creative writing curriculum for high school students

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

A Comprehensive High School Writing Curriculum Guide

In this comprehensive high school writing curriculum guide, I explain necessary components of planning a writing for a year. 

Writing is an essential skill that students need to develop in high school. Part of teaching this essential skill is encouraging, inspiring, and mentoring.

However, not all writing curriculums are created equal. A well-structured writing curriculum can help students understand the fundamentals of writing, improve their skills, and explore their creativity.

High School Writing Curriculum: A Comprehensive Guide

Honesty time: I do not suggest one entire curriculum but rather, pieces from several sources. Many tools can get you to meeting standards, encouraging young writers, and working through common struggles. However, as someone who has taught in various capacities for over twenty years, one set curriculum will probably not work. You will need to incorporate pieces of your own to address the learners in front of you and modify it each semester.

Therefore, in this blog post, I’ll explore the components, considerations, and requirements for high school students.

Why are you writing about a high school writing curriculum?

If you have followed me for a few years, you were with me while I finished my second master’s degree, one in English Literature . Now, I teach dual-credit writing courses at my high school in coordination with a local community college. Many of my subscribers teach a similar class for high school credit.

The previous seven years, I taught freshmen and worked with those standards. Therefore, my teaching load focuses on standards for seniors, a shift for me.

As I create and build my high school writing curriculum, these considerations come into play.

Understanding the Essentials of a High School Writing Curriculum

A comprehensive high school writing curriculum will address students’ writing skills and grammatical knowledge. Meeting language skills alongside the writing standards can happen naturally.

A well-rounded high school writing course will also address essential aspects such as argumentative writing (sometimes referenced as persuasive writing), informative, and creative/narrative writing, providing students with a holistic understanding of the writing process.

Here is my teacher’s guide to incorporate all these factors.

Importance of a Structured Approach to Writing

A structured approach to writing is essential in a writing curriculum. In my teaching career, I have taught several semester-long courses like public speaking, creative writing, and English 101. My #1 learned lesson: Have an overarching project that builds community in classes. For public speaking, speakers set goals for public speaking. In creative writing, writers compile a journal with writing prompts.

In a standard writing class, we use images to write about mentor sentences and fun topics . Images help young writers envision their responses, and the images work as a form of scaffolding. An ongoing activity, a habit, allows writers to reflect on their writing process, figurative language use, and sentence structure. Take time to reflect with students.

Diverse Writing Assignments

Instilling excellence in writing skills and grammar instruction is essential for an effective writing curriculum. One research paper and one narrative alongside “drill and kill” grammar will not produce an engaging high school writing curriculum.

A few of my favorite writing assignments for high school:

• Mini-memoirs (narrative standards)
• Response to informational text (an assortment of standards)
• Argumentative RAFT (argumentative standard)
• Researched famous events (expository standards)

If you look at the mentor texts (below) and provide excerpts to your classes, you will also create diverse writing assignments from those inspired pieces.

Calendar of Writing

Map out your calendar of dates. No amount of researching and organizing will help us creators of a high school writing curriculum: We must sit down with a calendar.

My high school writing curriculum contains two large-ish type assignments, one due about six weeks into the semester and another at about fourteen weeks. I space them out so that students understand my expectations and feedback, so that we have worked through our standards together, and so that large assignments are not due when students are already overwhelmed. Spacing out assignments in this manner also provides me time to provide meaningful feedback.

If you are interested in looking at my outline for a creative writing course, you can make a copy on Canva (for free).

Grammar Excellence

If you have floated around my blog for a bit, you’ll realize that my preference is not to teach grammar with worksheets. A grammar workbook and worksheets have their place, sure. But once classes understand the basics of language, I branch into additional resources.

For instance, with my high school grammar activities , students use interactive pieces to practice punctuations, to add types of clauses to sentences, and to experiment with difficult concepts. The pieces allow writers to take their own writing and implement lessons. In doing so, they are experimenting with language.

Another addition to any writing program will be addressing grammatical errors . My suggestion is to assign paragraph writing and while grading, note common errors. Then, provide direct instruction and practice correcting the errors.

Any grammar curriculum will connect grammar to writing. One of my goals is to approach language in a positive way so that my brave writers feel empowered instead of crushed by grammar rules.

Meeting Standards with Writing

Writing standards define the expectations for what students should be able to do at each grade level. These standards aim to develop clarity, coherence, and effective communication through writing.

However, meeting these standards can sometimes be a challenge for both students and teachers. Below, I explain what helps me as my students and I work to meet writing standards.

Importance of Writing Standards

Writing standards are guidelines that outline the skills and knowledge students should acquire in writing. They provide a common framework for teaching writing skills, ensuring consistency across classrooms and grade levels.

Be prepared to breakdown standards with students in sensible ways. For instance, in my creative writing activities, I break down pieces like implementing pacing and external conflicts into smaller lessons. With those smaller activities, we can dive deep into the standards.

Overall, writing standards promote clarity, coherence, and effective communication, which are essential skills in the 21st century.

Implementation of Standards

The more you build your writing curriculum, the more engrained and natural the standards will be.

To start, align writing activities with specific standards. By doing so, you ensure that the writing skills targeted are directly tied to the standards. This alignment helps reinforce the skills and knowledge necessary for students to meet the standards effectively.

Additionally, incorporating a wide range of writing skills into lesson plans allows you to address multiple standards simultaneously, providing a comprehensive writing instruction experience for students. In the example above, pacing and external conflicts will occur in smaller activities and then implemented into larger one.

Don’t fear breaking down a standard with students. (Some teachers call this process “unpacking the standards”). The more you discuss writing expectations that derive from the standards, the more meaningful discussions you and your students will have.

Considering mentor texts.

Mentor texts are simply example texts that work well for providing example of structure, vocabulary, language use, and any other piece of writing. Below, I have included books from which I pull pieces. Included are explanations of ways I use the excerpts.

Plus, university writing courses often use excerpts, so using them is a great way to prepare classes. If you read a publication like the New York Times, keep your eyes open to pieces you can add.

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This book might be the most loaned book from my classroom library. Dashka Slater is a journalist who wrote The 57 Bus , a story told from two perspectives of what became a hate crime.

Five Little Indians

Michelle Good’s novel portrays the lives of residential school survivors. The uses for Five Little Indians is diverse. Dialogue, setting, and pacing shine through in this story.

The Forgotten Girls

Monica Potts’ memoir weaves research into a narrative. The story covers rural women and their limited options. When older students write narratives, I encourage them to add research and use Potts’ memoir as a mentor text.

The Sun Does Shine

I’ve written about The Sun Does Shine before. Pieces from Anthony Ray Hinton’s story have been in my American literature class too. For a writing class, chapter two, “All American,” works well for modeling background and flashback.

Chapter twenty-seven, “The Symbols of Caste” works as a model for comparing two situations. Isabel Wilkerson compares America’s response to slavery to Germany’s response to the Holocaust. Her pacing and transitions serve as strong examples.

Slavery by Another Name

Douglas A. Blackmon’s book provides examples of incorporating primary sources into research. The end to the chapter, “New South Rising” has a short piece to analyze with writers.

The chapter, “Took Over the OxyContin Belt” serves as a mentor text for narrative nonfiction. From its hook to its powerful concluding paragraph, this short chapter helps me to model narratives.

Patient H.M.

Patient H. M. is about lobotomies, written by the grandson of a famous doctor who performed them decades ago. Luke Dittrich incorporates interviews into research. You can also use excerpts to model writing about delicate topics.

Excerpts from larger books provide authentic texts for young writers and if they are interested, you can loan them the book. Incorporating mentor texts into your high school writing curriculum provides young writers with inspiration and examples.

For those readers who are designing a homeschool writing curriculum, you can ask your local librarian for suggestions regarding books of varying genres.

In conclusion, a high school writing curriculum should provide a structured approach to writing that covers key components such as grammar, vocabulary, and essay writing. It should also offer options that cater to different learning styles and preferences.

While most writing curriculums have their merits, it is important to incorporate creative elements to engage and inspire today’s high schoolers with your own touch. By tailoring the curriculum to your student’s needs and interests, you can make the learning experience more enjoyable and effective.

Replace a student workbook with excerpts, webinars, and audio pieces to diversity the curriculum.

Remember, the goal is to equip them with the necessary skills to express themselves confidently and effectively in various writing formats. You can see details of my high school writing curriculum as a foundation for your classes.

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Creative Writing: Complete 9-Week Class & Curriculum for High School

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Description

Take the stress out of planning a high school Creative Writing class with this complete, 9-week elective course curriculum bundle! This Complete Creative Writing Class Bundle includes everything you need to teach creative writing skills, poetry analysis, and engage students in a variety of writing at the high school level!

In this engaging 9-week elective creative writing class, students will learn and apply literary terms, analyze mentor texts, and write their own original poems and stories. This full course bundle includes daily warm-ups, projects, individual poem writing activities, mini lessons, and more--everything you need to create a creative writing class that is low-stress and works for both you and your students.

The included bundle-only bonus calendar is flexible. Choose from two different bell ringer or warm-up activities. Move lessons and projects around to suit you or your academic calendar. Plus, most activities and lessons include a digital version, so you and your students can stay on track no matter what! (Writing mini lessons are printable only .)

These lessons and activities are the same curriculum and lessons that I've personally used with my high school creative writing students. My students are usually a mix of low-level 11th and 12th graders. Depending on your students' ability levels, these lessons could work for middle school through high school (look through resource previews to get an idea of rigor).

This Resource Includes:

• Journal Prompts
• Poem of the Week Activities
• Figurative Language Mini Unit
• Writing Workshops and Mini Lessons
• Poetry Writing Activities
• Fairy Tale Retelling Project
• Author Study Project
• 2-Sentence Horror Stories
• "Nicholas Was..." Holiday Analysis and Activity
• Literary Terms Test
• 9-week Suggested Course Calendar
• Day 1 Google Slides Presentation
• Directions for a Storytelling Game
• Create Your Own Poem of the Week Project (from the Poem of the Week bundle)

Please look at each of these resources individually prior to purchase . Each resource includes an extensive preview, and I want you to be sure that these products will work for you and your students prior to purchase!

