Jesus through a unique, dramatic presentation of Mark’s Gospel with Max McLean and a cast of dynamic Broadway artists. Easter Passion follows His steps from the triumphal entry, to the cleansing of the temple, the Last Supper, Gethsemane, the trial before Pilate, Christ’s agony and the crucifixion, culminating with His glorious resurrection.

Easter Passion is a benefit for Fellowship for Performing Arts.

 Max McLean is an award-winning actor and founder and artistic director of New York City-based Fellowship for Performing Arts.

Max stars in the recently released film The Most Reluctant Convert: The Untold Story of C.S. Lewis , which has been seen in cinemas and on video on demand in 127 countries.

Max adapted for the stage The Screwtape Letters , C.S. Lewis  on Stage: The Most Reluctant Convert , The Great Divorce , Genesis and Mark’s Gospel .

As a stage actor, he created the roles of Screwtape in New York, on national tour and in London; C.S. Lewis in The Most Reluctant Convert on national tour and in an extended 15-week run in New York; Mark in Mark’s Gospel ; and Storyteller in Genesis . Max received the Jeff Award—Chicago theatre’s highest honor—for his performance of Mark’s Gospel .

He has been nominated for four awards from the Audio Publishers Association for his narration of The Listener’s Bible . His creative work has been cited with distinction by the New York Times , Washington Post , Boston Globe , Chicago Tribune , Wall Street Journal and CNN to name a few media outlets.

No bio available.

Recently playing Angelica Schuyler in Hamilton at the CIBC Theater in Chicago, Nikki Renée Daniels’ Broadway credits include Company (Jenny), The Book of Mormon (Nabulungi), The Gershwins' Porgy and Bess ( Clara),  Les Miserables  (Fantine), Anything Goes , Promises, Promises, Aida , Nine , Little Shop of Horrors , Lestat , and The Look of Love .  She debuted with New York City Opera as Clara in  Porgy and Bess. Other New York credits include Martha Jefferson in 1776 at City Center Encores, Rose Lennox in  The Secret Garden  at David Geffen Hall and Tracy in the Radio City Christmas Spectacular . On television, Nikki was a featured player on Chappelle's Show , Madam Secretary and The Sound of Music: Live . She has performed as a soloist with numerous symphony orchestras across the country, in Canada and at Carnegie Hall. She holds a BFA in Musical Theatre from the University of Cincinnati, College-Conservatory of Music.

Broadway veteran Alan H. Green has been featured in such hits as Charlie and the Chocolate Factory , School of Rock and Sister Act along with multiple national tours and cast albums. He has been a featured soloist the world over including at Radio City, the White House and the Mount of Olives in Jerusalem. Along with numerous television credits for shows such as 30 Rock and Law & Order SVU , he has been featured in multiple national commercials. Alan is a vocal performance graduate from Rice University, and he serves as a deacon at Metro Baptist Church in New York City. IG: @alanhgreen

Most recently seen on Broadway standing by for the title role of Michael Dorsey/Dorothy Michaels in Tootsie , Jeff Kready has also been featured as Monty Navarro in A Gentleman’s Guide to Love and Murder , Tony Elliot in Billy Elliot the Musical and in Les Misérables  (Jean Valjean understudy). Jeff’s favorite regional credits include Tommy in Brigadoon (Pittsburgh CLO), Ted Hanover in Holiday Inn (Paper Mill Playhouse), Mr. Snow in Carousel (Goodspeed) and David Sedaris’s one-man-show Santaland Diaries (Hartford TheaterWorks). Along with a recurring role in Elementary , his numerous TV credits include Boardwalk Empire , The Code and The Good Fight . He has performed with orchestras across the county as guest soloist and can be heard on the album, The Broadway Tenors (Jay Records). Favorite roles: husband to Nikki, dad to Lena (7) and Louise (3).

