what do you do in a creative writing class

10 Essential Lessons You’ll Learn in a Creative Writing Workshop

by Melissa Donovan | Jul 11, 2023 | Creative Writing | 9 comments

What can you learn in a creative writing workshop?

When I look back over all my years of formal education, from preschool through college, only a few classes stand out as truly educational in a life-changing way.

In sixth grade, we did a section on space, which fascinated me. I retained a lot of what I learned. Later, I took astronomy and learned even more about the universe. A class on women writers exposed me to a whole world of literature I didn’t know existed. And two writing workshops (poetry and creative writing) put me on the path to becoming a professional writer.

The main difference between a regular class and a workshop is that a workshop is interactive. You work together with your fellow students, critiquing each other’s work, asking questions, and exchanging insights. Whatever you can learn from a single instructor is multiplied by all the knowledge and wisdom you gain by sharing ideas with a roomful of your peers.

What You Can Learn from a Creative Writing Workshop

2. Find out what your writing strengths are. The best part about receiving critiques from your peers is that they tell you what you’re doing right, which is reassuring. When you know that your writing skills have a solid foundation, it’s easier to accept that you still have work to do.

3. Accept the weaknesses in your writing. No matter how good your writing is now, there are things you can do to improve it. When ten of your classmates agree that certain elements in your prose need touching up or that you need to hit the grammar books, all you can do is accept it and dig your heels in.

4. Learn to handle critiques of your work. The first few critiques might be a bit rough, but once you see how all the suggestions make your writing better, you’ll start looking forward to them. You’ll learn how to separate yourself from your work, and you’ll be able to not only handle but actually embrace (and look forward to) critiques. This will also prepare you for real-world critics and their reviews.

5. Help others improve their work. When other writers put your suggestions into action or express appreciation for your recommendations and then tell you that your feedback helped them improve their writing, it feels good, especially when the arrangement is reciprocal.

6. Meet people who share your passion. There’s nothing like sitting in a room surrounded by people who are just as excited about writing as you are. It’s not only inspiring, it’s comforting. Plus, it’s a great opportunity to meet like-minded people, some of whom may become lifelong friends, writing partners, or your future writing group.

7. Improve your writing. This, of course, is the main reason most people take a creative writing workshop. The ultimate goal is to become a better writer , and a workshop will definitely do the trick. You’ll also put a lot more effort into everything you write because you know it will be scrutinized, and this builds excellent writing habits .

8. Adopt new writing techniques. Between the instructor and your peers, you’ll discover all kinds of interesting new writing tools and techniques, often simply through the course of discussion as well as through observing everyone’s work.

9. Get access to a mentor. The person running the workshop should be knowledgeable and experienced in the world of writing. Maybe the instructor is a published author, or maybe it’s someone who’s worked as an agent, editor, or publisher. This access to a mentor is priceless. Take advantage of it!

10. Gain experience and get a lot of creative writing practice. This is one of the most valuable benefits of a creative writing workshop. When writers work on their own, they tend to procrastinate, get distracted, and generally don’t finish most of the projects they start. But in a workshop, you’re forced to get it done. This gives you lots of great experience and practice, and it also builds good writing habits.

Thinking About Taking a Creative Writing Workshop?

I definitely recommend taking a creative writing workshop if you can find a good one that suits your schedule, budget, and writing needs. If you’ve already taken a creative writing workshop or class, share your experiences by leaving a comment. Did you learn or gain anything? Would you do it again?

You have spoken along these lines before, Melissa, and this entry is, as all your posts, fascinating and carries a great deal of sense. However, and I know I am repeating myself, I am quite unable to allow others to trample over my work, however poor it is and however noble their (expressed) motives.

I cannot help but think of the vast number of ‘real’ writers, men and women who would not have entertained the thought that writing could be learned, like arithmetic, in a classroom.

I am a poor writer and have come to accept the fact I shall always be a poor writer; it is my belief that some things – like arithmetic – can be ‘brought to heel’ by sheer hatd work, while others, like music, painting and writing, will remain ever beyond the reach of some.

Further, I have seen very promising young tennis players taken up by organisations such as the LTA and coached, every shred of flair and originality brutally ‘ironed out’ of them, and my fear is that, for many of us, attending a writer’s workshop would be a similarly dulling experience.

I also realise, however, that there are those of a temperament to survive – and evn thrive in such conditions. Sadly, I am not one of them.

Again, my thanks for a fascinating and informative blog and may it go on to even greater success, but I think you should make it clear that not everyone who has pretensions of being a writer will see their dream come true.

I believe anyone can become a writer. It starts with believing in yourself. I would add that successful authors demonstrate a range of writing skills. Even a “poor writer” (which you are not) can eke out a career in writing. I’ve seen it done. The only way to be sure you will never succeed is to never try.

Writing can be intended for a wide audience but it’s reason for being is that the writer cannot bear not to write. Whether you are a Eudora Welty, basking in prayers se or an Ethel Jackson whose writing fills notebooks only she has seen, your work has much value

Our local university has leisure learning classes that are workshops. We not only get feedback on our work, but we also learn how to workshop a piece, looking parts of the writing process with a discerning eye. The instructors keep the focus on the work, not the author. It’s so helpful for all the reasons you mentioned, but also to learn how to look constructively at my own work before anyone else ever reads it. Being inspired by fellow writers talking about writing is my favorite part. I’m sorry that opsimath feels that way. Whose to say what’s poor writing or good writing? Of course, some is obvious, and the above comment isn’t bad writing. I found it to be well-crafted and conveyed what the author intended. Not everybody is Stephen King or F.Scott Fitzgerald, and there are some who would argue even they aren’t good writers. I had the fear that I would lose myself in critique, but even in that it’s a good exercise. One of my best lessons is that no matter what others said, it’s still my writing. I can choose to take their advice or not. Workshops are only helpful when the focus is on the work, though. It’s a criitique, not a criticism. I’ve been in bad ones and they can hurt more than help. I got out of them quick.

Yes! Everything you said is spot-on. Your experiences in workshop give all of us reason to feel optimistic about finding good writing workshops and the benefits that we’ll gain from them. Thanks so much for sharing your experience. I hope it inspires others to take the plunge and try workshopping for themselves.

You have talked thusly some time recently, Melissa, and this section is, as every one of your posts, interesting and conveys a lot of sense. On the other hand, and I know I am rehashing myself, I am very not able to permit others to trample over my work, however poor it is and however honorable their (communicated) thought processes.

I really want to think about the incomprehensible number of “genuine” essayists, men and ladies who might not have entertained the prospect that written work could be learned, similar to math, in a classroom.

I am a poor essayist and now acknowledge the actuality I should dependably be a poor author; it is my conviction that a few things – like math – can be ‘conveyed to heel’ by sheer hatd work, while others, similar to music, painting and composing, will remain ever past the compass of some.

Further, I have seen extremely encouraging youthful tennis players taken up by associations, for example, the LTA and instructed, each shred of energy and innovation mercilessly ‘resolved’ of them, and my trepidation is that, for a significant number of us, going to an author’s workshop would be an also dulling knowle

Hi Shamit. Receiving feedback and critiques is not the same as people trampling all over your work. A good critique is designed to make your writing better. If you want to be a better writer, you can certainly work toward that. It’s your choice. There are people who have a natural talent for writing. However, great writing requires a lot of different skills (grammar, storytelling, word-craft, etc.). Even the most talented writers will find some area of the craft where they need to learn skills they don’t possess. The idea that writing can’t be learned is simply not true, as evidenced by thousands upon thousands of people who worked hard to learn the craft and then became successful. The myth that talent is a requirement is an unfortunate one.

A writer is someone who writes. However, the object of writing is not necessarily to get published or make a living by writing. Read, for example, the notebooks of Thomas Edison. One of the best writers I knew was my grandmother, who maintained weekly correspondence with seven high school girlfriends for over 50 years.