***This bundle consists of a mix of editable and non-editable resources, as well as a mix of Zip folders and Google folders. In order to access your purchase, you will need to give Teachers Pay Teachers access to your Google Drive. Before purchasing, please review the preview to make sure these resources support your and your students' needs. The whole of each resource, with the exception of any answer keys, is included in each activity's preview--please look at each product to make sure you'll be happy with your purchase.

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Sat / act prep online guides and tips, 12 summer writing programs for high school students (2022 -2023).

Extracurriculars

Love reading, writing, and being creative? Then consider checking out summer writing programs for high school students! 

Whether you want to become a journalist or the next Poet Laureate, there are tons of summer writing programs that will help you achieve your goals. Participating in these programs can look great on college applications too! 

In this article, we’ll give you all the info you need to decide if creative writing summer programs for high school students are right for you, including: 

• A full description of 12 summer writing programs for high school students (including cost, eligibility, and what they cover!)
• A quick, five question quiz to help you decide if a summer writing program is right for you
• Three tips on how to impress colleges with your summer writing program

Let’s get started! 

Summer's the perfect time for sitting on the beach, eating ice cream...and participating in writing programs. 

What Are Summer Writing Programs for High School Students? 

Creative writing summer programs for high school students are a great way for students with an interest in writing to explore subjects they’re interested in, build skills for college, and meet other students who share their interests.  

As a bonus, summer writing programs can look great on college applications!

Summer writing programs for high schoolers are typically held between May and August each year . These programs are similar to a summer class or camp. Additionally, these programs last anywhere from a week to several weeks throughout the summer. 

Like summer camps, writing programs for high schoolers are pretty intensive. Students spend their time l istening to lectures from experts, participating in workshops, presenting their work, and getting real-life feedback. 

Best of all, summer writing programs are hands-on, so you’ll spend lots of time writing and creating original work ! The goal of any summer writing program is to help you develop and improve your writing skills through practice and feedback. 

While some programs teach general writing skills, many summer writing programs focus on a particular field or genre, like journalism, essay writing, or creative writing . For instance, if you’re thinking about becoming a journalism major, you might participate in a journalism writing summer program that’ll give you a glimpse of what it’s like to work in the industry.

There are many benefits of summer writing programs when it comes to college applications too. After all, writing great college essays is an important part of getting into your dream school! And because they’re extracurricular activities, summer writing programs are also a good option for students who are aiming for an arts-based spike approach on college applications. 

Dust off that typewriter...it's time to apply!

12 Summer Writing Programs for High School Students

We’ve put together a list of 12 summer creative writing summer programs for high school students to help you get a sense of the many great options out there. Our list includes journalism, research-based, and creative writing summer programs for high school students so you can find the best one for you! 

#1: The School of New York Times Summer Academy

• Eligibility: Must be entering 10th, 11th, 12th grade, or graduating high school
• Dates: Term 1: June 5-17; Term 2: June 19-July 1; Term 3: July 3-15; Term 4: July 17-29
• Location: New York City
• Cost: $6,420 for residential; $5,820 for day program
• Deadlines: Varies by term; deadlines range from early May to mid-June

The New York Times (NYT) offers a series of writing-based summer courses for high school students at their campus in New York City. Courses are designed to develop students’ curiosity and critical thinking through traditional coursework and in the museums, arts centers, think tanks, and start-up labs of New York City. Courses are offered on various topics , including creative writing and investigative journalism. 

The program “seeks talented student leaders with diverse interests, ambitions and writing styles.” To participate, students complete an online application that includes short answer questions and optional writing samples, high school transcripts, and one recommendation. 

#2: Boston University Summer Journalism Academy

• Eligibility: Must be aged 14-18 
• Dates: Vary by year; Session 1: June 20-July 1; Session 2: July 4-July 15; Session 3: July 18-July 29
• Location: Boston University, Boston, MA
• Cost: On-Campus w/tuition, room, board and activity fees: $3700; On-Campus Commuter w/tuition and activity fees: $2700; Learn-from-Home: $1300
• Deadlines: Applications due mid-May

The Summer Journalism Academy at Boston University is designed to introduce high school students to life as news reporters . Students practice their skills in the classroom then apply them to hands-on learning opportunities in a real newsroom. One of the biggest perks is that students get to learn from working journalists who cover a wide range of beats. 

Students can participate in person or remotely. In-person participants can stay on BU’s campus through the residential program, where they’ll get a chance to live alongside other academy attendees. To participate, applications must be submitted online and should include a 300-word letter explaining the student’s interest in journalism.

#3: Asian American Journalist Association (AAJA) Journalism Camp

• Eligibility: 9th-12th graders with a strong interest in journalism 
• Dates: Summer; exact program dates may vary
• Location: Varies by year; JCamp 2022 is hosted by the University of Southern California
• Cost: No cost (travel expenses are also covered by the program)
• Deadlines: Applications due March 31

The AAJA‘s six-day summer training camp, called JCamp, gives students the opportunity to learn from journalists and journalism executives while developing their writing skills. This summer writing program gives students hands-on experience producing multi-platform news packages that are published on the program’s news site, JCamp Live. 

Students who show a strong interest in broadcasting, newspaper, magazine, photojournalism, or online media are encouraged to apply online. Also, JCamp isn’t limited to Asian American students, so all high school freshmen, sophomores, juniors, and seniors are eligible. Even better: all program costs are covered , including travel, university lodging, and meals. 

#4: Yale Daily News Summer Journalism Program

• Eligibility: Open to all high school students
• Dates: August 16-20
• Location: Varies by year; 2022 program held via Zoom
• Cost: Free to students from New Haven Public Schools; all other participants pay $160 in tuition
• Deadlines: Unspecified

The Yale Daily News Summer Journalism Program is a one-week journalism course for high school students. Students participate in workshops on the basics of writing and reporting, hear lectures by journalists from major publications, and work as a team to produce an issue of the Yale Daily News.  

As a bonus, the program is run entirely by undergraduate staff members of the Yale Daily News , so students will get to see what it’s like to be a real journalism student at an Ivy League school. 

To apply, students must submit four short answer questions and a pitch for one professional-grade news article . Students are encouraged to apply as early as possible as program costs may increase as the program start date approaches. 

Howard University's writing program is perfect for people who want to write across media--and yes, that includes TikTok.

#5: Howard University Multimedia Academy 

• Eligibility: Must be in 9th-12th grade
• Dates: June 14-25
• Location: Virtual/online
• Cost: Not specified
• Deadlines: Applications due June 5

Howard’s virtual summer writing program teaches students to use multimedia journalism to report on health and wellness in underserved communities . At the end of the program, students’ work appears on the Howard University News Service and on Voices of Tomorrow, a nonprofit that provides social services to immigrants and refugees from East African communities.  

Additionally, the best work by seniors and recent graduates will be eligible for the Dow Jones News Fund’s scholarship competition . To apply to Howard’s Multimedia Academy, students must fill out an online application, including a 250-word essay. 

#6: The Multicultural Journalism Program (MJW)  

• Eligibility: Rising 9th graders through college freshmen
• Dates: June 3-12
• Location: University of Alabama, Tuscaloosa, AL
• Cost: Free, including housing, meals, and field trips; students are responsible for transportation to and from Tuscaloosa
• Deadlines: Applications due April 1

MJW’s summer writing program selects 10 to 15 students to attend an intensive workshop held in Tuscaloosa, Alabama. This workshop focuses on multimedia reporting, writing, editing, graphics, photography, and production. During the workshop, students produce an issue of the MJP Journal to showcase everything they’ve learned. 

Applicants must submit a high school transcript, a typed 500-word essay explaining their interest in journalism, and a recommendation letter. The program also encourages students to submit samples of published journalistic work , but unpublished writing samples are also acceptable. 

#7: Carnegie-Mellon University Writing and Culture Program

• Eligibility: Must be at least 16 years old by program start date; must be a current high school sophomore or junior at time of application; must have an academic average of B (3.0/4.0) and/or have received a B or higher in their last English class.
• Dates: July 5-August 12
• Location: Carnegie-Mellon University, Pittsburgh, PA
• Cost: $9,000 for residential program; $6,932 for commuter program
• Deadlines: Applications accepted on a rolling basis

The Carnegie-Mellon Writing and Culture Program teaches high school students to think critically and express themselves creatively. This six-week course features classes taught by Carnegie-Mellon faculty, readings and events with local authors, and hands-on visits to Pittsburgh’s museums. Throughout the program, students produce a written portfolio that explores film, art, and culture . 

To apply, students must complete an online application that includes a high school transcript, responses to essay prompts, and up to three optional writing samples. If an applicant’s cumulative high school GPA is below a B average (3.0/4.0), submitting writing samples is strongly encouraged.

#8: Iowa Young Writers’ Studio Residential Program

• Eligibility: Must be a current 10th, 11th, or 12th grader
• Dates: Session 1: June 12-25; Session 2: July 10-23
• Location: University of Iowa, Iowa City, IA
• Cost: $2,500 for residential
• Deadlines: Applications due February 6

The Iowa Writers’ Workshop offers a two-week, residential creative writing summer program for 144 high school students from across the country. Once accepted, students will select a course of study from the following options: poetry, fiction, creative writing, playwriting, or TV writing. Students also participate in writing workshops, receive constructive feedback, and star in open mics and talent shows.

The Iowa Young Writers’ studio acceptance rate falls between 15% and 20% . A competitive application to this program will include a polished writing sample, statement of purpose, letter of recommendation, and high school transcript. Students from outside the United States are also welcome to apply. 

It turns out that Virginia is for writers.

#9: UVA Young Writers Workshop

• Eligibility: Session 1: rising 9th-12th graders; Session 2: rising 10th graders through rising first-year college students
• Dates: Session 1: June 19-July 1; Session 2: July 3-July 22  
• Location: Sweet Briar College, Sweet Briar, VA
• Cost: $2450 for Session 1; $3500 for Session 2
• Deadlines: Applications due March 1

UVA Young Writers Workshop is a summer program designed to immerse students in a creative writing genre . Students focus on one of the following for the duration of the program: short form creative writing, poetry, songwriting, screen and playwriting, creative nonfiction, or fiction. 