A New York City native, Telly Leung is a Broadway performer, recording artist, producer and theater arts teacher. Broadway credits include Aladdin in Disney's Aladdin , In Transit , Allegiance (with George Takei and Lea Salonga), Godspell , Rent , Pacific Overtures and Flower Drum Song . In 2010, he starred as Angel in Rent at the Hollywood Bowl opposite Wayne Brady, directed by Neil Patrick Harris. Regionally, he's performed at Philadelphia Theater Company, Pittsburgh CLO, St. Louis MUNY, Dallas Theater Center, The Shakespeare Theater Company in D.C., North Carolina Theater and North Shore Musical Theater. Television – Wes the Warbler on Glee , Instinct , Odd Mom Out , Deadbeat and Law & Order: Criminal Intent . He has sung on many Broadway cast recordings and released two solo albums, I’ll Cover You (2012) and Songs for You (2016) (The Yellow Sound Label). His EP You Matter features five songs produced in the 2020 pandemic with composer & arranger Gary Adler, profits benefit Broadway Cares/Equity Fights AIDS. He holds a BFA from Carnegie Mellon University's School of Drama and has taught master classes all over the world. Producing credits include Broadway Back Together , the musical short film Grind (starring Anthony Rapp) and The Nice List , a virtual holiday family musical. Twitter/Instagram: @tellyleung.   www.tellyleung.com

Daniel J. Maldonado is super excited to be stretching his creative mind during these troubling times! Recent regional accolades include Newsies  (Helen Hayes nomination, Arena Stage), the world premiere of Moulin Rouge! The Musical (Emerson Colonial Theater, Boston), Grease (Pittsburgh CLO), Pippin (FreeFall Theatre) and The Graduate (Forestburgh Playhouse). He is a Rider University MT graduate and proud AEA member. A huge thank you to Mom, Dad, family, friends and Shelly for all the love and support. And a large thanks to Laura and FPA for the opportunity! Spread love! Stay safe! Instagram: @DanielJ_Maldonado Website: danieljmaldonado.net

Diane Phelan is an actor, director and activist based in New York City. She has performed in lead roles on Broadway as well as in national and international productions, most notably in School of Rock , West Side Story , and The King and I . She is the founder for the Broadway Diversity Project, #RacismIsAVirus ( www.RacismIsAVirus.com ) You can catch her starring in the new film Marry Harry currently streaming on AmazonPrimeVideo.com . For more follow on insta: @DianicaPhelan 

A recording artist and actor, Marty Thomas debuted on Broadway at age 11 in The Secret Garden , appeared in Wicked and Xanadu  and was named Mr. Broadway 2008. Off-Broadway credits includes My Big Gay Italian Wedding , Pageant and A Loss of Roses . Film includes a featured role in Big Gay Musical , and TV includes Two Broke Girls and Grace & Frankie . Marty is a vocal arranger, producer and backup vocalist singing with top stars such as Billy Porter, Patti Labelle, Jennifer Holliday among many more. He toured internationally with many theatrical productions and with Queen Esther Marrow & The Harlem Gospel Singers . As a performer, director and producer in the New York cabaret scene, his show Marty Thomas Presents Diva played weekly in New York for eight years and toured. A feminist and human rights enthusiast, he has helped raise thousands of dollars for charity. His latest album, Slow Dancing with a Boy, (Broadway Records) hit number 19 on the iTunes pop charts. Follow on Instagram @martythomaslovesyou and read more at www.martythomas.com .