That’s true, Ann. People write for many reasons and not only for professional purposes.

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I was lucky enough to take my first creative writing class in high school, and I was instantly hooked. I went on to take classes in college, and then even after I graduated. So, if you're about to start your first creative writing class, I am so excited for you.

But, what is creative writing class, anyway? How does that even work? When I took my first class, I had absolutely no idea what to expect. Creative writing is not taught like your typical school subject, but it's not a complete blow-off elective either. And of course, every teacher does things in their own way.

I also didn't realize until I took one how amazingly valuable a creative writing class can be. I used to think that writing was purely a solo activity. You sat at your desk and put some words down on paper, and that was that. But the truth is that writing classes are great ways to build a community, learn some tricks of the trade, and produce new work. No matter how you're embarking on your creative writing journey, there are some things that you can expect to find in any creative writing class you take:

Other people are going to be reading your work.

Most creative writing classes are based on the roundtable system, in which your fellow students will read your work and provide commentary. Wait, don't freak out! It can be really daunting to share your work with others, especially for the first time, but you may come to love the roundtable. Most people will be super respectful of your efforts, and it's helpful to be able to test ideas out on different readers. Plus, sometimes the hardest part of being a writer is recognizing what is working, and you'll be amazed to learn which parts of your writing your peers love. Trust me, I always leave a round table feeling inspired and empowered.

You will have deadlines.

Deadlines can be both a blessing and a curse. For me, having a deadline helps me get the work done. But, I acknowledge, they can be stressful.

You will have to write new material.

I think some people expect that they can just coast through on writing they've already done, or that they can just work on one short story and submit revisions of it again and again. There may be some classes where that's okay, but even so, one of the most fulfilling parts of creative writing classes is challenging yourself to write something new, and to keep writing.

You will probably have reading assignments.

This was a huge surprise to me when I first started taking creative writing classes. One of the best ways to get better at writing is to read, and many creative writing teachers will give you reading assignments.

Creative writing class is a great place to step out of your comfort zone.

Try writing in a new genre! Try writing a screenplay or a poem or a novel! I like to think of creative writing class as the writer's version of a science lab, where you can experiment on anything you want and see how it turns out. You're going to be delightfully surprised by what you're able to do.

You might get prompts, and you might not.

Most of my creative writing teachers have been super lenient with writing assignments. In my experience, teachers have left the decision up to me, which can be both freeing and intimidating. So before you start class, it might be a good idea to the think about what you want to write. (But also remember, it's always okay to ask your teacher for help if you're stumped!)

On the flip side, sometimes teachers do throw in a prompt or two, and it's easy to feel boxed in. In that case, think of the prompt as a challenge, and try to stretch the box in whatever way you can. Don't put too much pressure on yourself to stick to the prompt exactly. Just try to have fun!

You don't need any previous writing experience.

There are going to be some people in your class who have been writing since they emerged from the womb, and some people who haven't written anything in their life. Wherever you're at is where you're supposed to be. (Though, of course, more advanced classes will have prerequisites.)

You will make some of your best friends in creative writing class.

Creative writing classes are amazing communities. The work of writing is usually a solitary an difficult one, so it feels amazing to connect with other people who are going through the same process. Plus, sharing your work will give you a super tight bond.

You're going to read some stuff you don't like, and that's okay.

You'll find a huge variety in the writers taking class with you. Every writer has different tastes, different styles, and different skill-levels. Not everything you read is going to be right for you as a reader, but that doesn't mean it's bad. Remember, even if it's not your usual cup of tea, have an open mind and be respectful. Concentrate on the craft of the piece and giving constructive criticism. And always find something positive to say.

Not everything you submit has to be perfect.

Of course, put your best foot forward and work hard on the pieces you submit to class. But you'll save yourself a lot of heartache if you keep in mind that each piece you submit is just a draft , not the final version. The point is to find things about it to improve! There's really no such thing as a "mistake."

You don't have to be a professional writer to get a lot out of creative writing class.

My high school creative writing teacher used to have us start and end each semester by filling out a self-evaluation. One of the questions was what our commitment-level was, ranging from "Hobby" to "Passion." You don't have to be at the passion level to enjoy a creative writing class. In my opinion, creative writing classes are great no matter your level of experience.

But you'll only get as much out of it as you put into it.

The point of creative writing class is not to get a good grade. Your own sense of fulfillment is contingent upon the time and care you put into your assignments, class discussion, and review of your peers' work.

Don't forget to have fun!

One of the classic traps is to take writing too seriously. Don't lose sight of how freakin' fun it is to be creative.

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What a creative writing course taught me

I spent six months of 2009 on the Faber Academy's inaugural Writing a Novel course. During that time I wrote a novel that became Before I Go to Sleep . Now, almost four years later, that book is an international bestseller and about to be turned into a film, and …

One of the questions I'm most often asked at events and in interviews is, would I have written Before I Go to Sleep had I not been on a creative writing course? Of course I can understand why. The question is usually asked by those who are writing themselves, and within it is wrapped its unspoken twin: do you think I should do a creative writing course, in order to do what you've done?

They're tricky questions for me to answer. Usually I'll reply that I'd have written my novel had I not been on the course, but I think it might have taken a lot longer. I compare it to skiing – by myself I'd probably learn to ski eventually, but taking lessons speeds up the process. My answer is glib and also disingenuous; it implies the course did little more than provide me with a shortcut to publication.

In fact, the course did so much more. When I began it writing was something I took seriously, and though it had never crossed my mind that I might one day be capable of writing a bestseller, I thought I could write reasonably well. But I wasn't a writer. Writers were professional, they wrote every day and they took notes everywhere they went and – well, I wasn't sure what they did. I just knew I wanted to be one and saw the course as a way of finding out whether that might one day be possible.

Then something odd happened. On the first night of the course Louise Doughty gave us a pep talk. "You're all good," she said. "But that's the last nice thing I'm going to say to you. If you want to get better you'll have to start taking it seriously." And then she said, "For the next six months, I give you permission to think of yourselves as writers."

For me, it was a pivotal moment. "Fuck it," I thought. "I will!" And I did. I wrote until my fingers bled and read until I could no longer focus. I drank many coffees and sank many pints while discussing books and language, and writing, and words, with people who cared as deeply about those things as I did. I carried a notebook everywhere I went and stopped being embarrassed to whip it out and take notes in public. At parties, when asked what I did, I said, "I write," and when asked what I'd had published, I said, "Nothing. I work in the NHS, too. But I still write." Gradually, it started to feel comfortable. During our lessons I learned about dialogue and character and the importance of conflict. I learned never to start a book with someone being woken up by an alarm (oops!), and to carefully avoid adverbs and cliches like the plague (ahem). But the more important lessons were deeper and more fundamental, and they were related to Louise's comment. In calling myself a writer I learned that that's what I am. A writer. I love language. Writing is how I make sense of my world. It's part of me. I worked harder than I'd ever worked before during those six months, and they were among the happiest I've known, because finally I was sure what I really wanted to do with my life. I learned who I am, and began the process of learning how I work best.

Mostly, though, the course gave me focus. Through it I learned that writing is hard work. Writers write. They don't sit around thinking all day, or lounge about in their pyjamas with a bowl of Coco Pops, watching daytime television while they wait for the muse to descend (though a little bit of that is permissible). Lessons about plot and setting and structure and voice can help, but the only way to become a better writer is by writing. Discussing your work with a wonderful tutor can help, but your tutor can't write it for you. For that, you're on your own. Just you and a pen, your courage, and the whole world of your imagination. It's terrifying, and exhilarating. Could I have written Before I Go to Sleep before learning those lessons? No, I don't think I could. Did I need to go on a course to learn them? Yes. At that point in my life at least, I think I did.