UVA Young Writers Workshop is one of the best summer writing programs for high school students because it offers two program sessions that are geared toward different skill levels . Session 1 is designed for a wider range of skill levels and experience, whereas Session 2 is geared toward more advanced writers. You can apply to both sessions online by submitting several writing samples, a brief autobiography, and a letter of recommendation. 

#10: Smith College Creative Writing Workshop

• Eligibility: Must be in 9th-12th grades; must be female-identified or gender-nonconforming students
• Dates: July 9-23
• Cost: $4,285
• Deadlines: Applications due May 15

Smith’s Creative Writing Workshop teaches the importance of practice and perseverance by engaging students in a multi-draft writing process in a variety of mediums . Students are taught by real published writers and get the chance to present their work at open mic and improv nights. In the evenings, there are even opportunities to meet with agents and learn how to create an author website!

Students are selected for this writing program based on academic performance, a written essay, and a teacher recommendation. Also, because Smith is a women’s college, this summer writing program is only open to young women, female-identified, or gender-nonconforming students . Students from outside of the U.S. are also encouraged to apply. 

#11: Sarah Lawrence Writer’s Week

• Eligibility: Must be in 9th-12th grade and 14 years of age or older by the program start date
• Dates: On-campus session: July 11-15; online session: August 1-5
• Location: Sarah Lawrence College, Bronxville, NY; online
• Cost: $1,125 for on-campus; $725 for online
• Deadlines: Unspecified; contact [email protected]​ for more information 

Writer’s Week at Sarah Lawrence is a week-long experience with creative writing and performance arts for high school students. Students attend workshops taught by real writers, artists, and Sarah Lawrence faculty and will get the chance to meet in small groups with workshop leaders. At the end of the week, the program hosts a celebration of student work and faculty and student readings. 

Sarah Lawrence Writer’s Week offers both an on-campus and online session (but note that the on-campus session is a day camp, not residential). Applications and registration must be completed online. 

#12: Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

• Eligibility: Must be aged 14-19
• Dates: July 20-31
• Location: University of Pittsburgh-Greensburg, PA
• Cost: $1,200
• Deadlines: Unspecified; applications open in January 

Alpha is a twelve-day writing workshop for 20 high school students at the University of Pittsburgh’s Greensburg campus. During this program, students are expected to write an original science fiction, fantasy, or horror short story of 2000 words or more. During the writing process, students receive plenty of hands-on guidance. 

The Alpha program is held in-person on the University of Pittsburgh-Greensburg campus . To apply, students must fill out an online form and submit an original short story of at least 2000 words. 

Quiz: Is a Summer Writing Program Right for You?

If you’re still not sure if participating in a summer writing program is right for you, don’t worry–we’re here to help! 

We’ve put together a five-question, yes-or-no response quiz to help you decide if summer writing programs support your interests and goals. Just read the questions below and respond with “yes” or “no.”

• Is your English class the most exciting part of your school day?  
• Do you spend free time reading and writing for fun? 
• Are you looking for new challenges and experiences as a writer? 
• Are you willing to share your writing with others, including peers you’ve just met and writing professionals and experts? 
• Are you highly motivated to pursue your interests outside of school and even during your summer vacation? 

If you responded with “yes” to three or more of the questions above, you might consider applying to a summer writing program for high school students! 

At the end of the day, you want your summer activities to support your interests and boost your college applications . If you’re aiming for a future career as a writer or just want to hone your writing hobby, a summer writing program may be the perfect fit for you.

3 Tips To Impress Colleges With Your Summer Writing Program

Summer writing programs for high school students look great to college admissions teams . But what are the best ways to showcase your writing experience on your applications? 

We’ll show you how to impress colleges with your summer writing program–just check out the tips below !

Tip 1: Work It Into Your College Essays

You want your college essays to tell a vivid story about your interests . Your experiences in a summer writing program provide a great springboard for illustrating your interests and passions on your college applications! 

Colleges want to accept students who are creative, courageous, and motivated to pursue their dreams. Writing about how you stretched and grew during your summer writing program will show colleges that you’re up for a challenge…and that you won’t give up, no matter how many revisions your draft needs. 

Tip 2: Connect It to Your Major

If you’re already certain you want to major in a writing-related field in college, your summer writing program will be especially helpful. Many elite schools ask students to apply directly to their chosen major. So if you’re applying to an arts or humanities major, there’s a good chance you’ll have to submit a writing sample as part of your college application . 

The good news is that most summer writing programs give you the chance to produce original writing and receive critiques from professional writers. By taking the writing you produce during your summer writing program and continuing to revise it, you’ll have a top-notch writing sample to include with your application.

Tip 3: Ask a Program Instructor for a Recommendation

Creative writing summer programs for high school students give you the opportunity to connect with writing faculty at elite colleges and real-life writers, journalists, poets, and more. These professionals provide feedback on your writing during your summer program…which means they’ll have unique insights into your potential as a college student ! 

In fact, several summer writing programs offer students the chance to receive a college recommendation from program faculty . For instance, the New York Times Summer Academy says this about recommendations from program faculty:

As a pre-college program, [NYT] Summer Academy gives students the opportunity to get a glimpse of the college experience while also exploring possible topics of study. Typically, college admissions officers look favorably on students who continue to enhance their academic portfolio during the summer months. Students will also benefit from receiving a narrative evaluation from their instructor which can be included as part of their college applications.

If you build strong rapport with an instructor at your summer writing program, consider staying in touch and asking them to write you a letter of recommendation for your college applications. Having a recommendation from someone outside of your high school will show colleges that you’re already building real-world connections with people in your future career field . 

What’s Next? 

Writing programs can prepare you for writing your college admissions essays . Our expert guide breaks down the whole admissions essay writing process , step by step.

One popular college essay format is the “why this school?” prompt. We’ll show you how to write an amazing “why this college” essay that will wow admissions counselors.  

If you’re not sure what a great college essay looks like, that’s okay. We’ve compiled a list of over 140 college essays that can inspire you as you’re writing yours! 

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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This summer, immerse yourself in the craft of creative writing with fellow young authors in a pre-college environment. Learn from an industry expert as you transform your ideas and stories into compelling writing. Develop the techniques that are fundamental to all types of fiction writing—literary fiction, dystopian fantasies, fairy tales, and mysteries—and refine your skills in story structure, character development, description, and dialogue. Students will also experience lectures, interact with noted authors, and receive information on how to turn your passion into a career. Gain exposure to workshopping your writing with constructive feedback, ultimately walking away with a variety of short creative pieces ranging from poems, stories, and scenes, to collage texts and flash fiction.

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Essentials in Writing

Where learning to write well has never been so easy

Essentials in Writing Level 9

EIW™ Level 9 provides high school students who are now homeschooling the writing skills needed for high school and university writing, the SAT, college application, and beyond. Our writing curriculum for high school students contains step-by-step guidance throughout the program and is relatively self-contained between the workbook and online video lessons. Essentials in Literature is a high-school literature curriculum focused 100% on teaching students how to analyze fiction, non-fiction, poetry and figurative language.

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EIW Level 9 provides high school students who are now homeschooling with the writing skills needed for high school and university writing, the SAT, college applications, and beyond.

CORE FOCUSES

• SENTENCE STRUCTURE – Dependent and Independent Clause; Simple, Compound, Complex, and Compound-Complex Sentence; and Address Sentence Error (Fragment, Run On, and Comma Splice)
• FORMAL PARAGRAPH – Structure; Expository, Persuasive, Compare/Contrast and Descriptive
• THE WRITING PROCESS – In-Depth Study of Each Part of the Writing Process; Practice the Writing Process with Each Multi-Paragraph Composition
• ESSAYS (Formal and Informal) – Detailed Instruction and Step by Step Process for Personal, Expository, Persuasive and Compare/Contrast Essays
• RESEARCH PAPER (Project) – Detailed Instruction and Step by Step Process to Conduct and Write a Research Paper (EXPOSITORY)

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Frequently Asked Questions About Level 9 Writing Curriculum

How old are 9th level students.

The general age for students completing Level 9 is 14 or 15 years old. The age can vary depending on if a child has started school early, on time, or is repeating a grade. The age of the student does not delegate if a child can complete this writing course. Instead, we recommend that students have a basic understanding of spelling, grammar, sentence, composition, and the skills taught in Level 8 before beginning.

What is taught in Level 9?

Level 9 continues to work on and to advance sentence structure with dependent and independent clauses; simple, compound, complex, and compound-complex sentences; and common sentence errors like comma splices or sentence fragments. Students will develop their formal writing for business or research situations with compare/contrast, persuasive, descriptive, and expository stylings. The writing process will play a significant role as students practice with multi-paragraph composition and a full, step-by-step research project.

What is included in the Workbook and Scoring?

The Textbook helps the student follow along with the video lessons and complete the lesson activities.

The Textbook includes:

* Lesson content that accompanies the video lesson

* Lesson activities that accompany the video lesson

* Writing graphic organizers that accompany the video lesson

* How to use the program

* Sample lesson planning

* Sample answers for each lesson (written as samples in the textbook)

The Essentials in Writing Scoring Service is an optional add-on service that takes the scoring burden off your mind! Our Scoring Team includes a variety of qualified individuals including long-time educators, librarians, and professionals with Bachelor’s degrees in English, and they are ready to take the burden of grading compositions away from you.

Parents of students completing Levels 7, 8, 9, 10, 11, or 12 of Essentials in Writing are eligible to purchase this service. Offered from September 1 to June 15 of each school year, one composition for each EIW assignment may be submitted for scoring. If purchased after the September 1 start date, services still expire on June 15 of the following year.

The scoring system includes:

* Online access through Canvas by Instructure where the Scoring Services are conducted

* One final composition from each lesson of Essentials in Writing to submit for scoring

* Feedback in the form of a rubric with a score as well as a one-paragraph write-up from their scorer complementing strengths and sharing areas to improve, plus, detailed comments and suggestions within the composition

Can I grade my student papers myself?

Yes. Essentials in Writing provides both scoring checklist and rubrics for your convenience as well as effective and ineffective composition samples for each composition.

What if I have multiple students?