A member of the original Broadway casts of The Little Mermaid and the Tony-winning Hadestown , Kay Trinidad can be heard on the recently released If the Fates Allow: A Hadestown Holiday Album . Off-Broadway roles include Diane Lee in BARE and in Roar of the Greasepaint ... (York Theatre). She toured in Seussical and regional roles include Lempicka (World Premiere, Williamstown Theatre Festival), Waterfall (U.S. Premiere, Pasadena Playhouse, 5th Avenue Theatre), Allegiance (World Premiere, Old Globe), Children of Eden in Concert (Aysha, Kennedy Center), Spelling Bee (Marcy Park, Cape Playhouse & Cleveland Playhouse), The King And I (Tuptim, Maltz Jupiter Theatre, Music Theatre of Wichita), Little Shop Of Horrors (Ronette, Berkshire Theatre Group), Beauty and the Beast (MUNY), The Addams Family (MUNY) and  Bye Bye Birdie (Casa Mañana). www.kaytrinidad.com  

Finding Faith

Finding Faith is the vocal/guitar duo and songwriting team of Andrew Tierney and Tim Dunfield. From two opposite corners of the globe (Australia and Canada) and from two vastly different career paths (pop star come Las Vegas headliner and Christian worship pastor), Andrew and Tim met and found a great friendship, a unique creative connection and a deep passion for writing songs of worship together. Blending Contemporary Christian music production with a worship accessibility, their self-titled debut album featured the radio hit “Good Hands” which hit #1 in Australia for five weeks and made a solid impact on the US AirPlay charts. Tim and Andrew have continued to lead worship at their home church in Sin City - Las Vegas. Working with writers in Nashville, Australia, and South Africa over the last two years, Finding Faith have been crafting a new set of songs to share with the world. Their songs are a witness to Jesus’ work in their own lives and also a universal declaration of love and surrender to be sung as a church. Finding Faith are excited to see how God will continue to use their gifts in a new season.

Human Nature

Human Nature has been hailed as one of the world’s finest pop-vocal groups of the modern era. Originally from Australia, they are known around the globe for their distinctive harmonies. The harmony group are brothers Andrew and Mike Tierney and Toby Allen (original fourth member Phil Burton now only performs in Australia with the outfit). Since signing to Sony Music Australia over two decades ago, Human Nature have released 13 studio albums, garnering 27 platinum awards, 19 top 40 singles and five Top 10 hits worldwide, with album sales in excess of 2.5 million in Australia alone. The group has also toured with some of the music industry's biggest names including Michael Jackson and Celine Dion, as well as performing to more than four billion television viewers worldwide during the Opening Ceremony of the 2000 Sydney Olympics. In 2019, Human Nature were awarded the Medal of the Order of Australia (OAM), presented by the Governor-General of Australia, for their service to the performing arts and entertainment field. They launched a legendary Vegas Residency in 2009 that ran for 11 years. This initial run ended due to the Covid pandemic but the pop stars look to relaunch in Vegas in the Fall of 2022.

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Home » The Easter Vigil Story: First Reading, The Creation

The Easter Vigil Story: First Reading, The Creation

• By Bob Kurland
• 16 April AD 2022

INTRODUCTION

Before the Covid lockdowns, I had the privilege of being a lector for the Easter Vigil Mass at our local nursing home. The nun who made the arrangements set my readings as the first, the Creation story from Genesis 1, and the Epistle. “Since you’re a physicist” she told me, “the Creation should be of special interest to you.” Indeed it was. As it was at the first Easter vigil Mass I attended 27 years ago, when I was Baptized and Confirmed in the Church.

GENESIS 1: CARDINAL RATZINGER, “IN THE BEGINNING. ..”

During the first years after my conversion, I had a problem reconciling Genesis 1, the scriptural account of creation, with what physics told me about how the universe began. Fortunately in those early years I took a very fine course on the Old Testament, as part of a Diocesan Ecclesial Lay Ministry program. In that course I learned that one could interpret the Old Testament in different ways:

• literally (this would mean as the author intended it);
• figuratively (as an analogue or story);
• anagologically (as a mystical parable);

The priest who taught the course also told me to read Cardinal Ratzinger’s book, “ In the Beginning…A Catholic Understanding of the Story of the Creation and Fall . That message resolved my concern:

“…the Bible is not a natural science textbook, nor does it intend to be such. It is a religious book, and consequently one cannot obtain information about the natural sciences from it. One cannot get from it a scientific explanation of how the world arose; one can only glean religious experience from it. Anything else is an image and a way of describing things whose aim is to make profound realities graspable to human beings. One must distinguish between the form of portrayal and the content that is portrayed.”— Pope Benedict XVI (writing as Cardinal Ratzinger), In the Beginning…

SCRIPTURE AND CREATIO EX NIHILO

Reconciling Genesis 1 and cosmology was no longer a problem; no need for cognitive dissonance. But there was another difficulty. Catholic dogma states the universe was created out of nothing, “ Ex Nihilo. ” This is certainly consistent with the Big Bang hypothesis. Now where in the Old Testament does “ Creatio ex Nihilo ” occur? According to one of my friends, an expert in Hebrew (he was an Irish-American physician whose retirement was spent in Scripture scholarship) the Hebrew words, Tohu-Bohu, describing what was before Creation, do not mean “nothingness,” but rather “chaos, topsy-turvy.” Such a description agrees with a “quantum fluctuation” event as creation, favored by agnostic physicists who would like to negate the Big Bang explanation. Well, is there anything in the Old Testament to point to Creatio ex Nihilo? Here’s one quote:

I beseech thee, my son, look upon the heaven and the earth, and all that is therein, and consider that God made them of things that were not; and so was mankind made likewise.—2 Maccabees 7:28, (KJV)

And in the New Testament, here’s another:

“By faith we understand that the universe was created by the word of God, so that what is seen was not made out of things that are visible”—Hebrews 11:3 (KJV)

THEOPHILUS OF ANTIOCH, ST AUGUSTINE, AQUINAS  AND CREATIO EX NIHILO

Creatio ex Nihilo as a doctrine was made secure by Theophilus of Antioch in the 2nd Century AD. He declared:

And what great thing is it if God made the world out of existent materials? For even a human artist, when he gets material from some one, makes of it what he pleases But the power of God is manifested in this, that out of things that are not He makes whatever He pleases. ” [emphasis added].—Theophilus of Antioch, Letter to Autolycus, Chapter IV

St. Augustine of Hippo gave a final touch to this doctrine by positing that in addition to the creation of material stuff, time began at the instant of creation:

“…no time passed before the world, because no creature was made by whose course it might pass.” —” City of God,” book 11, ch.4.

This view is in remarkable accord with modern cosmology:

“For Augustine…God did not create time at a certain moment, but non-temporally caused all time to exist.” —Keith Ward, in “Quantum Cosmology and the Laws of Nature”.

St. Thomas Aquinas has argued that reason alone cannot demonstrate that the universe was not eternal:

By faith alone do we hold, and by no demonstration can it be proved, that the world did not always exist—St. Thomas Aquinas, “Summa Theologica,” Part I, Question 46

CREATIO EX NIHILO : THE TRUTHS OF SCIENCE OR THE TRUTHS OF FAITH?

Nevertheless, there is empirical evidence that the universe began as a singularity in space-time some 14 billion years ago. Should we be happy that contemporary physics and Catholic teaching do not disagree? Perhaps, but we should acknowledge that the “truths” of science change, unlike Catholic doctrine, This was the argument that Abbe LeMaitre made to Pope Pius XII, to dissuade the Pope from incorporating Big Bang theory as official Catholic teaching.  Moreover, despite the empirical evidence that confirms the Big Bang, there are problems with the theory. I refer the reader to Essay 3, Creatio ex Nihilo , of my web-book, “A Science Primer for the Faithful,” for a discussion of these.

FINAL THOUGHTS

One final word: not only Creation, but also the wondrous, intricate design that yields the universe and biology as we know it—the Anthropic Coincidences—lead us to Psalm 19A as a celebration of the Trinitarian God as Creator:

“The heavens declare the glory of God; and the firmament sheweth his handywork. Day unto day uttereth speech, and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard.” Psalm 19 (KJV)

That verse means more to me than the Big Bang Theory, but I’m happy that they are consonant.