SJ Watson is the author of Before I Go to Sleep (Black Swan)

Anne Enright

For years, when I was asked about the success of the Creative Writing MA in the University of East Anglia , I had no answers or insights. It seemed to me that we weren't "taught" how to write at all – so perhaps that is the way to do it. The students hung out and talked and responded to each other's work. The tutor, Malcolm Bradbury , made sure we weren't too mean to each other. He shifted approvingly when key points were made, and deflected the negative with airy remarks about Tolstoy or Shakespeare. I had one-to-one sessions with Angela Carter , who said nothing about the work either – but she treated me like a fellow writer, and that made all the difference.

It is amazing how much you learn when other people read your work. They don't have to say anything, your words seem to morph under their scanning eyes. A creative writing course gets the stuff out of your head and into the room. It turns your story into a "thing", that can be dismantled and remade. It can not, however, tell you how to remake it. Writing remains a process that only goes one way: from the inside out.

A few years ago I heard someone say that Malcolm's great trick was to spot talent at the application stage – so maybe that is the real secret of a good creative writing course. The other is to find a teacher whose ego isn't bigger than their students' – not as easy as it sounds. Scholarships are also good. Nothing helps a writer like paying their rent. We don't, in the early stages, need food.

Anne Enright is the author of the Booker-prizewinning The Gathering and The Forgotten Waltz (Vintage)

Joe Dunthorne

As a first-year undergraduate creative writing student, I remember one lesson in particular. A tutor at UEA explained that, by placing physical description in the middle of a line of dialogue, I could make my characters walk and talk, rather than walk then talk. It was magical. Suddenly my creations were alive. I had hoped that learning creative writing would continue along those lines – three simple rules on how to make a reader cry, top tips on communicating a revelatory human truth – but it didn't work out that way.

By the time I was studying for a masters in prose fiction, the easy lessons had dried up and I was faced with 12 of my peers who each had a different opinion on how my novel should progress. They all gave convincing, contradictory suggestions. This provoked the last of my great creative writing epiphanies: that there is no majority, no safe path, and in the end we all travel alone.

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What are the 5 best creative writing classes?

Congratulations! Deciding to learn how to creative write is often the hardest step of all. Now it's time for a choice that's almost just as difficult: picking which creative writing class you want to take in a market that's getting more crowded by the day.  

That’s why we built this directory of the best creative writing courses — so that you can more easily filter through all of the selections out there. But in case you don't have time to dive into them all, here are five of the best creative writing classes for you to take a look at. 

1. Reedsy Learning

💲 Cost: Free 👨‍🏫 Type: Email lessons

If you’re struggling to find time for creative writing classes, Reedsy Learning is for you. These bite-sized lessons are emailed to you once a day for ten days and can be read in five minutes or less. But don’t let their compact size fool you — each lesson is packed with practical tips, links to additional resources, and enough exercises to keep your skills sharp. There are also courses on editing, marketing, and publishing for when you’re ready to take your creative writing to the next level.

2. Gotham Writers’ Workshop

💲 Cost: $165 - $409 (plus registration fees) 👨‍🏫 Type: Video lectures, live Zoom classes, assignments, critique

The largest adult-education writing school in the US, Gotham Writers has been helping budding authors hone their skills since the 1990s. Based in New York City, they offer in-person classes as well as a variety of online options for students all over the globe. With self-paced courses, live Zoom lectures, write-ins, and several free events per term, Gotham Writers emulates the university feel wherever possible.

💲 Cost: $0 - $109 👨‍🏫 Type: Lectures (videos, slides, and text)

Founded in 2010, Udemy is a massive online open course (MOOC) platform, created to provide an alternative to in-person, university learning. Their primary audience is made up of professionals and students — some of their courses even offer credit toward technical certifications. Their creative writing courses are broad and geared mainly toward beginners, through there are some intermediate courses that get into specific niches.

💲 Cost: $0 - $998 👨‍🏫 Type: Video lectures, online assignments

Another MOOC, edX was started as a collaboration between Harvard and MIT, but these days boasts classes from a wide variety of respected universities. Like Udemy, some of their courses also offer college credits. edX’s courses are weekly, consisting of short videos, interactive learning exercises, and online discussion groups. Their writing courses cover everything from novels to stand-up comedy to digital content. There are also related courses in journalism, composition, and grammar, among other specializations.

5. Coursera

💲 Cost: Free (Creative Writing Specialization) 👨‍🏫 Type: Video lectures, online assignments

One last MOOC for our list, this time founded by several Computer Science professors from Stanford University. But don’t let its history fool you — Coursera offers humanities classes as much as science and technology. In addition to general courses, Coursera also offers specializations, a series of courses that work together much like what you’d find in a university.

I have a long list of creative writing courses. Now what?

If you've narrowed down a list of writing classes in English you like, then it's time to commit to one of them. But how do you know which is the right fit for your needs and lifestyle?

Before committing to one of them, we recommend considering some of these questions.

• What skill levels does the writing course cover?
• What’s the price of the writing course? Does it match your budget?
• How long does the writing course run for?
• Who is the instructor of the course? Can you verify their credentials?
• Is the writing course remote or in-person?

More creative writing resources

Whether you’re a new or established author, there are always evergreen resources out there to how to get a headstart on creative writing! 

Free online materials

• Creative Writing Prompts (resource)
• Book Title Generator (resource)
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• How to Write a Novel (blog post)
• How to Write a Book Proposal (blog post)
• How to Edit a Book (blog post)

Recommended books

• For writers in the UK:  Writers' & Artists' Yearbook  
• For writers in the US:  Writer’s Market 2020

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A Look Into Creative Writing | Oxford Summer Courses

Exploring the magic of creative writing with oxford summer courses.

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Defining Creative Writing

Creative writing , as taught at Oxford Summer Courses, is the process of crafting original and imaginative works of literature, poetry, prose, or scripts. It transcends conventional writing, encouraging individuals to explore language, structure, and narrative. Whether it's a heartfelt poem, a captivating short story, or a thought-provoking novel, creative writing allows us to communicate our unique perspectives and experiences with the world.

The Magic of Imagination

Creative Writing is a catalyst that sparks our creativity and empowers us to breathe life into our ideas on the page. With Oxford Summer Courses, aspiring writers aged 16-24 can embark on an extraordinary journey of creative expression and growth. Immerse yourself in the captivating realms of Oxford and Cambridge as you explore our inspiring creative writing programs. Teleport readers to distant lands, realms of fantasy and creation, introduce them to captivating characters, and craft new worlds through the transformative art of storytelling. Discover more about our creative writing course here . Unleash your imagination and unlock the writer within.

What Are the Different Types of Creative Writing?

Creative Writing comes in many forms, encompassing a range of genres and styles. There are lots of different types of Creative Writing, which can be categorised as fiction or non-fiction. Some of the most popular being:

• Biographies
• Fiction: novels, novellas, short stories, etc.
• Poetry and Spoken word
• Playwriting/Scriptwriting
• Personal essays

At Oxford Summer Courses, students have the opportunity to delve into these various types of Creative Writing during the Summer School.

The Benefits of Creative Writing with Oxford Summer Courses

Engaging in Creative Writing with Oxford Summer Courses offers numerous benefits beyond self-expression. By joining our dedicated Creative Writing summer school programme, you would:

• Foster self-discovery and gain a deeper understanding of your thoughts, emotions, and personal experiences.
• Improve your communication skills, honing your ability to express yourself effectively and engage readers through refined language and storytelling abilities.
• Enhance empathy by exploring diverse perspectives and stepping into the shoes of different characters, broadening your understanding of the world around you.
• Gain new skills for further education or work, expanding your repertoire of writing techniques and abilities to enhance your academic or professional pursuits.
• Nurture your creativity, encouraging you to think outside the box, embrace unconventional ideas, and challenge the status quo, fostering a life-long mindset of innovation and originality.