Additional 9th level writing workbooks can be purchased to provide a workbook for another child/student. The workbook does not have additional information and is just another core workbook for another student so that each student has their own workbook to use.

Does each course come with worksheets and tests?

The textbook provides students and parents/teachers with effective and ineffective composition samples. There are no worksheets or tests.

How much time will students need to complete this course?

The time needed to complete the 9th level writing curriculum is a typical academic year (34 weeks). If students follow the 34-week plan included, they will complete individual lessons and activities during the week; however, because the lessons are broken up into small, daily mini-lessons, students can double up on some lessons and activities and complete the entire course sooner. Each day, students will spend between 15 and 40 minutes on writing each day.

Does the Workbook include a daily/weekly course planner?

Essentials in Writing Level 9 includes a 34-week suggested, yet optional, course planner geared for high school level learning.

Is online help available for additional questions?

Essentials in Writing offers 100% free curriculum support through texting, Facebook Messenger, online chat, email, and phone calls.

The Difference Between Digital and Print Textbook/Workbook

The online version of the curriculum includes all of the required materials for completing a level of Essentials in Writing or Essentials in Literature, but in a digital format. With the online version, all of your materials are in one spot within the member’s dashboard for you to view and print!

The required online materials include:

• Student Workbook/Textbook
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• Teacher Handbook (EIW Levels 1-8 and EIL 7-9)

For EIW Levels 1-8, you can get a digital Assessment/Resource Booklet as well!

How does this compare to the print version? The print version of the curriculum includes all the online access to the digital materials AND the printed, physical, tangible version of the textbooks. The printed books are great for students who prefer to complete their assignments directly within an organized, bound book.

It simply comes down to personal preference. Now, families have the added convenience of being able to access their materials in different formats.

Additional Student Level Textbook/Workbook

Additional Workbook is compatible only with second edition Essentials in Writing video instruction. This is only a Student Workbook for an ADDITIONAL student using the same level of video instruction. Please note that the Workbook is not functional without the related video instruction.

About The Scoring Service

Let Essentials in Writing take the scoring burden off your mind! Our Scoring Team includes a variety of qualified individuals, including long-time educators, librarians, and professionals with Bachelor’s degrees in English, and they are ready to take the burden of grading compositions away from you.

Parents of students completing levels 6*, 7*, 8*, 9, 10, 11, or 12 of Essentials in Writing are eligible to purchase this service. (*Second Editions only.) Offered from September 1 to June 15 of each school year, one composition for each EIW assignment may be submitted for scoring. If purchased after September 1 start date, services still expire on June 15 the following year.

How Do The Scoring Services Work?

• Available from September 1 to June 15 (one school year).
• One final composition from each composition lesson of Essentials in Writing may be presented for scoring.
• Students receive a rubric with a score as well as a one-paragraph write-up from their scorer complimenting strengths and sharing areas to improve, plus, detailed comments and suggestions within the composition.
• Scoring Services will be conducted online through Gradient, Essentials in Writing’s online grading platform.

PLEASE NOTE: Scoring services are for Essentials in Writing only and are not eligible for unconditional money back guarantee.

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Essentials in Literature is a high-school literature curriculum focused 100% on teaching students how to analyze fiction, nonfiction, poetry, and figurative language.

Unit 1: Fiction (Short Stories)

• Fiction unit terms and explanation
• 6 short stories (application)
• 1 summative assessment

Unit 2: Nonfiction (Short Literary Works)

• Nonfiction unit terms and explanation
• 4 nonfiction works (application)

Unit 3: Novel

• 1 novel (literary analysis application)
• 1 major writing activity

Unit 4: Figurative Language/Poetry

• Figurative Language/Poetry Unit terms and explanation
• 7 sections of up to 11 literary works (application)

• Level 9 Textbook Sample
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Frequently Asked Questions About Level 9 Essentials in Literature

What is included in the course.

Essentials in Literature Level 9 breaks down into four units with each unit focusing on a different aspect of literature.

* Unit One uses short story fiction to explain fiction terms and includes six short stories (application) and one summative assessment.

* Unit Two uses short nonfiction works to define terms and includes four nonfiction works (application) and one summative assessment.

* Unit Three centers around one novel (literary analysis application) with one summative assessment and one major writing activity.

* Unit Four is the Figurative Language/Poetry Unit with a full explanation of terms, seven units of up to eleven literary works (application), and one summative assessment.

How are tests and assignments graded for Essentials in Literature?

The literature curriculum provides parents with scoring guides found in the answer key that include sample answers for each activity.

The Essentials in Literature material follows the same 34-week timeline as Essentials in Writing, but students can work faster than the intended timeline to finish the course sooner. Each day, students will spend 20-40 minutes on literature.

Does the Workbook include a daily/weekly curriculum planner?

Essentials in Literature Level 9 includes a 34-week suggested, yet optional, lesson planner geared for secondary level learning.

Will I need to purchase additional reading material for this curriculum?

Shorter works for Units One, Two, and Four can be found online. Instructions are given in the Parent/Teacher Handbook. The chosen novel for Unit Three is included with the purchase of Essentials in Literature Level 9.

How can I assess their proficiency?

By purchasing the scoring service add-on, parents/teachers will receive the necessary feedback from scorers to determine proficiency in writing.

What is included in the bundle?

The bundle for Level 9 includes both Essentials in Writing and Essentials in Literature. The textbook, workbook, and video content are included in the bundle price.

What’s the difference between the writing workbook and literature workbook?

Essentials in Writing textbook/workbook is the writing component whereas Essentials in Literature textbook/workbook is the literary analysis component in order to earn an English credit at the high school level.

Scoring Services are for Essentials in Writing only.

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Iowa Young Writers' Studio

Creative writing programming for high school students

2-week Summer Residential Program and 6-week Online Courses

2-Week Summer Residential Program

At the Summer Residential Program, you will choose a single core course—Poetry, Fiction, Creative Writing, Playwriting, or TV writing—as your focus for the two weeks of the program.

6-week Online Courses

We offer asynchronous 6-week online creative writing courses for high school students every winter and summer.   You can study creative writing with us your own schedule, from anywhere in the world!

Teachers and Counselors

Teachers and counselors at the Iowa Young Writers’ Studio are chosen, with rare exceptions, from among the students and graduates of the Iowa Writers’ Workshop at the University of Iowa.

Experience the Iowa Young Writers' Studio

Watch this short video for an inside look at the Iowa Young Writers’ Studio experience.

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21 Summer Writing Programs for High School Students in 2024

What’s covered:, 21 summer writing programs for high school students, how impressive are summer programs in college admissions, other ways to spend your summer.

Summer programs offer high school students an excellent opportunity to explore subjects that interest them, build valuable skills, get a taste of college life, and meet like-minded peers. They also look awesome on a college application! If you’re interested in writing, you’ll want to check out these 20 summer writing programs for high school students. 

1. Princeton Summer Journalism Program 

Dates: Classes begin mid July, residential portion is July 26 – August 5

Location: Online and in Princeton, NJ

Application deadline: February 15

The Princeton Summer Journalism Program (PSJP) selects 40 high-achieving students from low-income backgrounds to participate in its revered program. In the PSJP, students explore current events, listen to lectures, and participate in workshops led by professional journalists and Princeton professors. The program culminates with the publication of a student-produced newspaper, the Princeton Summer Journal . To qualify for the PSJP you must: 

• Be a junior in high school
• Live in the United States and intend to attend college in the U.S.
• Have a minimum GPA of 3.5 
• Have an interest in journalism
• The combined income of custodial parent(s)/guardian(s) plus child support payments, if any, must not exceed $60,000
• Qualify for free or reduced-price lunch 
• Qualify for an SAT or ACT fee waiver

Dates: August 3 – 9

Location: Austin, Texas

Application deadline: March 1

JCamp is a free six-day program put on by the Asian American Journalist Association that brings together a culturally diverse group of students from across the U.S. Under the eye of veteran journalists and leading media executives, students take part in workshops to sharpen their journalistic skills and gain hands-on experience producing multi-platform news packages for the program’s website. JCamp is not limited to Asian American students; any student with an interest in journalism—like writing for a newspaper or magazine—is encouraged to apply. 

3. Iowa Young Writers’ Studio 2 Week Residential Program

• Session 1: June 16 – 29
• Session 2: July 14 – 27

Location: In-person in Iowa City, IA, or virtual

Application deadline: February 4

Cost: In-person: $2,500; virtual: $575

The Iowa Young Writers’ Studio provides high schoolers the incredible opportunity to have a residential experience and study with graduates of one of the most renowned writing programs in the nation: the Iowa Writers’ Workshop. Participants in this program choose a focus—either poetry, fiction, creative writing, playwriting, or television writing—and share their work, practice their craft, and improve their writing while working alongside other high school writers from across the U.S. 

4. Sarah Lawerence Writers’ Week 

• Virtual: July 15 – 19
• In-person: August 5 – 9

Location: Virtual or Bronxville NY

Application deadline: TBD. Registration opens in February

Cost: Virtual: $1025; In-person: $1,550

During Sarah Lawerence Writers’ Week, participants (the program welcomes students entering the 9th, 10th, 11th, and 12th grades) explore the creative process led by esteemed Sarah Lawrence faculty and alumni. Sarah Lawerence Writing Week celebrates the risk and adventure of the creative process, fosters a non-competitive and non-judgmental environment, and keeps with the Sarah Lawrence tradition of individualized attention—groups are limited to 18 students with two faculty members per workshop. The program ends with a celebration that includes both faculty and student readings.  

5. California State Summer School for the Arts (CSSSA) Writing Program

Dates: July 6 – August 2

Location: Sacramento, CA

Application deadline: February 29

Cost: CA State Residents: $4,600; Out-of-state: $7,000

This summer program for high school students in California is a unique public-private partnership that was founded by the California State legislature in 1987. Approximately 70 students are selected to participate in this program led by professional writers and educators who guide them through work in fiction, poetry, non-fiction, and dramatic writing. The program prides itself on its creative environment and looks for young writers who love language, reading, and are ready to share their own stories. 