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Bob Kurland

2 thoughts on “the easter vigil story: <br> first reading, the creation”.

Perhaps you might find below interesting?

https://humanlifereview.com/trouble-in-paradise/

Thanks for the link Ms Moriarty. Very interesting article! bob k.

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Jesus — Through His Mother's Eyes Easter Live Dramatic Presentation

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Kristen Wiig Receives Inaugural Mary Tyler Moore Visionary Award at the Variety TV FYC Fest

By Jack Dunn

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At this year’s Variety TV FYC Fest, Variety teamed up with the Mary Tyler Moore Vision Initiative to present the inaugural Mary Tyler Moore Visionary Award to writer, actor and producer Kristen Wiig . Kristen was recognized for her extensive and groundbreaking achievements in storytelling, matching Moore’s continuing extraordinary impact on the entertainment industry.

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“I’m a little speechless,” Wiig said upon receiving the award. “I grew up watching Mary, and she was such an unbelievable performer in person, and this business is weird. It can be hard to navigate, especially as a woman, especially back then, and she just did it so full of grace. So this just means so much to me.”

Following the award presentation, Wiig sat down with Variety deputy awards and features editor Jenelle Riley for a Q&A about her career and her path to comedy stardom.

Wiig described herself as a “sitcom kid” with a deep appreciation for classic comedy duos like Abbot and Costello and Martin and Lewis from a young age. Growing up, she often put on plays in her shower and used the curtains for dramatic openings to her shows.

“Sometimes it was just for me, but there was a mirror in there,” Wiig said. “I mean, I always loved performers and I loved movies and comedy especially, but the actual decision to do [comedy] came much later in my life because I didn’t think that was something anyone from my town would do.”

Many years after practicing in the shower, Wiig would land her first professional acting job in a Dunkin Donuts commercial where she, coincidentally, played a bridesmaid.

In the years to follow, Wiig joined SNL, wrote and starred in the Oscar-nominated film “Bridesmaids” and most recently, led the all-star cast of “Palm Royale” on Apple TV+. But even with all her success, Wiig says she still hasn’t had her “I made it” moment.

“This job is so out of your comfort zone at every level that the moment I feel totally comfortable with everything, I’m done,” Wiig explained. “I guess what I’m saying is I think there is an element of just reminding myself I’m grateful to be here and that it can go away so fast.”

Watch the award presentation and Q&A in its entirety above.

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Special Times , General Worship

Were You There? A Dramatic Retelling of the Good Friday Story

April 2, 2020

Updated December 13, 2023

By Eugene Peterson, adapted for our current circumstances by  Reformed Worship. 

To Prepare:

Consider gathering as a family, as housemates, or with any group via Zoom, Google Hangouts , or another video conferencing platform. (If meeting via Zoom, ask anyone who is not reading or singing to mute their microphone.)

Ahead of time, assign different sections of this story to volunteer readers. Print a copy of this litany for each reader or email the link to readers who are gathering online.

If there are musicians in your group, invite them ahead of time to play along with the songs indicated. A variety of instruments could work: piano, guitar, saxophone, violin, clarinet, flute, or even recorders. If you don’t have accompaniment, sing the songs a capella or sing along with a recording of your choice.

If you wish, invite children or anyone who is not reading to draw what they hear as they listen along and to show their artwork to the group afterwards.

As you begin, light a candle and place it where all can see it.

-----------------------------------------------------------------------------------

Song: "Were You There" LUYH, #166, Score or Video

THE TRAITOR (Matthew 26:17-25)

On the first of the Days of Unleavened Bread, the disciples came to Jesus and said, "Where do you want us to prepare your Passover meal?"

He said, "Enter the city. Go up to a certain man and say, 'The Teacher says, "My time is near. I and my disciples plan to celebrate the Passover meal at your house."'" The disciples followed Jesus' instructions to the letter, and prepared the Passover meal.