Embracing the Journey

To embark on a journey of creative writing, embrace curiosity, take risks, and surrender to the flow of imagination. Write regularly, read widely, embrace feedback from tutors and peers at Oxford Summer Courses. Begin to experiment with styles and genres, and stay persistent in your course of action. The path of creative writing requires dedication, practice, and an open mind. Join us as we provide tips to help you start your creative writing journey and unleash your full creative potential under the guidance of industry professionals.

Creative Writing is a remarkable voyage that invites us to unleash our imagination, share our stories, and inspire others. It offers countless personal and professional benefits, nurturing self-expression, empathy, and creativity. So, grab a pen, open your mind, and embark on this enchanting journey of creative writing with Oxford Summer Courses. Let your words paint a vivid tapestry that captivates hearts and minds under the guidance of experienced tutors from Oxford and Cambridge. Join us as we explore the magic of creative writing and discover the transformative power it holds within through the renowned Oxford Summer Courses summer school.

Ready to study Creative Writing? Apply now to Oxford Summer Courses and join a community of motivated learners from around the world. Apply here .

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Discover the enchantment of creative writing with Oxford Summer Courses. Unleash your imagination, explore different genres, and enhance your communication skills. Nurture self-expression, empathy, and creativity while gaining valuable writing techniques.

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Why Learn Creative Writing?

Sean Glatch  |  November 1, 2022  |  5 Comments

Why learn creative writing? Truthfully, creative writing is one of the most misunderstood disciplines in the 21st century. When people think of a creative writing course, they often imagine a group of lofty, out-of-touch people who wear argyle sweater vests and have unproductive conversations about abstract concepts.

In reality, nothing could be further from the truth: the best writing classes remain engaged with the real world, and the skills gained in a creative writing course apply to nearly every facet of daily life.

If you’re wondering whether it’s worth picking up a course in fiction, nonfiction, or poetry, we have five reasons to learn creative writing. But first, let’s talk about what actually happens in a creative writing course.

The Basics of a Writing Workshop

Whether you’re enrolled in a poetry, fiction, or nonfiction writing class, you can expect the following writing process – at least in a quality writing course like the ones at Writers.com.

• Weekly prompts and writing exercises to sharpen the precision and necessity of each word you use.
• Constructive critiques from a community of writers who are each growing their writing skills alongside you.
• A creative space to explore new ideas, experiment with language, and arrange words in new and exciting ways.
• Focused writing instruction from a master of the craft.

The benefits of creative writing come from engaging with the course material, the writing prompts, and the other class members. These elements help you become a better writer, both in creative realms and in everyday life. How? No matter what form of writing, a creative writing class pushes you to connect ideas and create effective narratives using the best words – and that skill translates into real world success.

The Benefits of Creative Writing

1. why learn creative writing: improved self-expression.

Improving your writing skills leads to stronger communication. When you practice finding the right word in a story or poem, you engage the same parts of your brain that are active in everyday writing and speaking. A creative writing course subconsciously turns you into a more effective communicator.

The importance of precise language and self-advocacy translates well into both interpersonal relationships and working environments. Take it from this expert on how writing and self-advocacy results in career and leadership success.

2. Why Learn Creative Writing: Job Success

This brings us to our next point: great writing leads to job success. Of course, your boss probably isn’t expecting you to write emails in the form of a short story or a sonnet – though if they are expecting this, you have a pretty cool boss.

In reality, almost every job requires some sort of written work, whether that’s simple written communication or something more elaborate, like publishing data or marketing materials. In a creative writing class, you practice the style and grammar rules necessary for effective writing, both within the realms of literature and in career-related writing. Sharpening your writing and creativity skills might just land you your next promotion.

3. Why Learn Creative Writing: Improved Thinking Skills

Strong writing leads to strong thinking. No matter what type of writing you pursue, learning how to write is another form of learning how to think.

That might seem like a bold claim, so think about it this way. Without language, our thoughts wouldn’t have form. We might not need language to think “I’m hungry” or “I like cats,” but when it comes to more abstract concepts, language is key. How would you think about things like justice, revenge, or equality without the words to express them?

When you hone in on your ability to find choice, specific words, and when you work on the skills of effective storytelling and rhetoric , you improve your ability to think in general. Good writing yields great thinking!

4. Why Learn Creative Writing: Empathy

Reading and writing both rely on empathy, especially when it comes to being an effective workshop participant. When we read and write stories, we situate ourselves in the shoes of other people; when we read and write poetry, we let language navigate us through emotion.

The importance of creative writing relies on empathy. We practice empathy whenever we listen to another person’s life story, when someone tells us about their day, and when we sit down with a client or work partner. When we write, we practice the ability to listen as well as to speak, making us more effective communicators and more compassionate human beings.

5. Why Learn Creative Writing: It’s Fun!

In case you’re not convinced that a writing course is right for you, let’s clarify one more fact: creative writing is fun. Whether you’re in a fiction writing course, starting a memoir, crafting a poem, or writing for the silver screen, you’re creating new worlds and characters. In the sandbox of literature, you’re in control, and when you invest yourself into the craft of writing, something beautiful emerges.

The Importance of Creative Writing

Simply put, creative writing helps us preserve our humanity. What better medium to explore the human experience?

To learn creative writing, like any art form, requires compassion, contemplation, and curiosity. Writers preserve the world as they observe it in stories and poetry, and they imagine a better world by creating it in their works.

Through the decades, literature has explored society’s profound changes. Literary eons like the Naturalist movement and the Beat poets responded to the increase in Western Industrialization. Confessional poets like Virginia Woolf helped transform poetry into a medium for emotional exploration and excavation. And, genre movements like the cyberpunk writers of science fiction helped popularize the idea of an “information economy.”

Thus, the importance of creative writing lies in its ability to describe the world through an honest and unfiltered lens. Anyone who engages in creative writing, no matter the genre or style, helps us explore the human experience, share new ideas, and advocate for a better society. Whether you write your stories for yourself or share them with a wide audience, creative writing makes the world a better place.

Jobs for Creative Writers

Because creative writing isn’t a STEM discipline, many people don’t think that learning it will help their job prospects. Why learn creative writing if it doesn’t make any money?

In fact, nothing could be further from the truth. Creative writing skills are much sought after on resumes, since both creativity and the ability to write are soft skills in decline. Additionally, if you’re considering a career change—or ready to start one!—these are some popular jobs for creative writers.

• Average Starting Salary: $51,000
• Demand: High
• Skills needed: creativity, grammar, timeliness

Copywriters help companies put their branding into words. A copywriter might write emails, blogs, website content, or ad copy that encompasses the company’s voice and purpose. Copywriting requires you to write in a mix of styles and forms, flexing your writing muscles in new and exciting ways.

Grant Writer

• Average Starting Salary: $50,000
• Skills needed: storytelling, research, argumentation

Nonprofits and research facilities rely on local and national grants to fund their projects. Grant writers help secure that funding, writing engaging grants that tell the organization’s story in an engaging, tailored, and convincing way. Creative writers will enjoy the opportunity to tell a meaningful story and create positive community change through this career.

Communications/Public Relations Specialist

• Skills needed: creativity, communications, social media

A communications specialist helps drive a company’s image through various social channels. They may help create a positive narrative for their company through blogs, journalist outreach, social media, and other public-facing avenues. Much like copywriting, a PR specialist helps weave an effective story for a company.

• Average Starting Salary: $55,000
• Demand: Medium/High
• Skills needed: creativity, storytelling, organization, self-reliance

The dream job for many writers is to write and sell books. Being a novelist is an admirable career choice—and also requires the most work. Not only do you have to write your stories, but you also have to market yourself in the literary industry and maintain a social presence so that publishers and readers actually read your work. It’s a tough business, but also incredibly rewarding!