6. Juniper Young Writers Online Writing Lab 

• One-week program: July 29 – August 2
• Two-week program: July 29 – August 9

Location: Amherst, MA

Application deadline: March 7

Cost: $2,600 for one week; $4,950 for two weeks

Students in the Juniper Young Writers Online Writing Lab participate in writing sessions, share questions, and discuss their work and writing-related topics over the course of this program. Led by professional teachers, published authors, and graduate students at UMass Amherst, Writing Lab participants gain insight into the creative process, find inspiration for work, learn tips to improve their writing and develop relationships with other young writers. Students will be provided a written summary of their work, an evaluation toward writing goals, and future considerations for their writing.

7. Annenberg Youth Academy for Media and Civic Engagement (AYA) 

Dates: June 17 – July 19

Location: Los Angeles, CA

Application deadline: March 22

AYA is a free, immersive experience for talented high school students from the area surrounding USC. The program allows participants to explore USC Annenberg’s undergraduate programs, gain insight into careers in media and journalism, and meet the people advancing issues of race, gender, and ethnicity in communication and journalism. Over the course of this program, students build a variety of skills, including writing and critical thinking. 

8. Reynolds Young Writers Workshop 

Dates: June 22 – 29

Location: Granville, OH

Cost: $1,500

For more than a quarter of a century, Denison University has welcomed talented high school writers to its acclaimed Reynolds Young Writers Workshop. Led by Denison’s creative writing faculty and notable visiting writers, participants take part in small creative writing workshops and group sessions to explore a variety of writing techniques in an intimate and relaxed atmosphere.

9. Walter Cronkite School of Journalism and Mass Communication

Dates: June 23 – 28

Location: Phoenix, AZ

Application deadline: April 1

The Camp Cronkite program is a summer media enrichment camp allowing high schoolers to dive into the world of media. Led by Cronkite faculty, staff, and students, campers learn about digital journalism, broadcast journalism, or sports media. They will work on reporting, pitching, storytelling, and editing, and receive hands-on instruction in video editing, photography, reporting and writing, script development, and more. There are several scholarships available for students who demonstrate financial need. 

10. Alpha Science Fiction, Fantasy, and Horror Workshop for Young Writers

Dates: July 24 – August 4

Location: Pittsburgh, PA

Application deadline: March 10

Over Alpha’s 12 days, students with an interest in science fiction, fantasy, or horror learn how to generate ideas, turn those ideas into drafts, critique each other’s work, make revisions, and submit their work to paying markets. The program also provides students with an introduction to college life and allows them to explore a career as a professional writer. 

11. 92Y Unterberg Poetry Center Young Writers Workshop

Dates: July 8 – 25

Location: New York, NY

Application deadline: May 28

Cost: $2,600

The Unterberg Poetry Center has been home to established and up-and-coming poets since it was founded in 1939. Students at its Young Writers Workshop receive coaching from some of New York’s best writing teachers and explore a variety of forms, styles, and voices in a warm and supportive environment. Participants learn to look critically at their own work and will leave the workshop with a clearer understanding of their goals as a writer and what it takes to make a career in the literary world. 

12. Shared Worlds

Dates: July 14 – 27

Location: Spartanburg, SC

Application deadline: Rolling

This fun writing program is for high school students with an interest in speculative fiction—for example, science fiction, fantasy, and steampunk. Shared Worlds is a residential program for rising 8th-12th grade students to work under the guidance of renowned fantasy and science fiction writers. Over the course of the workshop, students imagine, build, and write their own stories and have their enthusiasm for writing encouraged. 

13. Bard College at Simon’s Rock Young Writers Workshop

Dates: July 7 – 27

Location: Great Barrington, MA

Cost: $3,500

This program is modeled on the well-known Language and Thinking Workshop all students entering Bard College are required to take. Unlike other creative writing workshops, leaders of this young writers workshop encourage informal, playful, and expressive writing and lean on peer response to develop polished pieces of writing. Students will live, eat, and work on campus, gaining firsthand experience living and learning in a college atmosphere while producing pieces ranging from short stories and poems to brief dramatic works and experiments in creative nonfiction.

14. Kenyon Review Summer Residential Young Writers Workshops

• Session 1: June 23 – July 6

Location: Gambier, OH

Cost: $2,575

Every summer, talented writers from across the U.S. come to the picturesque campus of Kenyon College to participate in its Young Writers Workshop. In this multi-genre program, students experience what it’s like to be part of the literary community while bolstering their talents, discovering new strengths, and challenging themselves in the company of similarly interested peers. 

15. Kenyon Review Summer Online Young Writers Workshop

Dates: June 16 – 21

Location: Online

Application deadline: April 15

For students who can’t make it to Ohio for two weeks, the online workshop is a great alternative. With writing workshops for three and a half hours every day, it’s possible to take advantage of the program without relocating. In the evening, students will attend virtual open mics, social gatherings, and talks and readings by authors. 

16. BYU Young Authors Academy

Dates: July 8 – 13

Location: Provo, UT

At BYU’s Young Authors Academy, students speak with local and nationally-recognized authors, review each others’ writing, work with faculty in the BYU English department, stay in campus housing, take small-group writing courses, and meet other, like-minded peers. Students can choose from two electives over the program, including Creating Believable Tales and Villains, Flash Fiction, and Breaking News. 

17. Fir Acres Writing Workshop

Dates: June 23 – July 6

Location: Portland, OR

Application deadline: March 8

Cost: $3,700

Fir Acres writing program takes sixty rising 10th-12th graders from around the country and forms a community of enthusiastic writers on the campus of Lewis and Clark College. Students participate in daily workshops studying and writing under the guidance of Lewis and Clark’s faculty. They also meet and hear from visiting writers and work on their own poetry, fiction, and other writings. 

18. LMU’s Beginning Screenwriting Program 

Application deadline: March 15

Cost: $5,800 plus a $65 application fee

LMU’s School of Film and Television offers this program to students looking to enhance their writing skills and learn the elements of screenwriting. Students will work on structure, character development, dialogue, formatting, and genre while analyzing both classic and contemporary popular movies. They will learn from faculty members who are also professional screenwriters and leave the program with a short script. 

19. Carnegie Mellon Pre-College Writing and Culture Program 

Dates: June 22 – July 20

Cost: $6,800- $8,995

Over the weeks of the program, students at CMU will examine film, writing, design, art, and culture through various lenses. Learning will take place both on CMU’s campus and around the city of Pittsburgh. Students will produce a body of work perfect for a portfolio during the program under the tutelage of highly distinguished faculty members of the Department of English. Classes are held Monday through Friday, and students emerge with individualized feedback and guidance to enhance their creative pursuits. 

20. Boston University Summer Journalism Academy

• On Campus: June 24 – July 12
• Virtual Session 1: June 17 – 28
• Virtual Session 2: July 1 – 12
• Virtual Session 3: July 15 – 26

Application deadline: April 19 for in person; May 10 for remote

Location: Virtual or Boston, MA

Cost: $1500 to $6200

Taught by working journalists, BU’s Summer Journalism Academy gives high school students actual reporting assignments to give them a jump-start into the world of journalism. With both virtual and in-person options, there is something for everyone. There are scholarships and financial aid available for students demonstrating financial need. Students must be a rising 9th, 10th, 11th, or 12th grader in high school to attend. For applicants who get their materials in by March 8th, there is a $400 discount for in-person, and a $200 discount for virtual learning. 

21. The School of The New York Times’ Summer Academy

• Term 1: June 9 – 21
• Term 2: June 23 – July 5
• Term 3: July 7 – 19
• Term 4: July 21 – August 2

Location: New York City

Cost: $5,935 to $7,220

From DIY Filmmaking to A Million Lives in the Law and Pop Music as Art & Business, The School of the New York Times offers a wide range of fascinating classes to students interested in journalism. In the heart of New York City, students can spend several weeks learning from experienced journalists working in the field. Scholarship applications are only available until the end of February, so interested students should apply ASAP. 

Summer programs—and other extracurricular activities—can help set you apart, particularly at highly selective schools. CollegeVine’s free admissions calculator can tell you how colleges value your extracurricular activities and uses factors like grades and test scores (along with extracurriculars) to estimate your odds of acceptance at hundreds of schools across the country. It even provides insight into how you can improve your profile!

Though summer break provides you with the most time to explore your passions, it is not the only time. Colleges want to see that you are curious about the world around you and are constantly seeking new learning opportunities. 

Instead of participating in a program, you could create your own. Writing a book or mobilizing a team to solve an issue in your local community are examples of independent efforts that look impressive to colleges. 

You can show further initiative by taking on internships and paying jobs. Both demonstrate initiative, a career direction, and key life skills like time management and responsibility. Since most internships are reserved for college students and graduates, it can be a challenge to find opportunities for high school students. To help with the search, here is a list of summer internships for high school students. Looking for more summer programs? Take a look at this list of virtual opportunities for high school students.

Related CollegeVine Blog Posts

Creative Writing Workshop

With few writing programs that cater exclusively to students in high school, Smith’s Creative Writing Workshop allows you to explore your writing in a creative and supportive environment. This program will foster your love of writing in a variety of mediums. All of our classes apply the design model to writing: Rather than trying to craft perfect texts, we teach an open, multidraft process that embraces the unpredictable that occurs when we stop trying to control our writing. So while you will learn how to edit your own and others’ work, our primary goal is for you to learn a powerful, flexible approach that eliminates writer’s block and gives you access to your full creativity.

Program at a Glance

July 6–19, 2024

Tuition: $4,745 Deposit: $950 Application Fee: $50

Fiction, poetry, science fiction, screenwriting, and more!

Applications for all precollege programs are now open! Assessed on a rolling basis, applicants can submit their materials until May 2024.

Find Your Voice

High school students from around the world gather together to hone their writing skills in a highly creative, but nonjudgmental, environment. There is something empowering about hearing your own lines being read in a supportive way that gives you a chance to let your full voice out. The equation is simple: you, your talent and what you want to write about. The sum total: Magic!

Program Details

Instructors are published writers who have been trained in this methodology and who provide a supportive, strengths-based classroom environment. In addition to individual feedback from your instructors, you will also become part of an international writing community, as the program accepts students from all over the world.

In the evenings, students can take part in activities such as open mic night and improv, or attend workshops on publishing, finding an agent and creating an author website.