After sunset, he and the Twelve were sitting around the table. During the meal, he said, "I have something hard but important to say to you: One of you is going to hand me over to the conspirators."

They were stunned, and then began to ask, one after another, "It isn't me, is it, Master?"

Jesus answered, "The one who hands me over is someone I eat with daily, one who passes me food at the table. In one sense the Son of Man is entering into a way of treachery well-marked by the Scriptures—no surprises here. In another sense that man who turns him in, turns traitor to the Son of Man—better never to have been born than do this!"

Then Judas, already turned traitor, said, "It isn't me, is it, Rabbi?"

Jesus said, "Don't play games with me, Judas."

Song:   Let Us Break Bread Together On Our Knees, LUYH #837, Score , video

GETHSEMANE (Matthew 26:31-46)

Then Jesus told them, "Before the night's over, you're going to fall to pieces because of what happens to me. There is a Scripture that says, 'I'll strike the shepherd; helter-skelter the sheep will be scattered.' But after I am raised up, I, your shepherd, will go ahead of you, leading the way to Galilee."

Peter broke in, "Even if everyone else falls to pieces on account of you, I won't."

"Don't be so sure," Jesus said. "This very night, before the rooster crows up the dawn, you will deny me three times."

Peter protested, "Even if I had to die with you, I would never deny you." All the others said the same thing.

Then Jesus went with them to a garden called Gethsemane and told his disciples, "Stay here while I go over there and pray." Taking along Peter and the two sons of Zebedee, he plunged into an agonizing sorrow. Then he said, "This sorrow is crushing my life out. Stay here and keep vigil with me."

Going a little ahead, he fell on his face, praying, "My Father, if there is any way, get me out of this. But please, not what I want. You, what do you want?

When he came back to his disciples, he found them sound asleep. He said to Peter, "Can't you stick it out with me a single hour? Stay alert; be in prayer so you don't wander into temptation without even knowing you're in danger. There is a part of you that is eager, ready for anything in God. But there's another part that's as lazy as an old dog sleeping by the fire."

He then left them a second time. Again he prayed, "My Father, if there is no other way than this, drinking this cup to the dregs, I'm ready. Do it your way."

When he came back, he again found them sound asleep. They simply couldn't keep their eyes open. This time he let them sleep on, and went back a third time to pray, going over the same ground one last time.

When he came back the next time, he said, "Are you going to sleep on and make a night of it? My time is up, the Son of Man is about to be handed over to the hands of sinners. Get up! Let's get going! My betrayer is here."

Song: "Go to Dark Gethsemane" LUYH #161, Score | YouTube

WITH SWORDS AND CLUBS (Matthew 26:47-56)

The words were barely out of his mouth when Judas (the one from the Twelve) showed up, and with him a gang from the high priests and religious leaders brandishing swords and clubs. The betrayer had worked out a sign with them; "The one I kiss, that's the one—seize him." He went straight to Jesus, greeted him, "How are you, Rabbi?" and kissed him.

Jesus said, "Friend, why this charade?"

Then they came on him—grabbed him and roughed him up. One of those with Jesus pulled his sword and, taking a swing at the Chief Priest's servant, cut off his ear.

Jesus said, "Put your sword back where it belongs. All who use swords are destroyed by swords. Don't you realize that I am able right now to call to my Father, and twelve companies—more, if I want them—of fighting angels would be here, battle-ready? But if I did that, how would the Scriptures come true that say this is the way it has to be?"

Then Jesus addressed the mob: "What is this—coming out after me with swords and clubs as if I were a dangerous criminal? Day after day I have been sitting in the Temple teaching, and you never so much as lifted a hand against me. You've done it this way to confirm and fulfill the prophetic writings."

Then all the disciples cut and ran.