Reasons to Learn Creative Writing: Finding a Writing Community

Finally, creative writing communities make the writing struggle worth it. The relationships you foster with other creative writers can last a lifetime, as no other group of people has the same appreciation for the written word. Creative writing communities create transformative experiences and encourage growth in your writing; if there’s one reason to study creative writing craft, it’s the friendships you make in the process.

You don’t need a class to start writing, but it’s never a waste of time to learn the tools of the trade. Creative writing requires the skills that can help you in everyday life, and a creative writing course can help.

At Writers.com, we believe that creative writing can transform both individual lives and the world at large. See the importance of creative writing for yourself: check out what makes our creative writing courses different , then take a look at our upcoming course calendar today.

Sean Glatch

Would like to apply for a course to write a novel.

I’d be happy to help! Please email [email protected] with any questions, and we’ll find the right course for your writing.

[…] Sean. “Why Learn Creative Writing.” writers.com. June 7, 2020. https://writers.com/why-learn-creative-writing . Accessed November 7, […]

[…] And last of all it’s fun! I hope to live my life doing the things I love, with like-minded creative people who I love. I have many exciting things upcoming as I continue with the process of completing my first novel, Les Année Folles, such as publishing to my first magazine, journal, and working on the millions of short story ideas I have stored in my head. Stay tuned! References: Glatch, S. (2020, June 7). WHY LEARN CREATIVE WRITING? Retrieved from Writers.com: https://writers.com/why-learn-creative-writing […]

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Teaching Creative Writing: Tips for Your High School Class

When I was first told that I’d be teaching creative writing, I panicked. While I had always enjoyed writing myself, I had no idea how to show others how to do it creatively. After all, all of my professional development had focused on argumentative writing and improving test scores. 

Eventually, though, I came to love my creative writing class, and I think you will too. In this post, I hope to help you with shaping your own creative writing class. 

Disclosure: This post may contain affiliate links that earn me a small commission, at no additional cost to you. I only recommend products that I personally use and love, or think my readers will find useful.

The Importance of Teaching Creative Writing

Before getting into the nitty-gritty of how to teach creative writing, let’s first remind ourselves why you should teach a creative writing class.  

How often do you see students freeze in your English class, wondering if what they’re writing is “right”? How often do your students beg you to look over their work to make sure that they’re doing it “right”? 

We English teachers know that there’s no such thing as “right” when it comes to writing. But our students really struggle with the idea of there being no one correct answer. Creative writing is one solution to this problem.

By encouraging our students to explore, express themselves, and play with language, we show them how fun and exploratory writing can be. I know there have been many times in my life when writing clarified my own ideas and beliefs for me; creative writing provides this opportunity for our high school students. 

Plus, creative writing is just downright fun! And in this modern era of standardized testing, high-stakes grading, and just increased anxiety overall, isn’t more fun just what our students and us need? 

Creative writing is playful, imaginative, but also rigorous. It’s a great balance to our standard literature or composition curriculum. 

Whether you’re choosing to teach creative writing or you’re being voluntold to do so, you’re probably ready to start planning. Make it as easy as possible on yourself: grab my done-for-you Creative Writing Class here !

Otherwise, preparing for an elective creative writing class isn’t much different than preparing for any other English class .

Set your goals and choose the standards you’ll cover. Plan lessons accordingly. Then, be sure to have a way to assess student progress. 

Teaching Creative Writing Tip #1: Get Clear on Your Goals

First, what do you want to achieve with your creative writing class? In some school, Creative Writing is purely a fun elective. The goal is create a class that students enjoy with a side of learning. 

For other schools or district cultures, however, Creative Writing might be an intensely academic course. As a child, I went to an arts middle school. Creative writing was my major and it was taken very seriously. 

The amount of rigor you wish to include in your class will impact how you structure everything . So take some time to think about that . You may want to get some feedback from your administrator or other colleagues who have taught the course. 

Some schools also sequence creative writing classes, so be sure you know where in the sequence your particular elective falls. I’ve also seen schools divide creative writing classes by genre: a poetry course and a short story course. 

Know what your administrator expects and then think about what you as an instructor want to accomplish with your students.  

Teaching Creative Writing Tip #2: List Out Your Essential Skills

Regardless of your class’s level of rigor, there are some skills that every creative writing course should cover. 

First, you need to cover the writing process. Throughout the course, students should practice brainstorming, outlining, writing, and editing their drafts. In nearly every Poem Writing Activity that I use in my class, students follow the same process. They examine a model text, brainstorm ideas, outline or fill out a graphic organizer, put together a final draft, and then share with a peer for feedback. 

That last step–sharing and critiquing work–is an essential skill that can’t be overstated. Students are often reluctant to share their work, but it’s through that peer feedback that they often grow the most. Find short, casual, and informal ways to build in feedback throughout the class in order to normalize it for students. 

Literary terms are another, in my opinion, must-cover topic for teaching a creative writing class. You want your students to know how to talk about their writing and others’ like an actual author. How deep into vocabulary you want to go is up to you, but by the end of the course, students should sound like writers honing their craft. 

Lastly, you should cover some basic writing skills, preferably skills that will help students in their academic writing, too. I like to cover broad topics like writing for tone or including dialogue. Lessons like these will be ones that students can use in other writing assignments, as well. 

Of course, if you’re teaching a creative writing class to students who plan on becoming creative writing majors in college, you could focus on more narrow skills. For me, most of my students are upperclassmen looking for an “easy A”. I try my best to engage them in activities and teach them skills that are widely applicable. 

Teaching Creative Writing Tip #3: Make Sure Your Materials are Age-Appropriate

Once you know what you’re teaching, you can begin to cultivate the actual lessons you’ll present. If you pick up a book on teaching creative writing or do a quick Google search, you’ll see tons of creative writing resources out there for young children . You’ll see far less for teens. 

Really, the content and general ideas around creative writing don’t change much from elementary to high school. But the presentation of ideas should .

Every high school teacher knows that teens do not like to feel babied or talked down to; make sure your lessons and activities approach “old” ideas with an added level of rigor or maturity.

Take for example the haiku poem. I think most students are introduced to haikus at some point during their elementary years. We know that haiku is a pretty simple poem structure. 

However, in my Haiku Poem Writing Lesson , I add an extra layer of rigor. First, students analyze a poem in which each stanza is its own haiku. Students are asked not only to count syllables but to notice how the author uses punctuation to clarify ideas. They also analyze mood throughout the work.  

By incorporating a mentor text and having students examine an author’s choices, the simple lesson of writing a haiku becomes more relevant and rigorous. 

Teaching Creative Writing Tip #4: Tell Students What They Should Not Write About

You’ll often be surprised by just how vulnerable your students are willing to be with you in their writing. But there are some experiences that we teachers don’t need to know about, or are required to act on. 

The first day of a creative writing course should always include a lecture on what it means to be a mandated reporter. Remind students that if they write about suicidal thoughts, abuse at home, or anything else that might suggest they’re in danger that you are required by law to report it. 

Depending on how strict your district, school, or your own teaching preferences, you may also want to cover your own stance on swearing, violence, or sexual encounters in student writing. One idea is to implement a “PG-13” only rule in your classroom.

Whatever your boundaries are for student work, make it clear on the first day and repeat it regularly.

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Teaching Creative Writing Tip #5: Give Students Lots of Choice

Creative writing should be creative . Yes, you want to give students parameters for their assignments and clear expectations. But you want them to feel a sense of freedom, also.  

I took a class once where the story starters we were given went on for several pages . By the time we students were able to start writing, characters had already been developed. The plot lines had already been well-established. We felt written into a corner, and we all struggled with wrapping up the loose ends that had already been created. 