At the end of the program, you will have the start of an online writing portfolio, an anthology with writing samples from all of the students and professional contacts in the literary world.

Smith Precollege Programs are open to students entering 9th-12th grade in the fall of 2024. Smith is a residential women’s college. Our Precollege Programs offer a Smith experience for high school students. Review our  Codes of Conduct for students and parents/guardians to ensure that this program is the right fit for you. College credit is not offered.

Deposit due within two weeks of acceptance.

To learn more, see the Apply to Summer Programs webpage .

2024 Schedule

Classes are Monday–Friday. Students will participate in one morning class and one afternoon class.

2024 Courses

Morning sessions.

Students will participate in one of the following morning sessions.

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Writing Fantasy

Morgan Sheehan Bubla

Course Description

Do you write (or aspire to write) fiction unencumbered by what’s “realistic”? Are you inspired by fairytales, mythology, fantasy, science fiction, ghost stories or dreams? Do your characters sometimes have magical abilities? This workshop is for writers interested in exploring modes of storytelling other than realism while simultaneously learning how to strengthen all of the traditional elements of fiction. The first week, we’ll generate new work in response to a number of imaginative prompts and writing exercises. We’ll also look at short, masterful excerpts from authors who challenge realism, with special attention to the types of fabulist distortions used and the real-world truths they get at. We’ll turn an eye to questions of craft: What makes a compelling plot? How do we create characters so alive we can feel them breathing? How do we build tension from the first lines? The second week, you’ll receive feedback from the group on one story, and we’ll focus on revision and next steps in your writing journey. You’ll leave with lots of new work as well as tools and techniques that will help you continue to write and explore reality-bending stories on your own.

Writing on the Edge of Reality

Erin butler.

Sometimes, we can understand reality better by writing just beyond what is real. In this two-week workshop, we’ll study what it means to write fiction that is rooted in, but not constrained by, reality. During our first week, you will read excerpts by some of the best writers who innovate by writing in the realm of the creepy, the otherworldly, the uncanny, and the psychologically complex. Then, you will generate lots of new work by responding to writing prompts that help you explode and extend what is realistic. During our second week, you will receive feedback on the story you’ve built and provide feedback on your peers’ work. Throughout the course, you’ll be asked to challenge your assumptions, extend your thinking, and consider what you might find beyond the borders of what you know and experience.

Realistic Unreality: A Science Fiction Workshop

James l. cambias.

We live in a science fiction world, where billionaires build rocket ships and a new virus threatens civilization. The dreams and nightmares of science fiction writers are mundane reality, and nobody dismisses the genre as “Buck Rogers stuff” any longer. Realistic Unreality is a workshop for aspiring writers of science fiction and fantasy. We will focus on how to make stories which are good as fantastic fiction and good as literature. During the first week, students create stories, helped and inspired by writing prompts and readings from some of the field’s masters. Brief lectures address the fundamentals of character, plot, world building and voice. In the second week, the class will jointly critique stories and get practical advice on submitting stories, publishing and the business of writing.

Jordana Frankel

Get inspired by the timeless allure of mythology, the fantastical nature of fairy tales, and the tragic undoings of our favorite epic heroes. In this two-week workshop, we'll explore how contemporary screenplays, poems, and novels remix our favorite stories throughout history to bring modern audiences new insight. We will read from Madeline Miller's bestselling novels, examine how the Charmed reboot reinterprets Medusa, and explore myth-inspired poetry by Sylvia Plath, Nikita Gill, and Louise Gluck, among others. Then, we will attempt to understand the universal and thematic enchantment audiences seem to have with certain stories and characters. During the first week, you will take inspiration from a number of different epics until you find either a story you'd like to retell or a tale that personally resonates. You may mine from the daily drama that unfolds in the current world, dig up the messy, beautiful stuff of your life, or reimagine a journey taken by a mythic character. You will then reflect on these characters and stories through a modern lens through various prompts and exercises. This is your week for inspiration, trial, and error. In the second week, you will deepen your understanding of your chosen narrative and, through constructive group feedback, mold it into an inspiring poem, story, or essay that deftly utilizes those universal themes discussed in the first week. Expect deep connection to the mythic foundations of yesteryear and, most importantly, an ultimate recognition that your life, from the mundane to the heart-wrenching to extraordinary, is also the stuff of myth.

Fiction: Building Skills to Excel in Any Genre

Jennifer jacobson.

Are you writing about talking cats in one story and a skate park showdown in another? Do your characters live in dandelion forests, or are you infatuated by a teahouse from the past? If you said yes to these questions, then this workshop is for you! We’ll start each day with a prompt to tap the muse and build our writing portfolios. In week one, we’ll discuss ways to handle point of view, what makes a dynamic plot, creating memorable characters, and more. By strengthening these skills you can write in any genre. In week two, we’ll read each other’s work, offer constructive feedback, and consider ways to revise our work based on what we learned about craft. We’ll also spend time talking about careers in writing, ways to get published, and creating a “writing life.” You’ll leave our community with a better understanding of craft and genre, lots of revision strategies to strengthen any writing you do, and ways to move forward with your writing goals. This workshop is for writers at every level who want to strengthen skills, generate new work, apply revision strategies, and create a supportive writing community.

From Pirates to Potter: Creating Historical and Fan Fiction

Bailly morse.

For centuries, authors strove to answer the question: what was life like in the past? From The Iliad to Ivanhoe , to Shanghai Girls to The Underground Railroad , writers breathe life into decades past and find new and groundbreaking ways to bring history to life for their readers. So what does historical fiction have to do with fan fiction? These genres have more similarities than you might think. Both create new stories from previously established people, events, and worlds. Both expand beyond what we have known to create new and exciting narratives. And both shed light on what might have been, if only we allow ourselves to wonder “what if?”

In this intensive course, we will explore key craft elements that apply to both historical fiction and fan fiction. We’ll discuss characterization, dialogue, setting, and the three-act structure, so that you can hone your ability to create a compelling story. Additionally, you will learn about research methods and resources that will guide you as you write. See why historical fiction still fascinates us and why fan fiction might just be the future of diverse and accessible stories.

In our first week, students will explore world-building in these respective genres by reviewing examples and utilizing unique writing prompts to generate their own new material. In our second week, students will have the opportunity to have their stories peer-reviewed and to receive constructive feedback that they can use to improve their work. Students will leave the class with a better understanding of craft elements and how to apply it to future writing, and with a first draft to inspire them to keep going!

Strange Realms

Alex terrell.

Weird worlds, peculiar places and eerie environments! That’s where we’ll find ourselves in this two-week workshop. We will explore what it means for something to be weird, mythical and magical. We will create and destroy worlds. We will become cruel gods and puppeteers pitting our characters against mythical creatures, disastrous events and maybe even apocalypses. This workshop is for writers who enjoy fiction with fantasy elements, so bring your heroines, your monsters, your ghouls, your ghostbusters, your stranger things and creatures that may live in the Upside-Down. The first week, we will engage in imaginative writing prompts, world-building exercises and generate new material as we work to create a shared knowledge of common craft elements such as writing compelling characters, choosing the right setting and story structure. The second week, we will workshop each other’s stories, provide constructive feedback and apply the tools we learned in week one to help strengthen each other’s work. You’ll leave the workshop feeling energized to tell the stories you’ve always wanted to tell!

Risk Without Consequence

Denise orenstein.

The goal of this fiction writing workshop is to complete a short story chapter or longer piece of fiction by the end of two weeks, one that can be polished and revised in the future. During our time together, we will experiment with voice, form and content while sharing our work in a comfortable and safe setting. We will learn from one another, take risks with our craft, and approach our efforts in new, exciting ways.

This workshop is based on the premise that the best writing often comes from content we prefer to avoid. The very subject about which we don’t want to write can be rich with meaning, originality and impact. Although our work will be ‘fiction’, our personal experiences will be mined as the source for character and story development.

Workshop activities will also include in-class prompts, responding without stopping to think or edit; this work will be saved as inspiration for future, fully developed stories. Other in-class exercises will offer the opportunity to hone our descriptive skills regarding originality and specificity: important fiction writing goals. Students will also participate in peer-editing, at which time work will be shared and discussed in small groups.

Sharing writing can be daunting but is pivotal to appreciating the lens of others. This workshop will be an opportunity to learn from one another in a community where creative risks can be taken without anxiety or consequence.

Jonathan Ruseski

What does poetry look like in the year 2023? Why do we write it? Who are we writing for? What is it ‘about’? This workshop will approach these questions by exploring Emily Dickinson’s idea of the ‘Flood Subject,’ that one idea you always return to, as a means for developing a coherent body of poetic work. We will discover and explore our own Flood Subjects as a way to engage with important questions about identity, citizenship, history, origin, family, gender, sexuality, the body, love, loss, grief, joy and all the other conditions that affect our relationship to the larger world around us. We will experiment with imagery, narrative and editing techniques; and collaboratively support each to arrive at our own understanding of craft, voice and form. We will work together to take a deeper look at the complexity of poetry, not as a puzzle to be solved, but as an exciting venue to expand our capacity for language and ideas.

Afternoon Sessions

Students will participate in one of the following afternoon sessions.

Writing Poems

Is a song lyric a poem? Is a grocery list? Could you make a poem in the form of a grocery list?  What makes a “good” poem vs. a “bad” poem? Does poetry have rules? What happens if a writer breaks those rules? We will ask these questions and more while exploring both traditional and non-traditional poetic forms and examining how poetic elements combine to create successful poetry. We will experiment through our own writing generated and shared in class. We will also analyze published poetry to understand how meaning is shaped.

Fundamentals of Screenwriting

Afreen seher gandhi.

This course provides a basic and introductory exploration of screenwriting as a vehicle for drama development, cinematic presentation and storytelling. Students will apply their skills in the development of improvised scene work. The course will culminate with a finished working draft of either a short film or a lengthier complete scene sequence, which will then be presented through a dramatic narration and/or staged presentation. The final working draft of the script will have a complete beginning, middle and end. This course examines scenes and short films from across the world giving insight into the various different tools which can be used to create subtext in narrative. You will learn about basic screenwriting terminology, the qualities a screenwriter must have, how to format your screenplay through a screenwriting software, the difference between plot and story, creating characters and building an intriguing narrative for your initial story idea employing dialogue, action and characters.