Song: “What Wondrous Love Is This”, LUYH #164, Score | YouTube

FALSE CHARGES (Matthew 26:57-68)

The gang that had seized Jesus led him before Caiaphas the Chief Priest, where the religion scholars and leaders had assembled. Peter followed at a safe distance until they got to the Chief Priest's courtyard. Then he slipped in and mingled with the servants, watching to see how things would turn out.

The high priests, conspiring with the Jewish Council, tried to cook up charges against Jesus in order to sentence him to death. But even though many stepped up, making up one false accusation after another, nothing was believable.

Finally two men came forward with this: "He said, 'I can tear down this Temple of God and after three days rebuild it.'"

The Chief Priest stood up and said, "What do you have to say to the accusation?"

Jesus kept silent.

Then the Chief Priest said, "I command you by the authority of the living God to say if you are the Messiah, the Son of God."

Jesus was curt: "You yourself said it. And that's not all. Soon you'll see it for yourself: The Son of Man seated at the right hand of the Mighty One, arriving on the clouds of heaven."

At that, the Chief Priest lost his temper, ripping his robes, yelling, "He blasphemed! Whey do we need witnesses to accuse him? You all heard him blaspheme! Are you going to stand for such blasphemy?"

They all said, "Death! That seals his death sentence."

Then they were spitting in his face and banging him around. They jeered as they slapped him: "Prophesy, Messiah: Who hit you that time?"

Song: "My Jesus, I Love Thee" LUYH #366, Score , video

DENIAL IN THE COURTYARD (Matthew 26:69-75)

All this time, Peter was sitting out in the courtyard. One servant girl came up to him and said, "You were with Jesus the Galilean."

In front of everybody there, he denied it. "I don't know what you're talking about."

As he moved over toward the gate, someone else said to the people there, "This man was with Jesus the Nazarene."

Again he denied it, salting his denial with an oath: "I swear, I never laid eyes on the man."

Shortly after that, some bystanders approached Peter. "You've got to be one of them. Your accent gives you away."

Then he got really nervous and swore. "I don't know the man!"

Just then a rooster crowed. Peter remembered what Jesus had said: "Before the rooster crows, you will deny me three times." He went out and cried and cried and cried.

Song: "Ah, Holy Jesus", stanza 1, LUYH #172, Score | YouTube

THIRTY SILVER COINS (Matthew 27:1-10)

In the first light of dawn, all the high priests and religious leaders met and put the finishing touches on their plot to kill Jesus. Then they tied him up and paraded him to Pilate, the governor.

Judas, the one who betrayed him, realized that Jesus was doomed. Overcome with remorse, he gave back the thirty silver coins to the high priests, saying, "I've sinned. I've betrayed an innocent man."

They said, "What do we care? That's your problem!"

Judas threw the silver coins into the Temple and left. Then he went out and hung himself.

The high priests picked up the silver pieces, but then didn't know what to do with them. "It wouldn't be right to give this—a payment for murder!—as an offering in the Temple." They decided to get rid of it by buying the "Potter's Field" and use it as a burial place for the homeless. That's how the field got called "Murder Meadow," a name that has stuck to this day. Then Jeremiah's words became history:

"They took the thirty silver pieces,

the price of the one priced by some sons of Israel,

and they purchased the potter's field."

And so they unwittingly followed the divine instructions to the letter.

Song: "Ah, Holy Jesus", stanza 2, 3, LUYH #172, Score | YouTube

PILATE (Matthew 27:11-26)

Jesus was placed before the governor, who questioned him: "Are you the 'King of the Jews'?"

Jesus said, "If you say so."

But when the accusations rained down hot and heavy from the high priests and religious leaders, he said nothing. Pilate asked him, "Do you hear that long list of accusations? Aren't you going to say something?" Jesus kept silence—not a word horn his mouth. The governor was impressed, really impressed.