I’ve done an Author Study Project with my class in which students were able to choose a poet or short story author to study and emulate. My kids loved looking through the work of Edgar Allan Poe, Elizabeth Acevedo, Neil Gaiman, and Jason Reynolds for inspiration. They each gravitated towards a writer that resonated with them before getting to work. 

Another example is my Fairy Tale Retelling Project. In this classic assignment, students must rewrite a fairy tale from the perspective of the villain. Students immediately choose their favorite tales, giving them flexibility and choice.

I recommend determining the form and the skills that must be demonstrated for the students . Then, let students choose the topic for their assignment. 

Teaching Creative Writing Tip #6: Use Hands-On Activities

If you’re teaching a class full of students who are excited to write constantly, you can probably get away writing all class period. Many of us, however, are teaching a very different class. Your students may have just chosen an elective randomly. They might not even have known what creative writing was!

(True story–one of my creative writing students thought the class would be about making graffiti. I guess that is writing creatively!)

For students who have no long-term writing aspirations, you need to make your lessons and activities a little more engaging. 

When possible, I try to make writing “hands-on.” Adding some tactile activity to a standard lesson breaks up class, engages students, and makes the lesson more memorable.

For example, when I teach students the old adage “Show. Don’t Tell” , I could just give them a scene to write. Instead, I print simple sentences onto strips of paper and have students randomly select one from a hat. (Then they turn this simple sentence into a whole “telling” scene.)

Simply handing students a strip of paper that they can touch and feel makes the lesson more exciting. It creates more buy-in with students. 

Another one of my favorite hands-on activities is a Figurative Language Scavenger Hunt. I hang up posters of mentor poems around the room, each full of different figurative language techniques. 

Then, students must get up and explore the posters around the room in an attempt to find an example of 10 different figurative language techniques.

We could do the same lesson on a worksheet, but having students up and moving increases engagement, collaboration, and gives everyone a break from constantly sitting. 

Teaching Creative Writing Tip #7: Incorporate Mentor Texts

One way to make sure that your creative writing class is rigorous–and valuable–enough for high school students is to use mentor texts . 

Mentor texts are essential for older students because it shows them what’s possible . Many of my students will rush through an assignment just to be done with it. If you ask them what they could do to improve their writing, they say that they think it’s fine. 

But when they’re shown mentor texts or exemplar products produced by their peers, suddenly students see a myriad of ways in which they could improve their own work. They’re quick to make edits. 

I try to always include a mentor text and several examples whenever I introduce students to new ideas or teach a new lesson. You can pull mentor texts from classic writers. However, I also recommend including writing from more modern poets and writers as well. 

Teaching Creative Writing truly is a special job. Your students trust you with writing that many adults in their lives will never see. You’ll be able to watch students grow and bloom in a totally new way.

That doesn’t mean that teaching creative writing is without challenges or difficulties, however. If you want an easy place to start, or just want to save yourself a ton of planning time, I highly recommend checking out my Complete Creative Writing Class . 

Inside this bundle, you’ll receive daily warm-ups, weekly lessons, two projects, several activities, a lesson calendar, and more! It’s truly everything you need for an engaging 9-week elective course!

• Special Topic Courses
• Undergraduate
• B.A. in English
• Academic Advising
• Career Paths
• First-Year Writing
• Internships
• Professional Writing
• Scholarships
• M.A. in English
• MFA in Creative Writing
• M.S. in Technical Communication
• Accelerated Bachelor’s-Master’s Degree (ABM)
• Research and Engagement
• Literary Readings and Contests
• Film Studies Events and More
• Language and Life Project
• Young and Teen Writers Workshops
• Alumni and Friends
• Give Now 

Courses: Professional Writing Certificate

Required courses.

It is advisable, but not necessary, to take the required courses before the elective courses.

ENG 214 Introduction to Editing is the student’s first exposure to the professional treatment of written work.  Students learn to edit, revise, and proofread copy.  Assignments acquaint students with typical editorial practices, problems, and resources.

ENG 314 Technical Document Design and Editing introduces skills needed by professional writers in workplace environments, including planning, drafting, organizing, and editing documents.  It also covers visual aspects of professional writing, such as document design, creation and use of graphics and desktop publishing.  Assignments include production and evaluation of various forms of workplace and technical writing.

Elective Courses

For specific course descriptions of the elective courses, refer to university catalogs . Please note that for some of the elective courses, you must obtain permission from the instructor to enroll.

You may choose to concentrate in journalism, technical writing or creative writing by choosing three courses within your field of choice. You are not required to do this and can take courses in two different concentrations. 

General Writing Courses

• ENG 317 Designing Web Communication
• ENG 323 Writing in the Rhetorical Tradition 
• ENG 331 Communication for Engineering and Technology 
• ENG 332 Communication for Business and Management 
• ENG 333 Communication for Science and Research 
• ENG 350 Professional Internship
• ENG 426 Analyzing Style 

Journalism Courses

• ENG 316 Principles of News and Article Writing
• ENG 416 Advanced News and Article Writing
• ENG 417 Editorial and Opinion Writing

Scientific and Technical Writing Courses 

• ENG 421 Computer Documentation Design
• ENG 425 Analysis of Scientific and Technical Writing
• ENG 517 Advanced Technical Writing
• ENG 518 Publication Management

Creative Writing Courses  

• ENG 288 Fiction Writing
• ENG 289 Poetry Writing
• ENG 330 Screenwriting
• ENG 381 Creative Nonfiction Writing Workshop
• ENG 388 Intermediate Fiction Writing Workshop
• ENG 389 Intermediate Poetry Writing Workshop
• ENG 430 Advanced Screenwriting

These are regular undergraduate and graduate offerings of the English Department taught by regular faculty members. No transfer credit or credit by exam may be applied toward the certificate program.

Course Availability

Courses are offered during the day fall, spring, and summer semesters, and sometimes at night during the fall and spring. Not every class may be offered at night every semester, but the selection usually permits a student to complete the certificate program at night within two years. Students who can attend during the day may be able to complete the program faster. 

Course Enrollment

Some courses require manual enrollment due to prerequisites. If a student is unable to self enroll in a course, please email [email protected] with the course name, number and section number. 

Certificate Completion

After completing all five courses, students need to submit the certificate completion form . Once the form is submitted, the Professional Writing program will process the complete and send you a certificate suitable for framing and a letter attesting to your achievement in your coursework.

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WPS AICA: An effective writing companion

Hello everyone, I'm a WPS Office expert. Today, I'm delighted to introduce you to an outstanding tool - WPS AICA (Artificial Intelligence Content Assistant)! It's a powerful assistant that understands your commands and generates text based on different contexts. Whether you need academic writing, business copywriting, or personal creative writing, WPS AICA can provide you with an efficient and high-quality writing experience! Let me show you the true power of WPS AIGC!

What can WPS AIGC do?

Language understanding and generation : WPS AICG integrates mainstream AI language models. It accurately understands your input natural language and generates high-quality text or paragraphs accordingly.

Creative generation : It can provide various styles, themes, and emotional creative content to help you gain more inspiration.

Contextual understanding : It can connect information and expand content based on context logic. For example, when dealing with long articles, it can establish reasonable connections between different paragraphs, maintaining the unity and integrity of the article.

Article rewriting and improve : AICG can help you rewrite existing articles, improve, adjust article length, etc. It improves the quality and appeal of the article.

Where is WPS AIGC suitable for use?

Advertising copywriting : Want your ad copy to be more persuasive and appealing? AIGC can bring you unexpected results! Whether it's product promotion, sales activities, or brand promotion, it can generate dozens of options in seconds, and you just need to select the most suitable one.

Social media content creation : Content is crucial on social media! AIGC can generate diverse social media content, including posts, comments, event introductions, etc., boosting your social media activity and user interaction!