Playwriting

Phil o’donoghue.

In playwriting, students will have the opportunity to write and develop their own, original scripts. Starting with writing prompts, students will learn how playwrights nurture their own ideas into fully realized theatrical experiences. Students will have the opportunity to see and read scenes from famous plays, and then take their own ideas and out them into action. We will constantly stress that theatre is to be seen, and thus, students will integrate all facets of theatre—acting, lighting, set design, and costume design- into their scripts. All scripts will be read, discussed, reworked and performed. The goal is to have our students not only develop an appreciation of dialogue, but also to leave the workshop with a script they further develop and perform.

Screenwriting

Wade wofford.

Consider a strange form of writing...where the words on the page are but the first step to an end product that is not based in words at all! The screenwriter uses words to illicit images, thus guiding readers to "make a mind movie" (and hopefully an *actual* movie in the future).  In this course, we will study the three-act structure of film as a medium, then use our understanding of that structure to craft screenplays of our own.  We will explore the use of tone, character voice, dialogue and action as vehicles to drive our scripts. By the end of the class, each student will have created a concept, written an outline for a full feature, and penned three sequences from that film (one from each act). 

So You Want to Be a Journalist?

We’re all reporters now, even if we just post on social media. But if we really want to uphold journalistic tradition, we aim to share information in a way that engages readers and helps them make informed decisions in our democracy. We may give a voice to the voiceless, hold authorities accountable, and deepen our readers' understanding of the communities they live or participate in. Or maybe we just want to lighten up people's lives and inspire them with thoughtful or entertaining writing. Together, we'll learn to use the journalism formula proven to engage readers and the standard Associated Press Style for punctuation, abbreviations, numbers, dates and other information. We'll learn how to interview, asking thoughtful, probing questions, identifying key details and finding "quoteworthy" quotations that must always be 100 percent accurate. First, we’ll interview and write about each other and guest speakers. Then, we’ll venture into our geographical "beat" of Northampton to visit City Hall, the courts and cover an event. We'll also learn how to "pitch" one of our stories or an opinion piece to an editor at one or more publications.

Writing Into the Heart

What if your writing could lead you deeper into knowing of who  you are, what  you  really feel and value—and even into healing stresses in your life, so that you could show up as yourself more fully and freely? We  can write our way through the relentless chatter of the mind to the knowing of our heart. While all this may sound super serious—in actuality there is little as truly joyous and fulfilling as the self-awareness and discovery that can come from this kind of writing.  

In the safe and lively space of this workshop, you will be offered a variety of writing sparks daily to ignite your imagination and writing.  You will also be free to ignore the sparks and instead to write  into whatever is calling to you, be that a question or issue you wish to explore, or a memory, conversation, or event you choose to unpack in the glorious space that writing can offer.   All forms of writing will be welcome, including letters, poems, fiction, journaling, and what former students of mine dubbed “rants”, i.e. going off any topic at all.  We will have the option to share what we have written and respond to each other—also from the heart, which just means genuinely.  A bonus of writing authentically like this: it can strengthen the quality of the other writing you do.

Climate Futurism

Ethan myers.

Enough sad polar bears! Enough oil-slicked sea birds. Enough blistering post-apocalyptic scenes of wildfires incinerating forests and homes.  

There’s a place for showcasing the horrors of a changing climate. That place isn’t this class. Instead, we will draw inspiration from forward-looking, love-preaching, justice-oriented thinkers, activists, and changemakers like Ayana Elizabeth Johnson, adrienne maree brown, and Leah Penniman to imagine  what if?  What if in this moment of violence, we imagine peace? What if, amidst racial strife, we imagine equality? What if we imagine healthy, vibrant communities? What if we imagine coming together to deal with the raging effects of climate change? 

In addition to our readings, we will spend time outside, we’ll compose poems, lyrical essays, and autobiographical stories that center our experiences in nature, and that imagine vibrant futures.

Instructors

Summer Precollege Programs Creative Writing Instructor

Assistant Director of the Jacobson Center; Writing Enriched Curriculum Specialist

Writing Instructor & Technology Specialist; Lecturer in English Language & Literature

Peter Sapira

Academic Director, Creative Writing Workshop; Writing & Public Speaking Instructor; Lecturer in English Language & Literature

Morgan Sheehan-Bubla

Request Information

If you are interested in finding out more about Smith’s Precollege Programs, please contact our office or fill out the form below. You may also request a copy of our brochure.

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Arts and Sciences Summer Exploration Program

The Arts and Sciences Summer Exploration program offers middle and high school students one-week intensive enrichment courses intended to introduce them to new areas of study or allow them to engage in content they may already have an interest in. In-person classes meet from 9:00 a.m. to 4:00 p.m. Monday through Friday, and are taught by Ohio State faculty, staff, and graduate students. Teaching is active, hands-on and encourages participants to engage with the instructional team and their fellow participants. These courses are not for grade or credit and are designed for self-motivated learners.  

Eligibility is based on a participant’s current grade level for the 2023-2024 school year. Students currently enrolled in 7 th and 8 th grades are eligible for middle school courses. Students currently enrolled in 9 th – 11 th grade are eligible for high school courses. 

If you have questions about this program, please contact [email protected] or call Courtney Price at 614-292-8208. 

The application deadline for Summer 2024 courses has passed. We invite you to sign up for updates  to receive information about our programs and be alerted when the when future application windows open.  

2024 Course Offerings

Explorations in creative writing.

Dates : June 3–7

Eligibility : Middle School (current grade 7-8)

Description : In this course, we will take a deep dive into poetry, fiction, and nonfiction writing! In each genre, we’ll be thinking about what it means to develop our own individual writing voice that’s unique to who we are. During the week, we will experiment with daily writing exercises based off prompts crafted to spark creativity and seek inspiration from reading classic and contemporary literary work, as well as different forms of art, such as music and collage. 

Through this course, participants will hone their writing voice in multiple genres. By the end of the course, each participant will have an impressive portfolio of writing developed in our supportive writing community. 

Prerequisites:  Previous experience with the subject matter is not required for this course.

Astronomy as a Gateway to the Data Sciences

Eligibility : High School (current grade 9-11)

Description : Astronomy has entered the “big data” era, in which huge collections of measurements are analyzed to attack the most challenging problems. In this course, we will explore how even the simplest data – the positions and brightness of stars – can address an active research problem. We will build the components of a data analysis pipeline using the most basic parts of the Python programming language, and use real data to search for young stars that have diffused away from the clusters they were born in. 

This course will explore many aspects of competency in the data sciences. This is a true research project! We do not know the answers in advance but will discover them as part of our course. This course will include small group exploration, interviews, peer teaching, and pair programming. Through this course students will learn basic statistical analysis, and gain experience in several fundamentals in the Python programming language. 

Prerequisites: 

• Participants should have completed high school algebra or geometry prior to taking this course. 
• Previous experience with astronomy and programming is not required for this course. 

Specific Course Requirements:

• Contact  [email protected] if lack of access to a personal computer would limit participation.

Sensational Science: Exploring Human Perception

Description : Discover the wonders and mysteries of how we perceive the world around us. Participants will explore not only the traditional five senses — sight, hearing, taste, smell, and touch — but also examine proprioception, nociception, balance, and the complex neural networks that integrate sensory information. 

Through a dynamic blend of lectures, hands-on experiments, interactive activities, and group discussions, participants will learn the science behind how we perceive our environment and ourselves. This course will enhance critical thinking and scientific inquiry skills through investigations of how our brains interpret sensory information. Going beyond the basics, this course will uncover the fascinating spectrum of sensory and perception disorders. From the challenges of navigating the world with color blindness or anosmia to the extraordinary experiences of synesthesia, students will gain a comprehensive understanding of how diverse the human experience of the world can be. 

Prerequisites:  Previous experience with the subject matter is not required for this course. 

Printmaking

Dates : June 10-14 Eligibility : Middle School (current grade 7-8)

Description : This studio-based, hands-on course will be held in the Ohio State Print Shop in Hopkins Hall. Participants will be introduced to a variety of printmaking techniques including screenprinting, relief printing, monoprinting, risography, and bookmaking. Participants will have the option to focus their work through the lens of comics, storytelling, and character design, if they so choose. At the end of the week participants will visit the Billy Ireland Cartoon Library on Ohio State campus, where they will view exhibitions and archives of comics and sequential art. 

Through this course, participants will learn how to operate specialized printing presses, tools, and equipment. Participants will create an original portfolio of printed works on paper and fabric. Participants will have the opportunity to share their prints and acquire works by their fellow participants through a course print exchange.

During this course students will use sharp tools and operate printmaking equipment. Students will be supervised and provided with personal safety training for every technique, but there is an inherent risk of injury.

Prerequisites: Previous studio art experience is not required to successfully participate in this course.

Course Specific Requirements:

• Close-toe shoes are recommended.
• Clothing may get art materials on them. Participants should dress accordingly.

Intercultural Competence for Future Global Leaders 

Dates : June 24-28

Description : Intercultural competence is conceptualized as a lifelong process that includes the development of the attitudes (respect and valuing of other cultures, openness, curiosity), knowledge (of self, culture, sociolinguistic issues) skills (listen, observe, interpret, analyze, evaluate, and relate), and qualities (adaptability, flexibility, empathy and cultural decentering) in order to behave and communicate effectively and appropriately to achieve one’s goals. 

In this course, participants will learn what it takes to become globally-minded and acquire the skills to navigate in multiple, diverse, global and local networks. Participants will understand the core concepts related to culture and intercultural competence, learn the basics of American Sign Language (ASL), develop cultural self-awareness, and understand the relationship between intercultural competence, citizenship and leadership. 

Course Specific Requirements: 

Application and deadline

The 2024 Arts and Sciences Summer Exploration Program application will remain open through May 15 . Space in each course is limited, so individual courses may fill before the May 15 deadline. 

If a participant requires an accommodation such as interpretation to participate in this program, please contact the program at [email protected] or 614-292-8208. Requests should be made as soon as possible. Requests made two weeks before the first day of a course will generally allow us to provide seamless access, but the university will make every effort to meet requests made after this date. 