It was an old custom during the Feast for the governor to pardon a single prisoner named by the crowd. At the time, they had the infamous Jesus Barabbas in prison. With the crowd before him, Pilate said, "Which prisoner do you want me to pardon: Jesus Barabbas, or Jesus the so-called Christ?" He knew it was through sheer spite that they had turned Jesus over to him.

While court was still in session, Pilate's wife sent him a message: "Don't get mixed up in Judging this noble man. I've just been through a long and troubled night because of a dream about him."

Meanwhile, the high priests and religious leaders had talked the crowd into asking for the pardon of Barabbas and the execution of Jesus.

The governor asked, "Which of the two do you want me to pardon?"

They said, "Barabbas!"

"Then what do I do with Jesus, the so-called Christ?"

They all shouted, "Nail him to a cross!"

He objected, "But for what crime?"

But they yelled all the louder, "Nail him to a cross!"

When Pilate saw that he was getting nowhere and that a riot was imminent, he took a basin of water and washed his hands in full sight of the crowd, saying, "I'm washing my hands of responsibility for this man's death. From now on, it's in your hands. You're judge and jury."

The crowd answered, "We'll take the blame, we and our children after us."

Then he pardoned Barabbas. But he had Jesus whipped, and then handed over for crucifixion.

Song: "The Blood Will Never Lose Its Power" LUYH #704, Video  

THE CRUCIFIXION (Matthew 27:27-54)

The soldiers assigned to the governor took Jesus into the governor's palace and got the entire brigade together for some fun. They stripped him and dressed him in a red toga. They plaited a crown from branches of a thorn bush and set it on his head. They put a stick in his right hand for a scepter. Then they knelt before him in mocking reverence: "Bravo, King of the Jews!" they said. "Bravo!" Then they spit on him and hit him on the head with the stick. When they had had their fun, they took off the toga and put his own clothes back on him. Then they proceeded out to the crucifixion.

Along the way they came on a man from Cyrene named Simon and made him carry Jesus' cross. Arriving at Golgotha, the place they call "Skull Hill," they offered him a mild painkiller (a mixture of wine and myrrh), but when he tasted it he wouldn't drink it.

After they had finished nailing him to the cross and were waiting for him to die, they whiled away the time by throwing dice for his clothes. Above his head they had posted the criminal charge against him: THIS IS JESUS, THE KING OF THE JEWS. Along with him, they also crucified two criminals, one to his right, the other to his left. People passing along the road jeered, shaking their heads in mock lament: "You bragged that you could tear down the Temple and then rebuild it in three days—so show us your stuff! Save yourself! If you're really God's Son, come down from that Cross!

The high priests, along with the religion scholars and leaders, were right there mixing it up with the rest of them, having a great time poking fun at him: "He saved others—he can't save himself! King of Israel, is he? Then let him get down horn that cross. We'll all become believers then! He was so sure of God—well, let him rescue his 'Son' now—if he wants him! He did claim to be God's Son, didn't he?" Even the two criminals crucified next to him joined in the mockery.

From noon to three, the whole earth was dark. Around mid-afternoon Jesus groaned out of the depths, crying loudly, "Eli, Eli, lama sabachthani?" which means "My God, my God, why have you abandoned me?"

Some bystanders who heard him said, "He's calling for Elijah." One of them ran and got a sponge soaked in sour wine and lifted it on a stick so he could drink. The others joked, "Don't be in such a hurry. Let's see if Elijah comes and saves him."

But Jesus, again crying out loudly, breathed his last. 

[Reader extinguishes the candle.]

At that moment, the Temple curtain was ripped in two, top to bottom. There was an earthquake, and rocks were split in pieces. What's more, tombs were opened up, and many bodies of believers asleep in their graves were raised. (After Jesus' resurrection, they left the tombs, entered the holy city, and appeared to many.)

The captain of the guard and those with him, when they saw the earthquake and everything else that was happening, were scared to death. They said, "This has to be the Son of God!"

[Observe a brief time of silence before singing.]

Spiritual: "Calvary", LUH #171, Video

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