SEO-optimized articles : Want your website to rank better and gain more exposure on search engines? AIGC is your reliable assistant! It can generate articles that meet SEO requirements, attract more traffic, and enhance your website's visibility and exposure, pushing your website to the top of search engine results!

Product descriptions and instructions : Product descriptions and instructions are essential on e-commerce platforms or physical stores! AIGC can help businesses write accurate, vivid product descriptions and instructions, showcasing product features and advantages, attracting customers, and boosting product sales!

Of course! Although AIGC cannot directly replace human creativity and thinking ability, it can indeed be a powerful assistant for writers. It can quickly generate text in different styles, helping you brainstorm from scratch and saving a lot of time and energy.

How to use WPS AIGC to generate text?

Log in to your WPS account.

Open the document, and there are three ways to activate the AI writing assistant:

Click the WPS AI button in the upper right corner.

Type @AI in the document.

Click Start Writing with WPS AI.

The system provides 15 common writing scenarios, such as brainstorming, press releases, social media posts, job descriptions, etc. We offer enough writing scenarios, and if you have other personalized writing needs, you can also directly enter your desired commands!

Select "accept" to insert the text content into the document.

Make manual adjustments to some details.

For example, As a newcomer to the HR profession who needs to write a job advertisement for an AI Product Manager position. Before this, I wasn't clear about the experience and responsibilities required for a product manager. Maybe I would spend a lot of time searching and writing, but now WPS AICG helped me finish the work in just a few seconds.

How to use WPS AIGC to rewrite text?

WPS AIGC not only helps draft articles but also helps you improve existing text. Whether you need to shorten or expand content, change tone or emotion, AI Writer can quickly adjust your writing to achieve your desired goals.

How to operate?

Select a paragraph in the document.

Click WPS AI in the minibar.

Choose the function you need in the menu.

If satisfied, you can insert the generated text into the desired location, such as before or after the paragraph, or replace or copy the generated text.

It can help you quickly summarize and refine long texts, generating concise and clear summaries. It can also organize and summarize meeting discussions, generating meeting minutes or summary reports.

Change layout:

You can easily rewrite text into a list or table format . For example, this news article has a large amount of text that is not easy for people to understand quickly. You can convert it into a table format for summarization, which is more conducive to conveying information.

Make longer & Shorter:

Through the "Shorten and Lengthen" function, you can adjust the way text is expressed, making it shorter or longer while maintaining the original meaning.

Continue writing:

Expanding existing text, it can intelligently generate related content based on context analysis, maintaining the coherence and fluency of the article.

Improve writing:

It can optimize language, improve style, and control the tone and emotion of the text, elevating your writing to the next level.

Why choose WPS AICG?

Nowadays, there are many mature AI tools, why choose us?

Ease of use and convenience : WPS AIGC is integrated into the WPS Office suite, so you don't need to learn new interfaces and operating methods separately. You can directly use AI functions in a familiar working environment.

Specialized customization : WPS AIGC is professionally customized and optimized for office scenarios. It can generate documents, reports, resumes, etc., more accurately, providing more professional and practical solutions for office needs.

Copyright and privacy protection : WPS AIGC focuses on user data privacy and intellectual property protection. Through strict data processing and privacy protection measures, it ensures that user-generated content will not be abused or infringe on others' copyrights, providing users with more secure and reliable services.

More AI tools : Besides text generation, WPS Office also has other AI functions, enhancing your office experience comprehensively!

AI Spell Check : Corrects your spelling and grammar errors promptly while providing editing suggestions based on different scenarios, improving your writing skills.

ChatPDF : Engage in conversations with PDF documents, quickly summarizing the content into understandable paragraphs, facilitating your reading and comprehension in a short time.

Parallel Translate : Provides the ability to translate files, documents, reports, etc., allowing cross-cultural communication and collaboration.

Overall, although WPS AIGC cannot completely replace human writing capabilities, it can significantly improve your writing efficiency. You can even entertain yourself while writing, freeing up your brain for other tasks!

Now, just upgrade to WPS PRO to enjoy unlimited

• 1. Effective Business Report Template in WPS Office
• 2. How can I make my resume more effective with career objectives
• 3. Creating the Best Business Plan with WPS Office’s Problem-Solving Features
• 4. Guide to Writing a Simple Resume Format in Word
• 5. How to Create an Effective CV Format for Students?
• 6. Resume Objective Examples and Writing Tips 2024

15 years of office industry experience, tech lover and copywriter. Follow me for product reviews, comparisons, and recommendations for new apps and software.

Giving Students Options for a Concept Paper in a Business Communications Course

The Communication Spotlight features innovative instructors who teach written, oral, digital/technological, kinetic, and visual communication modes.

Jennifer Hite received her BA majoring in Environmental Studies with a minor in Political Science from University of California at Santa Barbara, her MA in Communication Management from the Annenberg School of Communication at University of Southern California. She received a PhD in Organizational Behavior at UCI/The Paul Merage School of Business. Professor Hite has been an Instructor at the Annenberg School of Communication at USC, School of Business Administration at USC and UCI/The Paul Merage School of Business. She is a member of the Academy of Management, International Communication Association and the Society for Human Resources Management.

What is the assignment? 

Concept Paper: Project or Idea Pitch

Project overview: You can choose from one of two tracks for the assignment:

• Introduce a new product or
• Introduce an existing product to another country.

Track 1: Introduce a New Product

Students selecting this track will produce a concept paper and pitch that follow the requirements of the Stella Zhang New Venture Competition . By the end of the quarter, you’ll have a solid concept paper and pitch ready if you choose to compete.

Product selection, Track 1: The product must be a completely new product or a better version of an existing one that is affordable to most Americans. In addition,

• A new service or a digital product may not be used.
• If you’ve already submitted a concept paper for the New Venture Competition, you may not use the same idea or paper for MGMT 191W. However, we encourage you to use the original work you create for MGMT 191W for the competition.

Track 2: Introduce an Existing Product to Another Country

Students selecting this option will introduce an existing product to a country they are not familiar with. Here are the requirements for both the product and the country you choose.

Product selection, Track 2: The product must be an existing one that is affordable to the people in the country you’ll be introducing it to. In addition,

• It must be a consumer product ; that is, an item of common or daily use, typically bought by individuals for private consumption.
• It must be a product consumers can purchase in brick-and-mortar stores.
• Although the product you choose may already be available in the country, your goal is to find one that is not already easily available in the country .
• It cannot be a product consumers rent or that they must subscribe to, such as a meal service.
• It cannot be for commercial use only.

Country selection, Track 2 : The country you use for the report must be one you have never visited, are not from, do not have any cultural ties to, have any relatives from, or know very much about.

How does it work?

In just three pages, students must develop a complete pitch that’s designed to convince investors (Track 1) or their CEO (Track 2) to adopt their product or idea. They build a credible argument by using library resources and careful paragraph development. The paper requires them to carefully analyze the potential market characteristics as well as any competitors, and to use color to engage the reader. The skills they develop in this project are easily transportable to work assignments once they graduate.

What do students say?

“The Concept Paper was a very informative assignment. It was the combination of a research paper and a corporate pitch/report, which worked to mimic potential assignments I will have once I graduate and get a corporate job. I particularly liked that my research was catered towards a specific audience, which led to it being more refined and avoiding any unnecessary information.” – Student Response

Student Artifact: 

This paper, pitching a new product idea, engages the audience with color and in the first paragraph with an attention-getting opening. They use bullet points and numbered lists to draw the reader’s eye and to quickly summarize information. The analysis of the market potential establishes the reach of the product, backed by recent, credible research. In addition, the analysis of the product’s competitors focuses on the product’s advantages over others. The paper is concise, well-written, and well-researched.

Read the full paper here .

Why does this work?