We invite you to sign up for updates  to receive information about our programs and be alerted when the when future application windows open.    

Costs and aid

The program fee for the Arts and Sciences Summer Exploration 2024 program is  $550 per one-week course , which includes all course materials and activities, lunch, and snacks.

Limited need-based financial assistance may be available in the form of partial support. Financial assistance can be requested on the program application.  

Payment deadlines

Applicants have one week to accept their offer of admission to the program and pay the program fee. All payments must be made through the applicant portal. Once an offer is accepted and payment made, the parent or legal guardian must submit emergency contact and medical information, as well as signed Policy Acknowledgement and Consent forms no later than May 27, 2024.   

Refund Policy

The Arts and Sciences Summer Exploration Program recognizes that sometimes plans change. Participants may request a refund of the program fee by emailing [email protected] according to the following schedule:

• On or before May 1, 2024: 100% of program fee paid
• May 2 – May 15, 2024: 50% of program fee paid
• On or after May 16, 2024: No refund of program fee paid

Program Details

While plans for each course may differ slightly, the daily schedule follows this general model:

• Drop off 8:15 - 8:45 a.m.
• Morning session 9:00 - 11:30 a.m.
• Travel to lunch 11:30 - 11:45 a.m.
• Lunch at Traditions 11:45 - 12:45 p.m. 
• Travel time 12:30 - 12:45 p.m. 
• On campus activity 12:45 – 1:45 p.m.
• Afternoon session 2:00-3:45 p.m.
• Travel to pick-up location 3:45 - 4 p.m.
• Pick up 4:00 - 4:30 p.m.

Participants will always be escorted between pick-up/drop-off, their assigned classroom, the dining hall, and the on-campus activity by program staff. Additional information about the program will be emailed to participants and families, as needed, closer to the start of the program. 

Lunch will be provided daily at the Traditions at Scott dining hall and will be supervised by program staff. Traditions provides a wide variety of food options that meet the most common dietary needs and restrictions, including halal, gluten-free and vegetarian. However, kosher dining is not supported during summer term. 

The pick-up and drop-off location for students is the corner of Annie and John Glenn Avenue and Millikin Road, outside of the PAES building (see maps below). Please drop your child off from the eastbound lane of Annie and John Glenn Avenue. The drop-off/pick-up location will be marked with a sign and program staff will be present to check your child in and out of the program. 

If you are using a navigation system for directions, enter the following address: 305 Annie and John Glenn Avenue, Columbus, Ohio, 43210.

Please do not park in the drop-off/pick-up lane. If you need to park, or your child is driving themselves to and from the program, the closest surface lot parking is at the Ohio Stadium. The closest garage parking is Tuttle Garage. You can learn more about parking at Ohio State, including hourly rates, on the CampusParc website . 

The image above shows the ideal route to the drop off and pick up location. The image below shows the drop off and pick up lane from the street view. 

For those riding COTA, the closest bus stop to the drop-off/pick-up location is N. High Street & E. 15th Avenue. See the COTA website for more information. 

The first day of the program will kick-off with a brief orientation session. At 8:45 a.m. program staff will walk the students to the orientation location. At the orientation, students will receive a program t-shirt and lanyard, the program staff will be introduced, and the daily schedule will be reviewed. After orientation, students will be escorted to their classrooms and the morning session will begin.  

What to Wear

Participants should wear comfortable clothing appropriate for the classroom, as well as for a range of temperatures. For most courses, participants will spend most of the day inside air-conditioned classrooms. However, we will be walking between the drop-off/pick-up location, classrooms, campus locations and the dining hall. Dressing in layers and wearing comfortable walking shoes is recommended. Any course specific requirements are listed in the course description. 

Friday What to Wear

Each Friday on the last day of classes, we will take pictures of each class cohort. We encourage participants to wear their Arts & Sciences Summer Exploration t-shirt on Friday for this event!

Daily Packing List

• Cell phone and charger (optional)
• Any special academic materials needed for courses beyond this basic list will be provided by the program.
• Snacks and water: Participants should bring a refillable water bottle every day. While the program will provide an afternoon snack, participants are allowed to bring their own snacks. However, we request that, for the safety of participants with nut allergies, no snacks containing nuts be brought to the program.
• Personal medications in their original labeled containers (if taken during the day)
• Sunscreen and umbrella or rain jacket (optional)

The documents linked below are samples of the required program forms. Once an applicant accepts their offer of admission, the parent or legal guardian will receive an email from DocuSign with links to these forms. Forms must be reviewed and signed by May 27, 2024 .  

• Arts and Sciences Summer Exploration 2024 Policy Forms
• Arts and Sciences Summer Exploration 2024 Consent Forms

635th Anti-Aircraft Missile Regiment

635-й зенитно-ракетный полк

Military Unit: 86646

Activated 1953 in Stepanshchino, Moscow Oblast - initially as the 1945th Anti-Aircraft Artillery Regiment for Special Use and from 1955 as the 635th Anti-Aircraft Missile Regiment for Special Use.

1953 to 1984 equipped with 60 S-25 (SA-1) launchers:

• Launch area: 55 15 43N, 38 32 13E (US designation: Moscow SAM site E14-1)
• Support area: 55 16 50N, 38 32 28E
• Guidance area: 55 16 31N, 38 30 38E

1984 converted to the S-300PT (SA-10) with three independent battalions:

• 1st independent Anti-Aircraft Missile Battalion (Bessonovo, Moscow Oblast) - 55 09 34N, 38 22 26E
• 2nd independent Anti-Aircraft Missile Battalion and HQ (Stepanshchino, Moscow Oblast) - 55 15 31N, 38 32 23E
• 3rd independent Anti-Aircraft Missile Battalion (Shcherbovo, Moscow Oblast) - 55 22 32N, 38 43 33E

Disbanded 1.5.98.

Subordination:

• 1st Special Air Defence Corps , 1953 - 1.6.88
• 86th Air Defence Division , 1.6.88 - 1.10.94
• 86th Air Defence Brigade , 1.10.94 - 1.10.95
• 86th Air Defence Division , 1.10.95 - 1.5.98

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• Kontinental Hockey League

Gagarin Cup Preview: Atlant vs. Salavat Yulaev

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Gagarin cup (khl) finals:  atlant moscow oblast vs. salavat yulaev ufa.

Much like the Elitserien Finals, we have a bit of an offense vs. defense match-up in this league Final.  While Ufa let their star top line of Alexander Radulov, Patrick Thoresen and Igor Grigorenko loose on the KHL's Western Conference, Mytischi played a more conservative style, relying on veterans such as former NHLers Jan Bulis, Oleg Petrov, and Jaroslav Obsut.  Just reaching the Finals is a testament to Atlant's disciplined style of play, as they had to knock off much more high profile teams from Yaroslavl and St. Petersburg to do so.  But while they did finish 8th in the league in points, they haven't seen the likes of Ufa, who finished 2nd. 

This series will be a challenge for the underdog, because unlike some of the other KHL teams, Ufa's top players are generally younger and in their prime.  Only Proshkin amongst regular blueliners is over 30, with the work being shared by Kirill Koltsov (28), Andrei Kuteikin (26), Miroslav Blatak (28), Maxim Kondratiev (28) and Dmitri Kalinin (30).  Oleg Tverdovsky hasn't played a lot in the playoffs to date.  Up front, while led by a fairly young top line (24-27), Ufa does have a lot of veterans in support roles:  Vyacheslav Kozlov , Viktor Kozlov , Vladimir Antipov, Sergei Zinovyev and Petr Schastlivy are all over 30.  In fact, the names of all their forwards are familiar to international and NHL fans:  Robert Nilsson , Alexander Svitov, Oleg Saprykin and Jakub Klepis round out the group, all former NHL players.

For Atlant, their veteran roster, with only one of their top six D under the age of 30 (and no top forwards under 30, either), this might be their one shot at a championship.  The team has never won either a Russian Superleague title or the Gagarin Cup, and for players like former NHLer Oleg Petrov, this is probably the last shot at the KHL's top prize.  The team got three extra days rest by winning their Conference Final in six games, and they probably needed to use it.  Atlant does have younger regulars on their roster, but they generally only play a few shifts per game, if that. 

The low event style of game for Atlant probably suits them well, but I don't know how they can manage to keep up against Ufa's speed, skill, and depth.  There is no advantage to be seen in goal, with Erik Ersberg and Konstantin Barulin posting almost identical numbers, and even in terms of recent playoff experience Ufa has them beat.  Luckily for Atlant, Ufa isn't that far away from the Moscow region, so travel shouldn't play a major role. 

I'm predicting that Ufa, winners of the last Superleague title back in 2008, will become the second team to win the Gagarin Cup, and will prevail in five games.  They have a seriously well built team that would honestly compete in the NHL.  They represent the potential of the league, while Atlant represents closer to the reality, as a team full of players who played themselves out of the NHL. 

• Atlant @ Ufa, Friday Apr 8 (3:00 PM CET/10:00 PM EST)
• Atlant @ Ufa, Sunday Apr 10 (1:00 PM CET/8:00 AM EST)
• Ufa @ Atlant, Tuesday Apr 12 (5:30 PM CET/12:30 PM EST)
• Ufa @ Atlant, Thursday Apr 14 (5:30 PM CET/12:30 PM EST)

Games 5-7 are as yet unscheduled, but every second day is the KHL standard, so expect Game 5 to be on Saturday, like an early start. 

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File Description: UUEE - Sheremetyevo International - Moscow, Russia Sheremetyevo International Airport is an international airport located in the Moscow Oblast, Russia, 29 km (18 mi) north-west of central Moscow. It is a hub for the passenger operations of the Russian international airline Aeroflot, and one of the three major airports serving Moscow along with Domodedovo International Airport and Vnukovo International Airport. It is now the 2nd largest airport in Russia after Domodedovo. In 2010, the airport handled 19,329,000 passengers and 184,488 aircraft movements. Using ADEx 1.52, aeronautical maps and Google Earth the default AFCAD has been completely reworked to reflect today's situation including gate assignments.

File Description: UUEE Sheremetyevo International Airport updated with the new 6L-24R runway.

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