By asking students to choose between two options for their concept paper – either introducing a new product or an old product to a new market – the assignment is essentially asking students to choose their purpose and their audience. This choice can prompt students to think about the relationship between purpose and audience and craft their writing accordingly.

Check out these resources for developing business writing assignments in your communication classes:

• Implementing Student Choice within an Assignment from University of Nebraska-Lincoln
• Business Writing Handout from UNC to help students understand typical expectations for business writing
• This particular assignment asked students to use figures in their writing. Your students might find this resource from the CEWC helpful for using tables and figures.

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Garden tours, plants sales and more ways to spend time among flowers

Visit Maine's botanical gardens or get a sneak peek of what your neighbors are growing in their back yards.

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One of the loveliest ways to ease yourself fully out of the post-winter blahs and into springtime is to quit being a wallflower and instead surround yourself with living, blooming plants.

From botanical gardens to plant sales and garden tours, it’s time to make like the Scarecrow in “The Wizard of Oz” and while away the hours, conferring with flowers.

The waterfall at Coastal Maine Botanical Gardens in Boothbay. Photo by Tory Paxson, Courtesy of Coastal Maine Botanical Gardens

TOTALLY BOTANICAL

Coastal Maine Botanical Gardens in Boothbay is open for the season, daily from 9 a.m. to 5 p.m. Maine Days are May 31 to June 2, when anyone with a Maine driver’s license or state ID gets in for free. Ditto for dads/father figures on Father’s Day (June 16). Advance registration is required. With more than 300 acres of gardens and natural spaces, including a waterfall, there will be plenty to see, smell and bask in the scenery.

Here are more things to do in Boothbay

A tour group walks on the boardwalk at Viles Arboretum in Augusta. Joe Phelan/Kennebec Journal

Viles Arboretum is a botanical garden in Augusta with 6 miles of trails and more than 20 botanical collections. It’s open daily from sunrise to sunset, and admission is free. There are 224 acres with all sorts of flora and fauna to discover. Leashed dogs are welcome, and the visitor center is open from 10:30 a.m. to 4:30 p.m. Wednesday through Saturday.

Viles Arboretum offers medicinal plant walks, and although the May 18 session is full, you can still register for the June 15 and Sept. 14 events, lead by herbalist, homeopath and flower essence practitioner Debra Bluth. Tickets are $25. Advertisement

The Mount Desert Land & Garden Preserve has four areas to explore on its property in Northeast Harbor: the Asticou Azelea Garden (dawn to dusk daily), the Abby Aldrich Rockefeller Garden (noon to 4 p.m. Tuesday through Sunday from July 9 to Sept. 8, reservations required), Thuya Garden (dawn to dusk daily, June 15 to Oct. 14) and Little Long Pond Natural Lands (hiking trails and carriage roads open dawn to dusk daily). On June 26, at the Wildflowers of Little Long Pond event, participants can wander around the garden’s fields and forest, spotting wildflowers along the way while practicing how to identify them.

Joyce Saltman, right, and Beth Anisbeck embrace a tree for 60 seconds during a tree hugging event sponsored by Portland Parks and Recreation, at Deering Oaks Park last year. Carl D. Walsh/Staff Photographer

TOURS AND MORE

2nd Annual Tree Hugging 11 a.m. to 1 p.m. Saturday. Deering Oaks Park, Portland. portlandmaine.gov The tree hugging is a family-friendly community gathering to celebrate Portland’s many trees. Park ranger Liz Collado will lead a sensory awakening and forest bathing session. Along with tree hugging, there will be a storytime, and you can touch a forestry truck and meet naturalist Noah Querido and Portland city arborist Mark Reiland. Just down the road, you’ll find Fessenden Park, on the corner of Brighton and Deering Avenues. The tulips have arrived, and it’s worth a visit to see them.

McLaughlin Garden Lilac Festival 10 a.m. to 4 p.m. May 24. McLaughlin Garden and Homestead, 97 Main St., South Paris, $5. mclaughlingardens.org You’ll find more than 125 varieties of lilacs at the McLaughlin Garden Lilac Festival. Explore on your own or take a guided tour led by a horticulturist. There will also be family-friendly activities, and you can shop for native and unusual plants.

4th annual Woodfords Community Garden Tour 1-4 p.m. June 8. Woodfords Corner Community in Back Cove, Deering Highlands, Oakdale and Deering Center, $20 suggested donation. woodfordscorner.org Presented by Friends of Woodfords Corner, this self-guided tour features at least 10 gardens. As you make your way down the list, you’ll find yourself pleasantly surprised by all of the hidden havens bursting with flowers, plants and impressive yardscaping elements.

Peony Society of Maine 23rd annual Garden Tour 10 a.m. to 3 p.m. June 8 and 15. Both tours start at 1348 Ohio St., Bangor, $5 donation. peonysocietyofmaine.net You’ll visit multiple gardens in Bangor, Winterport, Ripley and St. Albans, and your senses will be filled with countless peonies. A peony plant will be raffled off at the end of each tour. Advertisement

Hidden Gardens of Historic Bath 10 a.m. to 2 p.m. June 22. Sagadahoc Preservation Inc., 880 Washington St., Bath, $40. sagadahocpreservation.org The Hidden Gardens of Historic Bath house and garden tour features several homes in North Bath. Every stop on the tour will be a treat for your senses and may motivate you to make some of your own magic when you get back home.

Garden Conservancy Open Garden Days 10 a.m. to 4 p.m. June 29. Beckett Castle Rose Garden, Singles Road, Cape Elizabeth, $10. gardenconservancy.org You’ll see plenty of roses as well as ocean views at Beckett Castle, which sits right on the water, with views of five lighthouses. The castle was built in 1871, and its rose garden features more than 70 varieties of heirloom roses. A 50-foot stone tower doubles as the rose arbor entrance to the castle.

PICK A PLANT SALE

Tate House Museum’s Annual Plant and Herb Sale 9 a.m. to 1 p.m. May 18. Tate House Museum, 1267 Westbrook St., Portland, 207-774-6177.  tatehouse.org The wide selection includes perennials divided from the museum’s 18th century reproduction garden. Visitors can also make their own “seed bombs” and get a sneak peak at a new installation by artist Ashley Page from 10 a.m. to noon.

Animal Refuge League of Greater Portland Spring Plant S ale 9 a.m. to 11 a.m. May 18, Animal Refuge League of Greater Portland, 217 Landing Road, Westbrook, 207-854-9771.  arlgp.org   Perennials, house plants and more will be on sale, and plants that don’t have specific pricing are “name your own fee.” Anyone interested in donating plants or pots to the sale should send a message to [email protected] .

Taking Root Plant Sale 9 a.m. to 1 p.m. June 1, Tom Settlemire Community Garden, Maurice Drive, Brunswick, 207-729-7694.  btlt.org This annual sale is organized by the Brunswick-Topsham Land Trust. Proceeds benefit the Common Good Garden, which provides food and gardening education for the Mid Coast Hunger Prevention Program. Master gardeners will be on hand to help shoppers choose their best options.

Scarborough Land Trust Native Plant Sale and Spring Festival 9 a.m. to 1 p.m. June 1, Broadturn Farm, 388 Broadturn Road, Scarborough, 207-289-1199.  scarboroughlandtrust.org Visitors will find native plants, food vendors, local artisans, guided nature walks and activities for kids. To preorder plants, visit the Scarborough Land Trust website.

Maine Audubon Society Native Plants Sale and Festival 9 a.m. to 3 p.m., June 8, Gilsland Farm Audubon Center, 20 Gilsland Farm Road, Falmouth, 207-781-2330.  maineaudubon.org More than 75 species of native wildflowers, shrubs and tree seedlings will be available, along with workshops, info tables and experts.

Staff writer Megan Gray contributed to this report.

Related Headlines

Headed to Coastal Maine Botanical Gardens? Here’s what else to check out in Boothbay

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